Abstract
Although Digital Humanities (DH) has become more established in recent years one
of the main issues that remains is the true internationalization of DH as an
academic discipline. Up to this point the DH community has been mainly focused
on scholars from a handful of English speaking countries and there is little or
no participation from other regions of the world. This paper discusses the
experience of setting up a DH community in Mexico. The aim is to describe the
multi-faceted approach used for DH community building as well as discussing
different strategies employed, difficulties encountered, produced results as
well as areas for future growth. We propose that this may serve as a model for
similar initiatives in other countries.
Introduction
In recent years there has been a noticeable growth in the establishment of new DH
associations both regional and national. 2011 saw the establishment of the Red
de Humanidades Digitales (RedHD), Humanidades Digitales Hispánicas (HDH) and the
Associazione per l’Informatica Umanistica e la Cultura Digitale
[1]; 2012 of the Digital Humanities Deustchland, and 2013 the Associação das
Humanidades Digitais (AHDig), Asociación de Humanidades Digitales en Argentina
(HDA) and Ruach Digitalit – Digital Humanities Israel [
Galina 2014]. These organizations should contribute to an increasingly complex global DH
landscape. However, the DH international community and in particular the
Alliance of Digital Humanities Organizations (ADHO), established in 2002 and
arguably the largest professional society of Digital Humanities and/or the
initiatives its sponsors, has been criticized in recent years [
Fiormonte 2012], [
Dacos 2013] for a narrow
representation of worldwide DH: “... from the point of view of the scientific results, research projects,
and institutional presence, Informatica Umanistica, like most of the
‘other’ DH practiced in the world, practically doesn’t
exist”
[
Fiormonte 2012].
There are, of course, numerous and complex issues at stake here and they must be
addressed on many different levels. However, one small step which may contribute
towards knowing and recognizing “other” DH in the world is to
better understand how DH communities are formed and what their particular
characteristics and trajectories are. In this way we can address the issue of
how to improve their visibility, participation, and recognition in the field of
Digital Humanities as a whole. In this paper we will discuss the experience of
setting up a DH community in Mexico. The aim is to describe the multi-faceted
approach used for DH community-building as well as to discuss different
strategies employed, difficulties encountered, and results produced as well as
areas for future growth. This article has a necessarily descriptive aspect but
still we propose that this may serve as a learning example or model for similar
initiatives in other countries.
Background
In April 2010 a research project was funded by the Universidad Nacional Autónoma
de México (UNAM) with the principal aim of studying the current situation of
digital resources for the humanities. The methodology for this research project
included the organization of a series of workshops. It was during these that the
idea to form a DH network was proposed by the participants. This article will
not report on the results of the research project that have been reported
elsewhere [
Galina 2012b], but rather on the work done from the
workshops onwards to form and establish the Red de Humanidades Digitales
(RedHD), the resulting DH organization that was established.
Workshops
The principal researcher on the project had previous contact with Digital
Humanities due to postgraduate studies in the UK. There are a number of
self-reflective articles on the role, organization and future of Digital
Humanities which is typical of an emerging field and they attempt not only
to define but also to understand the role, impact and challenges of
developing digital projects as part of research and teaching in the
Humanities [
Svensson 2009]. With this in mind from the onset
it was considered that DH literature would provide a suitable framework for
developing the research project.
Four workshops were organized between September 2010 and June 2011 under the
name “Digital Humanities”. The aims of the first two workshops were: to
share experiences in the development of digitization and digital resource
creation in the Humanities; identify the main difficulties and limitations
for DH; discuss and identify the necessary skills for human resources, and
to define concrete actions to strengthen and improve digital projects in the
Humanities. The last two workshops were specifically aimed at consolidating
the RedHD.
One of the first challenges was selecting the participants for the workshops.
The aims of the workshop required that the participants have some experience
working with digital projects in the Humanities. They were not just
informative but also participative. As part of the research project a
database of digital projects within the UNAM web space —
www.unam.mx — had previously been
compiled. This was done by selecting the web pages of all the
Humanities-related schools and institutes and navigating through the
different links finding and registering digital resources created by
university members. This database was used to contact the creators of these
resources and invite them to the workshops when possible. Additionally, they
were strongly encouraged to invite colleagues with similar backgrounds,
creating a snowball effect. Although originally the workshop was only UNAM
members, colleagues from other universities became interested in
participating and they were included.
In order to be as inclusive as possible the definition of a digital project
in the Humanities field was broad. The participants had worked on projects
such as XIX century manuscripts markup, digital images (research in pre
Hispanic mural paintings, visualizations archeological sites), sound files
(linguistics research in indigenous languages), computational linguistics
(text mining, corpus of Mexican Spanish), computational creativity (story
building) as well as digital journals, collections and libraries. Table 1
shows number of participants by field for each workshop.
Subject
|
|
Workshop 1 |
Workshop 2 |
Workshop 3 |
Workshop 4 |
Anthropology
|
1 |
0 |
0 |
0 |
Architecture
|
0 |
1 |
1 |
1 |
Art History and Aesthetics
|
3 |
3 |
3 |
1 |
Bibliography, Book and Library Studies
|
2 |
3 |
7* |
1 |
Cultural Studies
|
0 |
0 |
0 |
2 |
Engineering Linguistics
|
1 |
0 |
2 |
0 |
Graphic Design
|
0 |
0 |
1 |
1 |
History
|
1 |
1 |
0 |
3 |
Philology and Literature
|
3 |
3 |
2 |
4 |
Philosophy
|
4 |
1 |
2 |
3 |
Total # of participants
|
15 |
12 |
18 |
16 |
Table 1.
*Note: For this particular workshop one of the participants invited
his MA in Library Studies students to work on the RedHD’s website as a
final project for a course on designing information systems, hence the
pronounced increase in number of assistants.
For the most part the involvement of participants was fairly constant
throughout the workshops and we managed to consolidate a core group.
Excessive workload or previous commitments were the most common reasons for
not participating.
As previously mentioned, Digital Humanities concepts were used to framework
the research. The first workshop began with an introduction to DH explaining
its history, main concepts, communication channels, publications and
discussions. We defined DH as “an area of
research and teaching at the intersection of computing and the
disciplines of the humanities,” which was taken from the Digital
Humanities Wikipedia entry. The principal researcher did, however,
previously attempt to find a more concise definition, but this proved
problematic. A member of an established DH centre responded to the following
when asked for a definition of DH: “a very
familiar question! and there is no answer, I'm afraid...I'm currently
seeing through press our next edited volume (...) in which we round up
all the crucial papers and blog posts in the area and bundle it all into
one teaching text that goes ‘there is no one definition!
see!’”
[2]
In the first workshop only one participant had heard of DH. This was due to
a sabbatical in the United States. However, by the fourth workshop two more
participants, PhD students in Spanish Literature from the University of
Western Ontario in Canada, were familiar with DH. It is worth adding that
they had heard of the efforts to establish the RedHD through the
participation of several workshop members in March 2011 of Day of
DH and this was how contact was established.
The introduction to DH was followed by a group discussion which focused on
the experiences that participants had when developing a digital project. In
order to provide a framework for the conversation, we identified seven key
topics from the DH literature. These key topics were then addressed in the
form of questions that participants were invited to respond to orally, and
this in turn was discussed within the group. Key topics are listed below and
the specific questions are provided in
Appendix
1.
- Organization context including institutional recognition and support
- Planning and development
- Intellectual property and copyright
- Human resources and training
- Dissemination and use
- Completion and sustainability
- Digital humanist career
The results of these two initial workshops have been reported in much more
detail elsewhere [
Galina 2012b], but in summary a common
characteristic was that participants felt that there was little
infrastructural and institutional support for the development of their
digital projects and no policies or guidelines in place. Some enjoyed this
marginality as it allowed them to work more independently, while others
remarked on the difficulties of investing time in a project that was not
recognized as “proper” research. Everyone felt that there
was little recognition of the value of their work from colleagues and
evaluation committees. Contrary to what was expected, participants had few
difficulties obtaining funding (albeit small amounts) but in general had
more trouble finding and retaining students or research assistants with the
appropriate combination of digital skills and a Humanities background to
help with the work. Projects were generally a personal initiative, were not
properly documented due to lack of time, and there was concern about what
would happen to them once the funding run out. As put by one participant,
“When does a project become
the university’s service and somebody else’s responsibility?” The
long-term future of most of these resources was not assured as hosting and
maintenance was precarious for almost all projects.
As our discussion focused on general issues related to working on a DH
project, we did not find significant differences amongst disciplinary
backgrounds. We found that we had similar problems despite the different
topics of the digital projects. Although most participants had not
previously heard of DH, there was considerable interest in hearing about
this field and how it could help them out with their own digital projects.
In particular, participants reported a sense of marginality in their
workplace and they felt that they benefited from talking to “other people
like me.” In this sense the knowledge that there was a larger
community of scholars with similar interests and challenges was revealing.
At this particular point, participants were interested in how as a local
group we could collaborate together towards the
“professionalization” of the type of work we were
doing as well as address our common challenges together. We did not however,
reflect on the nature of Digital Humanities or go into too much depth about
its definition. Rather, it served as a useful umbrella term that helped
group us together. Possibly the most notable result was that although
originally only two workshops were planned, at the end of the second one the
group decided to continue to meet in order to address pending issues. It was
concluded that the best way forward was to create a DH association that
would allow us to deal with them collectively, rather than individually.
This was the focus of the next two workshops.
Building a community
One of the first challenges was moving from a workshop atmosphere to
establishing a more formal but still dynamic network of DH practitioners. As
mentioned previously the workshops had already attracted the attention of
participants from outside the UNAM, so it was clear that the network would
be geographically dispersed. No funding was available so we did not want to
incur travel costs. It was necessary and practical to think from the start
of a virtual community with few or no face-to-face meetings. One of the main
concerns during the third and fourth workshop was that although we noted a
lot of enthusiasm, we feared that personal workloads, geographical
dispersion, and different disciplinary backgrounds would lead to a weakening
of our initiative. A virtual community is defined as a situation where
“people carry on public
discussions long enough, with
sufficient human feeling, to
form webs of personal relationships”
[
Rheingold 1993]. We therefore wanted to ensure good
communication channels to talk, organize and work with relevant people on
particular topics.
It was agreed that it was important for us to focus on concrete actions and
outcomes rather than just on good intentions or overambitious plans. We
therefore developed a concrete agenda that would serve to focus our
attention. Initial plans were reported at DH 2012 [
Galina 2012a] but the following expands and updates the work done. Referring back to
Rheingold’s definition, our main priorities were to: establish our
communication channels, define participants, and state our topics.
Establishing communication channels
It was decided that digital technologies could easily be employed for our
communication channels, especially with the high degree of computer use by
all the participants. The success of the Humanist Discussion group and its
key role in the establishment of the Anglo-American DH community led us to
decide to establish a listserv as our primary communication channel, despite
the fact that there are currently more modern approaches in particular with
social networking sites. The listserv was a proven method and in addition it
did not require participants to have to belong to a particular social
networking site. All participants had access to email thus creating a low
barrier entry. We currently have over one hundred and sixty registered
participants. Presently participants are asked for their name, institution
and country but this was not always the case. We are currently working
towards completing the missing information. In general terms there are
people from Archaeology, Art History, Computing, Conservation Studies,
Culture Studies, Pedagogy, Graphic Design, History, Library Studies,
Linguistic Engineering, Philology, and Philosophy. Around a third of the
subscribers are from outside Mexico from the following countries: Argentina,
Chile, Colombia, Perú, Uruguay, USA, Germany, Italy, Netherlands, Portugal,
Spain, Switzerland, UK and Signapore. The second step was to set up a
webpage. We were fortunate to be able to have one web programmer from the
research project to help. The webpage was considered a space for hosting the
projects and tools that we wished to develop and not just as an informative
page. Both the establishment of the listserv and the webpage required us to
make a series of decisions about our aspirations as a group, albeit in a
roundabout way, as we made decisions about hosting and domain names. As a
starting point we realized that although the workshops had been held at the
UNAM already, there were participants from other Mexican universities and
from non-academic organizations. We also knew that at least at that time,
there was no other Latin American organization. In terms of language,
although we were aware of DH type work being done in Spain [
Rojas2013] there was still no formal association in place. We
therefore agreed that the aims of the RedHD are:
to promote and strengthen work on humanities and
computing, with special emphasis on research and teaching in Spanish
speaking countries as well as the Latin American region in general. The
RedHD supports better communication between digital humanists in the
region, the formation of human resources, preparation of documentation
and good practices, the promotion of DH projects, dissemination of DH
related events as well as promoting the recognition of the field.
Additionally we seek to promote regional projects and initiatives on an
international level.
In terms of domain names we did not want to associate the DH community to any
institution in particular. Additionally, we were thinking not only on a
national scale but also on a regional Latin American one. We took the
decision to get a .mx and .net domain (
www.humanidadesdigitales.mx
and
www.humanidadesdigitales.net) and pay for external hosting. These
costs were absorbed by some of the members of the group, as they are
relatively low. However, although costs have gone down considerably this may
not necessarily be the case for other countries, and this should be taken
into consideration.
Relevant people
It was agreed that we continued to want to be as inclusive as possible. We
decided that certain academic structures available to us (such as seminars)
were restrictive in terms of who could participate (for example, had to
formally belong to a university). The workshops had caught the interest of a
diverse range of people from researchers with PhDs to young programmers not
interested in traditional academic careers or people not formally employed
or enrolled in the university. We also had some from government and private
companies. We decided to maintain an open and dynamic structure and anybody
who joined the listserv would automatically become a member of the
community. This allowed us to grow rapidly without too many restrictions. In
recent months however, we have had to alter this slightly and this will be
discussed further on.
Working around topics
From the work done at the workshops we concluded that the following topics
would be the focus of our attention:
- Information: about digital humanists, digital resources and projects
and relevant publications
- Formation of human resources: strategies, guidelines, documentations
and other activities that promote the formation of human resources
required for the development of DH.
- Project evaluation: necessary actions to generate standards, policies
and indicators in order to promote the validity of DH projects and
lobbying for the recognition of DH as a valid academic field. ([Galina 2012a]
The following section will describe how each one of these topics was
addressed as well as the results and the difficulties we have encountered.
It is important to note that these topics however do overlap and the
boundaries of the different initiatives are not always clear cut but rather
complement and connect to each other.
Information
One of the workshop results indicated that there was little documentation
available about DH in Spanish. Additionally there was modest and dispersed
information about the work that had been done in Mexico and other Latin American
countries. This situation has changed considerably in the past four years and
there is a fast growing corpus of DH literature in Spanish
[3].
However at that time, one of our first objectives was to document and provide
documentation related to DH in Spanish and about the work that we had already
done. We also wished to maintain a database of DH projects. The discontinuation
of similar projects from other countries such as AHDS, Intute and similar DH
resource discovery systems was discouraging
[4]. However, it also
presented us with the opportunity to focus on different approaches to long-term
sustainability. We are currently looking at grass root development and working
in partnership with libraries. We are also in talks with other ongoing projects,
such as DH Commons, in order to share information. We have found, however, that
up to now, despite the maintenance issues, the databases have been useful in
giving an initial important sense of production and of critical mass to move
forwards as a community.
Formation of human resources
This was another area that we identified as a key issue. Almost all the projects
experienced difficulties finding and retaining human resources — in particular
research assistants and programmers — that had the right combination of both
technical skills and subject knowledge to develop the projects. The lead
researchers themselves were also in need of specific training that simply was
not available. Most work was done through trial and error and self-training.
This is similar to what has been reported in other parts of the world but the
growing number of DH courses and DH degrees at the postgraduate level seeks to
address this. Therefore, teaching and training were one of our focus points.
Initially we offered a few basic courses such as “Digital
resources in the Humanities” and “Introduction to
TEI” within the framework of continuing education and human resource
development. These courses, however, were usually done on an ad hoc basis and
did not have the overall impact that we were looking for. We were more
interested in getting DH into the official curriculum in order to formalize and
establish in a more definite manner the presence of DH teaching.
At the UNAM we worked on a syllabus proposal for a DH
diplomado[5]. In order to develop this we consulted syllabi from other
countries.
[6] Although the
topics we proposed to cover were similar, we sought to emphasize the use of a
more diverse set of DH project examples. We hoped that this
diplomado could become the basis for a future MA course. We
originally assumed that setting up an MA in Digital Humanities would be simple
as we believed it to be an attractive topic, especially considering the
popularity in other parts of the world, but we have encountered numerous
obstacles. From anecdotal evidence we feel that this is the same experience of
early DH adopters in Anglo-American countries. A recent New Zealand report on
passing a DH curricula through a national board notes that the “final form reflects not only the
‘state of the art’ in the discipline in question, but
the ‘state of the art’ as parsed through academic staff,
informed (and uninformed) reviewers, institutional context (and necessity),
national educational policies, and the shifting sands of methodological and
critical best practice”
[
Smithies 2013]. New DH courses are, therefore, shaped and
influenced by a variety of different actors and interests. Political and
cultural issues are definitely at stake.
More recently we worked on another academic course known as
Especialización, which is available to undergraduate students and
looks to inform students in a particular area (for example, paleography or art
appraisal) on the subject of Textual Culture and Documentary Heritage, and again
we proposed
Humanidades Digitales as one of the
courses. Both the
diplomado and the
especialización included an important practical component and
both focused on doing a DH project as an end result. The
especialización was accepted but it was necessary to change the
name to “Digital projects in the Humanities.” On this
occasion we faced objections to the term Digital Humanities. The term was
unfamiliar to most of the people on the commission and because there were no
precedents
[7], except for the RedHD, we had difficulties justifying its
use. Although we made references to the work done in other countries we were
unable to convince the program committee to take the risk of proposing something
so new. Proposals go through a complex bureaucratic process and it is quite
likely that the commission did not want to put the whole
Especialización in jeopardy by proposing an unknown subject.
Additionally, at the time we ourselves as RedHD had not fully discussed what we
meant by DH except as a broad definition and possibly we were not sufficiently
prepared. As stated by [
Terras 2010], digital humanists must be
ready to explain “what we do and why
we matter and why we should be supported and why DH makes sense.”
This will be discussed in more detail further along.
As well as training and formal courses we also noted an absence of information
about DH in Spanish, although as mentioned previously this has changed notably
over the past four years. One of our first actions was a special issue of the
Revista Digital Universitaria (RDU) in July 2011
[8], a successful online
peer-reviewed general interest journal published by the UNAM on the subject of
Digital Humanities. In September of that same year we set up a blog of the
RedHD
[9] and we have been
publishing fairly regularly every two weeks. The blog now has over 100 entries
from 27 collaborators both from Mexico and international covering topics from
open access, open culture, collective intelligence, preservation, philosophy and
technology, digital objects among others all in relation to DH. Almost all
entries are original Spanish creations, although we have included a few
translations. We have not as yet initiated a planned translation program, but
rather the ones we have are a result of interest by some of our bloggers. We are
currently in talks with other blogs about setting up reciprocating translations.
The blog has been key in gaining attention and distributing information. In
April 2013 we also began to publish a monthly newsletter (
Boletín RedHD) which includes a few news items plus information
about one of the blog entries of that moment. We currently have almost two
hundred subscribers and the number is still growing. Unfortunately the system
only requires email address so we do not have further information about the
subscribers.
In the near future we are planning on more formal and extensive publications,
namely a book and a journal. Recently a number of DH readers have been published
([
Berry 2014]; [
Gold 2012]; [
Terras 2013]) and to our knowledge there is only one recently
published book on Digital Humanities in Spanish [
Romero 2014] and
we see a need to provide more general DH books. There are currently several DH
journals (for example,
Digital Scholarship in the
Humanities and
Digital Humanities
Quarterly) that are published in English. In Spanish some journals
have published DH articles (for example
Caracteres
and
El Profesional de la Información) but as of yet
there is not to our knowledge a dedicated DH journal.
Another strategy for the human resource formation has been the organization of DH
events, namely a biannual conference. Academic events provide visibility of DH
as well as promote the formation of human resources and foster collaboration
between the community members. As the community grows we feel that these events
are key to identifying and bringing together fellow digital humanists. In May
2012 we organized the 1er Encuentro de HD (Digital Humanties Conference) in
Mexico City, co-hosted by CONACULTA, the ministry of art and culture, and again
in 2014 additionally held in conjunction with GO:DH (Global Outlook: Digital
Humanities), a special interest group of the ADHO (Association of Digital
Humanities Organizations). In both cases the events have been free as we have
wanted to be as inclusive as possible, and due to administration problems
regarding funds that will be described later. The venue was provided by
Conaculta and catering and other amenities were kept simple. The work for the
conference has been done mainly by members of the RedHD and student volunteers.
In 2012 we had 31 presenters and almost all were from organizations within
Mexico. For 2014 there were over 70 presentations and although there was a
predominance of speakers from the hosting country, which is to be expected,
almost half of the authors were from other countries namely Argentina, Canada,
Colombia, Costa Rica, Cuba, Germany, Italy, Portugal, Spain, United Kingdom and
the United States. The program was divided into talks on: Libraries and
archives, Social networking, Teaching, Theory, Applications, Language and
corpora, Cultural studies, Technology and philosophy, Visualizations, Reading
and materiality as well as Demos and Posters
[10].
What makes these events particularly interesting is that we it helps us to
discover the numerous DH projects that exist in the country and others areas of
Latin America as well as connecting with the creators.
Project evaluation
The third and final issue that we decided to focus on was project evaluation. As
mentioned previously among workshop attendees we found that lack of recognition
of their work was a constant grievance. DH scholars felt that evaluation
committees and peers tended to dismiss digital resources as inferior to
“real” publications (i.e., on paper). Criteria for
evaluation both at the UNAM and at national level do not take into consideration
digital resources and until only recently have incorporated digital
publications, especially in the Humanities.
Most DH projects are not presented in traditional research output formats such as
articles or books, but take on various formats such as development of metadata,
textual markup, tools, websites and others [
Schreibman 2011], so
many evaluation committees are at a loss with how to deal with these materials.
At the same time, people developing a DH project do not necessarily know what
elements should be included. Although much work has been done to convince our
colleagues that digital research is worthy, a pending problem is that they do
not necessarily have the knowledge or tools to evaluate DH work [
Rockwell 2011].
We wanted therefore to develop and provide basic guidelines and best practices
for DH resources. In addition we wanted to provide an online checklist that
allowed users to evaluate a particular resource using an interface that displays
the results of the evaluation, indicating areas of weakness and strength. The
aim of this tool would be threefold: step-by-step evaluation tool for
committees, a resource for developers, and an informal compliance of a minimum
standard.
We formed an ad hoc committee from the original workshop attendees to work on a
proposal and revised related guidelines (both national and international) and
created initial best practice guidelines. We then extracted key elements in the
form of questions and presented them as an online checklist. The final product
is in Spanish and adjusted to our own particular requirements. The checklist is
divided into five sections with questions related to: Project Team,
Documentation, Usability, Design and Access; Evaluation and Peer Review;
Copyright and Visibility and Dissemination. The checklist is also available in
English
[11].
Discussion and conclusions
In the previous section we discussed the work we have done around the topics that
we set out to solve. In this process several general issues arose. As mentioned
previously, the workshops used the term Digital Humanities. However, during the
workshops we discussed whether this was an appropriate term. We looked at the
terms used in English over time (at that point Humanities Computing was still
used by some) and different options in Spanish, specifically
Informática
para las Humanidades, which had been used in Spain and is similar to
the long standing term
Informatica Umanistica used by the Italians.
In the end we decided to settle for
Humanidades Digitales due to
its emphasis on “digital” rather than
“informatics” and because of its similarity to the
English term. This discussion was led mainly by the participants who had had
contact with the international DH community. Outside the workshops however, this
term has created some controversy and even opposition. Although Digital
Humanities has gained growing popularity in academic sectors around the world
[
Pannapacker 2009], it is still true that many digital
humanists continue to have the need to explain and sometimes defend the type of
work they are doing [
Pannapacker 2009] as there is by no means a
universal acceptance or recognition of the value of DH [
Fish 2011], [
Kirsch 2014]. In Mexico where, as previously mentioned,
Digital Humanities is fairly unknown, it seems that the RedHD probably
underestimated the need to introduce and discuss in a more structured manner the
impact of Digital Humanities. We are now more aware that lobbying will be a
fundamental part of our future work.
Furthermore, as we seek to consolidate our DH community we also have to continue
identifying and clarifying the particular needs and challenges we face that are
different from other DH communities around the world. It is not just a question
of importing but of establishing our own agenda. In order to do so, however, we
have had to work on defining ourselves. At the beginning we had settled on being
very open in order to be as inclusive as possible, but in recent months we have
started to consider in a more detailed manner what the RedHD is, what it does,
who belongs and what our relationship is to other emerging and established DH
communities
In this way we have begun to address some regional as well as linguistic issues
which we would like to work on in the near future. To this effect we
participated in the organization of el Día de Humanidades Digitales (DíaHD)/ Dia
das humanidades digitais modeled on the well known project Day of DH. The event
has been held twice, in June 2013 and then again in October 2014, and it sought
to identify and bring together the work of Spanish- and Portuguese-speaking
digital humanists. The idea behind creating a separate event to the Day of DH
was to see if we could identify particular characteristics that differed from
the main event, in particular because Day of DH is characterized by a
predominant participation of digital humanists from the USA, Canada, and the
United Kingdom. From the 2013 edition, 97 blogs were analyzed in order to
document and transcribe how there is an emerging discourse, in the Foucauldian
sense, as Portuguese and Spanish speaking communities undergo a process of
semantic change in order to accommodate the language and terminology used in the
Digital Humanities. The results are reported elsewhere [
Priani 2014] and focus on the discourse as a space of disciplinary construction in the way
we name, describe and explain as well as giving an overview of some initial
characteristics we detected. Another result of this exercise is the the creation
of MapaHD (DH Map) an “exploration
of the features and intersections among those who self-identify as HD
practitioners and their characteristics beyond language affiliation”
which not only evidences the existence of this DH community but also some of its
characteristics [
Ortega 2014b].
One aspect that we did not take into consideration during the workshops and that
has been important in the creation of the RedHD has been our connection to the
international DH community. Our work has coincided with a particularly
self-critical period for DH as a field and increasing international
participation has become a key priority. As mentioned previously there are also
a number of other regional and/or linguistic initiatives have that been created
over the past few years. It is important that as a community we define how we
want to fit in with other DH communities around the world. As the global DH
community is expanding, many aspects about the organization are being
renegotiated and this is an important moment to participate in the discussion.
From our own experience at the RedHD the use of English as the predominant
language in DH international events is an obstacle for further participation.
Although this is a common problem in academia in general, in DH we have found
this to be particular troublesome due to the makeup of participants. Although
further research would still be necessary it is quite common in the Sciences
that PhD holders will generally have a good working knowledge of English as it
is usually indispensable to their field. In the Humanities however, this is less
common as many work on particular subjects where English is not necessarily the
lingua franca. Moreover, for DH projects there is usually the
participation of graphic designers, programmers and a wide variety of people
that do not necessarily have a traditional PhD academic track where English is
more common. How do we incorporate these new types of participants? This issue
is complicated but must be addressed. For the time being we have participated in
a number of translation initiatives. For example: the translation of the Call
for Papers for the international Digital Humanities conference and the “I whisper” translation campaign for DH2014 [
Ortega 2014a].
Funding has been a particular ordeal for us. Originally we set ourselves up as a
loosely formed network as this allowed us great flexibility in setting up our
community. However, this less rigid structure does not allow us to exist
“officially” and this leads to difficulties in obtaining
funding. We have decided to form a legally constituted association. However,
forming an association in Mexico is both complicated and expensive. Currently it
costs about $1000 dollars in bureaucratic and legal fees just to set up the
association, and the process takes several months. Apparently this is a similar
situation in other Latin American countries. We do not know if this is the case
for the USA or European countries, but anecdotal evidence seems to suggest that
this is not an obstacle. Through a donation scheme we have managed to collect
the necessary amount and we are currently setting up the association. However,
bureaucracy and expensive legal and notary fees are a problem for this kind of
initiative. We are aware, again through anecdotal evidence, of other
difficulties such as international transfers and payments for some countries
(for example, Cuba) that greatly hamper participation.
An association however, allows us to participate in government funding, offer
bursaries for our members, receive payments for courses, workshops or other
academic events, issue receipts, do consulting work and other activities which
we could not do before.
Membership fees are modest and exemptions and alternative options are in place in
order to remain as inclusive as possible.
The work done during the workshops, in particular identifying critical issues
through the DH framework exercise, has been key to the success of the project.
In retrospect, developing specific tasks and areas to be addressed helped the
formation of the RedHD and as a community gave us a sense of direction and
purpose. In the DH spirit of building and making things [
Ramsay 2011], the RedHD has achieved quite a lot in a short period
of time. Digital Humanities proved to be a useful term that grouped us together
and helped us resolve our commons goals in a very pragmatic sense. These past
four years' work has been achieved with little funding and a great deal of
enthusiasm. However, this is not sustainable over a longer period and if we are
to grow any more we definitely require a more institutionalized scheme. We would
in the future be interested in the establishment of DH centres or other types of
institutional recognition for further strengthening our community both in
research and in teaching. We are well aware that part of our work will now
involve a great degree of lobbying and promotion. However, we do think that this
should change gradually over the next few years as DH becomes better known
within academic circles and in particular university authorities in the country
and the region. Part of this work is to establish DH within the curricula both
at undergraduate and graduate level.
We have entered now though, together with other people in DH, a period where
there is a need for reflection on how we understand the term Digital Humanities,
who we are as a community, our objectives, and the way we relate to other DH
communities both regional and international. Defining Digital Humanities and our
role as a community is an ongoing and continuing process. It is important at
this stage, as we are trying to more formally institutionalize and implement our
projects to better phrase what we are doing and what we want to achieve.
Additionally, collaboration and communication with other DH communities around
the world is fundamental and we must find ways of addressing this. We will be
working towards that and other issues described here in the near future.
Acknowledgments
The author would like to thank the reviewers of this article for their extremely
helpful comments.
Appendix 1
- Organization context including institutional recognition and support [Warwick 2008b]
- a. Does the project have dedicated office space assigned?
- b. Is the project financed? Who finances it? For how long?
- c. Does the project have the necessary computing infrastructure?
Where did it come from? What will happen to it once the project is
finished?
- d. If the project is online, where is it hosted? What are the
hosting terms? For how long?
- Planning and development
- a. What was the main motivation for undertaking this
project?
- b. How was the project planned? Was there a planning phase?
- c. Was user testing undertaken?
- d. How were the interfaces designed? Are they in more than one
language?
- e. Is documentation available about the project and its
development?
- f. Is the project finished or will it be finished? How was this
decided?
- Intellectual property and copyright [Rehm 2007]
-
Material for the project
- a. Were the appropriate legal permissions for the materials used
in for the project secured? How was this done?
- b. How were copyright issues addressed in general?
-
The digital project
- c. How was copyright established for the final digital
project?
- d. Were any additional licensing implemented, such as CC or Open
source?
- Human resources and training [Warwick 2009]
- a. How easy or difficult was it to find people to work on the
project?
- b. Did they have the appropriate skills? Was further training
necessary? How was this achieved?
- c. Has it been easy to keep the necessary team together? What type
of hiring issues have you had?
- Dissemination and use [Warwick 2008a]
- a. Has the project been presented at a conference, workshop or
other type of event? Have there been any publications?
- b. Does the final product contain metadata that can increase its
visibility for search engines?
- c. Do you have information about how the project is being used, by
whom and for what?
- d. Do you have usage statistics, such as Google Analytics?
- Completion and sustainability [Brown 2009]; [Kretzschmar 2009]; [Sewell 2009]
- a. What are the long term plans for the project?
- b. How will it be updated?
- c. Have preservation issues been addressed?
- d. If you were no longer involved in the project, what would
happen to it? Is there shared responsibility?
- Digital humanist career
- a. As an academic have you received recognition for your digital
work?
- b. Has your digital work been considered for evaluation purposes
(for example SNI or PRIDE[12])?
- c. What other types of recognition have you received? (for
example, invitations to meetings, conferences, presentations,
interviews)[13]
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