Ball, Cheryl, and Ryan Moeller. "Converging the ASS[umptions] between U and ME; Or How New Media can Bridge a scholarly/creative Split in English Studies." Computers and Composition Online (2008). Web. January 29, 2014 <http://www2.bgsu.edu/departments/english/cconline/convergence/>.
Beaty, Bart. Comics Versus Art. Toronto: University of Toronto Press, 2012. Print.
Becker, Stephen D. Comic Art in America: A Social History of the Funnies, the Political Cartoons, Magazine Humor, Sporting Cartoons, and Animated Cartoons. New York: Simon and Schuster, 1959. Print.
Carrier, David. The Aesthetics of Comics. University Park: Pennsylvania State University Press, 2000. Print.
Couperie, Pierre. "Antecedents and Definition of the Comic Strip." The Art of the Comic Strip. Eds. Walter Herdeg and David Pascal. Zurich: The Graphis Press, 1972. 8-13. Print.
Deleuze, Gilles, and Félix Guattari. What is Philosophy? New York: Columbia University Press, 1994. Print.
Deleuze, Gilles. Difference and Repetition. New York: Columbia University Press, 1994. Print.
Dosse, François. Gilles Deleuze & Félix Guattari: Intersecting Lives. Tran. Deborah Glassman. New York: Columbia University Press, 2010. Print.
Eisner, Will. Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist. New York: W.W. Norton, 2008. Print.
Groensteen, Thierry. The System of Comics. Trans. Bart Beaty and Nick Nguyen. Jackson: University Press of Mississippi, 2007. Print.
Harvey, Robert C. The Art of the Funnies : An Aesthetic History. Jackson, Miss.: University Press of Mississippi, 1994. Print.
Jay, Martin. "Cultural Relativism and the Visual Turn." Journal of Visual Culture 1.3 (2002): 267-78. Print.
---. "That Visual Turn." Journal of Visual Culture 1.1 (2002): 87-92. Print.
Kunzle, David. History of the Comic Strip. Berkeley: University of California Press, 1973. Print.
Macleod, Katy, and Lin Holdridge. Thinking through Art: Reflections on Art as Research. New York: Routledge, 2006. Print.
McCloud, Scott. Understanding Comics: The Invisible Art. New York: HarperPerennial, 1994. Print.
Meskin, Aaron. "Defining Comics?" The Journal of Aesthetics and Art Criticism 65.4 (2007): 369-79. Print.
---. "The Ontology of Comics." The Art of Comics: A Philosophical Approach. Eds. Aaron Meskin and Roy T. Cook. Malden, MA: Wiley-Blackwell, 2012. Print.
Mitchell, W. J. T. Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press, 1994. Print.
Moulthrop, Stuart. "After the Last Generation: Rethinking Scholarship in the Days of Serious Play." Proceedings of Digital Arts and Culture Conference (2005): 208-15. Print.
Ramsay, Stephen. "On Building." Stephen Ramsay. January 11, 2011. Web. January 24, 2014 <http://stephenramsay.us/text/2011/01/11/on-building/>.
---. "Who's In and Who's Out." Stephen Ramsay. January 8, 2011. Web. January 24, 2014 <http://stephenramsay.us/text/2011/01/08/whos-in-and-whos-out/>.
Sim, Dave. Cerebus, Volume 1. Kitchener, ON: Aardvark-Vanaheim, 1991. Print.
Spiro, Lisa. "'This is Why we Fight': Defining the Values of the Digital Humanities." Debates in the Digital Humanities. Ed. Matthew K. Gold. Minneapolis: University of Minnessota Press, 2012. Web. January 30, 2014 <http://dhdebates.gc.cuny.edu/debates/text/13>.
Sullivan, Graeme. Art Practice as Research: Inquiry in Visual Arts. Thousand Oaks [Calif.]: Sage Publications, 2010. Print.
Svensson, Patrik. "Beyond the Big Tent." Debates in the Digital Humanities. Ed. Matthew K. Gold. Minneapolis: University of Minnessota Press, 2012. Web. January 30, 2014 <http://dhdebates.gc.cuny.edu/debates/text/22>.
Ulmer, Gregory L. "The Object of Post-Criticism." The Anti-Aesthetic: Essays on Postmodern Culture. Ed. Hal Foster. Port Townsend, WA: Bay Press, 1983. 83-110. Print.
Wesch, Michael. "The Machine is Us/ing Us." YouTube. 2007. Web. May 1, 2013 <http://www.youtube.com/watch?v=6gmP4nk0EOE>.