Abstract
Digital Humanities (DH) is a field of research in which humanists at the National
Autonomous University of Mexico (UNAM) can take part and about which they can
collaborate in debates and projects. Introducing DH in the academic programs at
an undergraduate level can be a difficult path to traverse. Even so, for the
academic year 2016, we managed to include a Specialized Seminar-Workshop on this
field of study within the History Course at the Facultad
de Filosofía y Letras at the UNAM. This article shows and analyzes
the context, the methods and the academic, technical and specialization
implications DH has in the History field (and in Humanities in general), and
also presents the results of our teaching work, of the research project in
teaching to which it is connected, and of some other activities which aim at
establishing an academic digital culture in this School’s community.
The following pages shall begin by describing the institutional context of the
Plan de Estudios de la Licenciatura en
Historia[3] (
PE, its acronym in Spanish). Next, the features
of the subject by the name of
Seminario Taller
Especializado (Specialized Seminar-Workshop) shall be explained,
as well as the way in which this space has been able to become a laboratory for
the introduction of digital humanities in the History Course. Section 3 shall
present a study case combining the teaching experience and the pedagogical work
in the classroom. Some of the digital objects produced in the Seminar-Workshop
will be introduced in Section 4.
This model for a course and its orientation towards the digital humanities is a
first attempt at including this area of study at an undergraduate level, which
made it necessary to describe the complementary work carried out outside the
classroom (section 5). From the experience with the Seminar-Workshop, however
successful it may have been, the authors were able to identify a series of
shortages in the use of technology and of the internet by the undergraduate
students of History. For this reason, an introductory course was offered to the
students of the Class of 2016 before the beginning of the school year (section
6). In the final section, the authors suggest strategies for the inclusion of
digital humanities in updating the university curricula at the UNAM –this,
within the context of an expansion process of DH in Latin America.
1. Institutional background
The current
Plan de Estudios de la Licenciatura en
Historiawas approved–after several
discussions, surveys and debates–in 1998, and implemented the following year.
Even though by then computers, as well as the internet, were starting to become
everyday use tools in the academic field, throughout the eighty-three pages of
the first volume in which the
PE is described, no mention is made
of the need to include specific subjects in the curricular map that would allow
students to acquire digital skills in the four years of the course.
The
Plan de Estudios students have to go through includes a series
of seminar-workshops that center their goals in research abilities. In
particular, the
Seminario Taller
Especializado owes its name to the fact that its
contents focus on the “use and application of specific research techniques,
particular ways of teaching and media for the circulation of historical
knowledge, such as video, films, CD-ROMs, the theater, radio scripts,
etc.”
[
Programa de la Licenciatura en Historia 1999, 60].
[4] As a
result of these guidelines, the Seminar-Workshop must ensure the conclusion of
concrete products for two spheres: teaching and the circulation of knowledge.
Thematic flexibility has allowed the renovation of the specific contents of each
of the seminars. This has brought about a constant introduction of innovative
themes and methods in the classroom. For instance, at the
Facultad de
Filosofía y Letras, a traditional place as regards infrastructure for
the Humanities–i.e. classrooms, blackboards, seats for students and desks for
the teachers–there is audiovisual equipment available; however, there is not an
efficient wireless network, which creates some challenges.
The PE has undergone two certification processes–evaluations carried
out by outside institutions authorized by the state–but its structure remains
the same. In 2015, a commission of teachers and students began its revision,
though the whole process will take about two years. The flexibility of the
PE allows, on the other hand, the existence of a wide thematic
offer of subjects for students in their third year of the History Course: from
Museum or Heritage Studies to contents for the radio or the press.
In this context, the Head of the Colegio de Historia
(History Department), Dr. Lucrecia Infante Vargas, shared with us her interest
in setting up a seminar in order to train students in ‘the digital world’. This,
as well as the previously mentioned characteristics of the Plan de Estudios, brought an opportunity to bring forward a
Specialized Seminar-Workshop, which we called “Digital Humanities and History”.
Its syllabus includes epistemological considerations and, of course, the
practice with, and the analysis of, resources and digital tools for the
historical research.
It is worth stating that the
PE is based on two elements of the
discipline: Historiography and research. Not being provided with a teaching
model of its own due to the academic autonomy the university has had ever since
the first decades of the twentieth century, academic freedom constitutes one of
its most important symbols. Even though the History
PE establishes
a graduate profile and some goals, these have been set by a community more
interested in the development of historiography, “the questions, the methods and the conclusions of the
historians of the past”
[
Programa de la Licenciatura en Historia 1999, 5], than in the teaching of guidelines to train future historians. While the
body of research and the considerations on the teaching of history are scarce,
some investigations are actually beginning to emerge, though not always from
this specific field, but mostly from pedagogy. The
Secretaría de Educación Pública (SEP)[5] accepts
university studies provided that some basic criteria are met, such as a certain
amount of class hours, a number of credits, some mandatory and also
supplementary requirements, equivalent to those of the other undergraduate
courses in the country. The use of the internet within the academic context has
brought about its inclusion in national educational policies. For this reason,
even though our students have high quality training as humanists–which implies
reading and critical thinking–it has become necessary for them to be able to
apply this training to the digital world.
During our research on formal DH programs, we found the
Short Guide to the Digital Humanities, by Burdick et al. [
Burdick et. al. 2012]. There, they mention the practice and the
institutional aspects of DH teaching. Following this approach, our proposal is
also linked to the fact that both of us teachers belong to the
RedHD(DHNetwork) and are
members of a research team within this field in which we organize seminars,
colloquia and research projects. In Mexico, DH has had significant development
in the last few years [Svensson 2014], this being part of the context in which
our course proposal and the teaching of digital humanities emerged. The
Facultad de Filosofía y Letras at the
UNAM includes in its academic offer this DH Seminar, a space for discussion for
the
RedHD,
attended by academicians from various disciplines and different Mexican and
foreign institutions. Since 2015, the Seminar has had a schedule of itinerant
meetings, which opens up the dialogue with students and teachers from the
universities in the city and its outskirts.
2. Definition of the Specialized Seminar-Workshop
Originally, we were reluctant to include “Digital Humanities”
in the title of the Seminar-Workshop. Despite the recent boom this field has had
in the Mexican academy, it still remains quite unknown in undergraduate programs
of study, which implies that the students to whom the seminar is directed are
initially unaware of what they will be dealing with throughout the academic
year. This is why we decided to profit from such bewilderment with the aim of
arousing curiosity among students, and thus include this relatively new field of
study in the university curriculum.
We also faced the never-ending debate between DH and Information and
Communication Technologies (ICTs). Among university staff and administration,
the mere mention of “technology” in the description of a
course takes us to the use of technologies from the point of view of pedagogy or
of teaching in the different areas of knowledge and the different educational
levels. Such reductionist use of these concepts makes the students assume that
the Seminar-Workshop will be a space where they will learn how to use the tools,
but not where they will discuss about them or develop reflective abilities
and/or practices. Fyfe has pointed out that this fact causes two problems: the
first one is the belief that the training is restricted to the command of a
digital tool, and the second one is the idea that only already known mechanical
tasks can be performed with it [
Fyfe 2011]. The aforementioned
limits the analysis of this kind of resources in the learning process.
For this reason, from the start, the proposal of our seminar implied the presence
of two teachers from different humanistic disciplines–Philology and History–who
would teach the course in a computer lab, the idea being this does not only
involve the use of digital tools.
Following Fyfe, the Specialized Seminar-Workshop has several aims [
Fyfe 2011]. At an institutional level, we believe that the biggest
university in the country should have students who, besides knowing the methods
and debates specific to the majors they follow, should be able to profit from
the tools and resources available, among which are the digital ones, and to take
part in the debates about their use.
For this purpose, some goals were set: when finishing the academic year, students
should know about the main discussions on the use of DH tools and models applied
to the historical research, as well as about different digital tools for
humanistic research. Besides, the students would get guided training for the
reflection upon the methodological problems related to knowledge-building in
digital contexts, especially from the design of a digital research product,
which would be studied in the second semester of the academic year.
3. Experience and case study
From the beginning of the academic year, experience has shown us that students
had unsystematic empirical knowledge of digital tools and platforms, which
seldom is the result of a full knowledge or of the reflection upon the changes
in the creation of knowledge in the area of the humanities. Every now and then,
for example, it became necessary to clarify, for example, the difference between
an operating system and software, or the differences between various publishing
licenses. Students use, on an everyday basis, several social networks for
recreational purposes; some follow blogs for leisure; however, few use the
internet to carry out academic tasks. This is due, in part, to the prohibition
of the use of information from the internet throughout their previous studies,
which causes a series of misconceptions about this matter.
The first group of students who attended the Seminar-Workshop–who was used to a
working dynamics of discussion in the classroom, but also to attending
lectures–was initially puzzled, for our Seminar was at a computer laboratory, a
space they only used when they needed to print something or to use the internet,
or even to write their papers, but not to attend a formal class.
Once the dynamics of the class–readings, debates, and above all, enquiry–was
explained, students became active users. First, we talked about what DH is and
its origins, its different aspects and the main debates about it. Then, we read
and reflected upon what the historical discipline has done in this field of
research, with an emphasis on the generalized view on digital, digitizing and
original production processes–what D’Iorio and Barbera [
D'Iorio and Barbera 2011] call “conditions of possibility,” summarized as “
quote,
consensus and preservation”–which have preserved the
humanistic academy throughout history. The change in humanistic work is not
precisely in the principles of the discipline, but it suggests the correct
inclusion of appropriate technologies and trends at each step in the process of
knowledge-building. This debate remained constant in the Seminar-Workshop
throughout both semesters.
We also dealt with some aspects regarding the evaluation of websites and digital
tools. For this, we resorted to one of the forms put forward by members of the
RedHD,
though other options were also explored. At the beginning of the semester, the
students started a practical evaluation activity which revealed their lack of
awareness about the different elements that should be taken into consideration;
however, this made them realize about the importance of this task in order to
check whether digital publications and projects follow the same criteria as
products edited and printed in paper. Later on, when we analyzed projects
connected to the historical discipline, students always did some research and
found other similar projects to compare. We realized that students are actually
both curious and fully capable of analyzing digital projects; however, for this
to be carried out they need a school environment which encourages them to
explore and also offers them the necessary tools to differentiate and evaluate
information. In fact, third year students of History already have this kind of
training, applied only to publications in paper: they can identify types of
works, degree of specialization, publishing houses, and academic journals. We
believe it is essential to offer students, on the one hand, the basic tools for
analysis; and, on the other, the confidence for them to develop their abilities
in such a way that the result of their training should be the critical reading
of any kind of text or project.
4. Creativity and products
The next step in the development of the Seminar-Workshop was to encourage our
students’ creativity, taking into account the basic publication norms, such as
the use of the “physical” and the digital content, production
licenses and the circulation of knowledge, collaborative and interdisciplinary
work, etc. Their own use of the network and their consumption of information
created conflict when faced against the way they would carry out their projects.
Would they like to offer open or restricted access to a particular content?
Would they rather carry out a collaborative or an individual project? Such
questions were meant to raise awareness in students as users of digital
resources and tools. It is important to generate a digital culture, a series of
good practices that will allow them to profit from the means available to them
in order to grow as historians and users.
The result of the first year, besides the impact on their perspective regarding
their training, was a series of individual projects that showed a certain
attachment to a “traditional” way of producing historical
knowledge. Students decided to undertake the construction of blogs, and one
student even suggested the development of a network for historians, initially in
Mexico City.
In the first case, after some evaluation, the students chose the blog platform of
their preference according to the type of contents they wished to publish;
whereas, in the second case, the student had to carry out a detailed inquiry on
the platforms that would allow her to materialize such project. Her solutions
were conditioned by the logistical need of a server, which the institution was
not able to provide. The decision of using the account one of the teachers had
in a commercial server was made in order make her project possible. Despite the
setbacks, we managed to carry out the students’ proposals, and two of them are
currently starting to bring forward further digital projects, which they will
provide in written form as their undergraduate theses and afterwards at their
defense.
As a guide for the evaluation of the products of undergraduate dissertation
examinations, we had the work by Koh, in which she describes her own course: “you and your students are all already digital
humanists, because you all use technology in your daily lives”
[
Koh 2014]. Given the fact that we needed to demonstrate to the academic community
what students are capable of producing, we selected three outstanding
projects:
- The project History of Japan in the 20th Century shows,
through the use of various circulation tools and the option to an open and
free of charge publication, some aspects of the history of contemporary
Japan. Students worked collaboratively and were able to produce analytical
contents, which came from different documentary sources, such as video,
documents, photographs and timelines. Even though the analysis follows a
traditional methodology, the students were able to express its content with
simple vocabulary intended for a wider audience without sacrificing their
academic training.
- The personal blog La casa del obrero mundial (The House of the
World Laborer) deals with the anarchist movement in Mexico and its
consolidation at the World Workers’ Chamber. The student analyzes historical
documents, including contemporary newspaper clippings, and dwells on some
events that took place at that building, offering a critical analysis of the
historical movement. Even though the student was more inclined to making a
traditional piece, he used the methodology of history as well as his own
point of view in order to make a blog that would appeal to a wider audience,
and overcame the fear that often comes with the first open
publication.
- The social network ConectaHD[6] (DHConnect) was developed with the
intention of creating thematic groups of history students and teachers from
the various universities in Mexico City, which would allow their members to
exchange digital objects, bibliographical information and guidance regarding
historians (university professors) that might be of their interest.
After this first experience teaching the Seminar-Workshop, it became necessary to
perform a self-evaluation on the contents as well as on the level of efficiency
in the fulfillment of our goals. This made us adjust our syllabus and we thought
that the next time we taught the Seminar-Workshop, it would be beneficial to
create not different projects, but a single, collaborative project. As a result
of the revision and the comparison of our syllabus with others focused on DH and
digital culture, and based on the results published by Rockwell and Sinclair, we
decided it was necessary to broaden the scope, which now included the students’
acquisition of competences oriented to the management and development of digital
projects [
Rockwell and Sinclair 2012].
Having said that, our students managed to fulfill the goals set at the beginning,
they presented products and brought forward new projects; however, the History
student population amounts to over a thousand. The Seminar’s success in the
general context could be seen as a grain of sand in the desert, though not less
significant for this reason: we believe that the training of students in the
creation of digital objects remains the best way making DH known, and their
application in undergraduate courses, a necessity.
However, we need to mention that the infrastructure in our
Facultad does not always allow the availability
of proper spaces for a seminar like this one. Not so long ago, only the
Geography Department–and, occasionally, the Pedagogy Department–made use of the
computer laboratories for teaching. Although there are other computer rooms,
these are set aside for the use of the whole community of teachers and students,
which renders them unable to be used exclusively during teaching hours. At the
moment, the
Facultad has three computer laboratories specifically
used for teaching: at the main building, there are the “Giordano
Bruno” room and room 313, provided with sixteen and twenty-five
computer equipments respectively; at the annexed building, there is a bigger
laboratory, with a total of thirty computers. These spaces are meant to meet the
needs of a population that, according to official data, consists of
8129students of
the thirteen different undergraduate courses offered at the
Facultad. It becomes too clear that such demand cannot be
satisfied only with the three laboratories available now. What is more, even
though there exists a wireless network system (RIU, its acronym in Spanish), it
does not have the capacity required to provide service to such a vast community.
Academic activities, which require the use of a stable network, exceed the
current conditions at our
Facultad. The everyday-use classrooms do
not have a wireless network; neither do they have nodes for ethernet. This
limits the development, not only of seminars such as ours, but also of other
subjects which need the use of the internet and of audiovisual equipment. This
shortage has yet to be solved due to the relation between the resources and the
size of the academic community; this is why there is not a detailed assessment
of this situation. The effort that has been put into having some computer rooms
and laboratories is important, but it is clear that the
Facultad de Filosofía y Letras shows some
backwardness in comparison to other
Facultades, be them of Social Sciences, or
Engineering, or similar disciplines. Perhaps the Romantic idea of a philosopher,
historian or philologist sitting alone holding a printed book is one of the
reasons why the
Facultad’s community does not believe a
twenty-first century humanist requires new spaces such as computer laboratories
or services such as an efficient network in order to carry out his/her
activities.
5. Complementary work
In 2014, we requested the UNAM the funding of a project the purpose of which
would be to make a guide on digital tools and resources for humanists. The
project’s methodology implied the development of research that would improve
student-centered teaching. This way, besides the impact on the curricular area,
we set out to launch the creation of a digital culture, which would imply an
increase in responsible users and content creators. Four teachers took part in
this project, together with four students, three of whom did the
Seminar-Workshop and were granted a scholarship to finish their courses, and
another one who had an internship as a requisite to finish his studies.
[7]
The website developed is called
eLaboraHD (a word game between “elaborate” and
laboratory [e-lab/ora] HD stands for Digital Humanities acronym in Spanish), and
is addressed to the whole community at the
Facultad
de Filosofía y Letras; that is, to humanists at the
UNAM, even though it emphasizes guidance to historians. The management of this
product began with the request for an institutional server that would allow us
to have an official extension connected to the
Facultad. The creation process took several
months, due to the fact that we have no Department devoted to the development of
digital projects. The setting up of a platform within the institutional space
demanded the consultation and collaboration with several engineers and computer
technicians who granted us part of their time from daily work (the correlation
between any research and this Department is focused mainly on connectivity
matters for video conferences and lab maintenance) in order to help us set up a
basic website management system whose use would be both flexible and simple
(
Wordpress). This way, we
ensured content update and basic maintenance work on the website, which would
also allow us to keep an institutional structure and meet the necessary
evaluation standards. Despite the fact that a resource such as this one should
be relatively simple, the minimum requirements of the system implied joint work
with the
Facultad’s IT Department,
for the physical access to the server is restricted to the company of one of the
people responsible there.
Because these types of activities are quite rare in our line of work, we
experienced some technical setbacks that delayed the development of the site.
Nevertheless, since last March, several weekly meetings were held in a computer
laboratory so as to define the name of the site, its structure and the type of
contents that would be published there. Discussion and consensus defined our
decision-making. At the same time that technological difficulties were being
solved, contents were being planned as well. Once the site had been set, and a
URL had been assigned, we were able to devote ourselves to the task of building
static web pages and entries at the blog on the evaluation of sites and
projects, digital resources and tools to carry out works shared by the thirteen
disciplines taught at our Facultad.
The site took its definitive shape in June, and even though today we still are at
the content creation phase, there are a few pending chores, such as the site’s
promotion from the main Institution’s site, for we are sharing resources and
spaces with 130 research projects, and from the Facultad’s site, because it is the Facultad’s responsibility to guarantee
the circulation of all its research projects–and for this, each must
“wait for one’s turn.” We certainly have not put aside
circulation through social networks, but this is not replicated by the accounts
at the institution itself, which limits the knowledge such a large university
population as ours may have about our contents. Again, our digital
“grain of sand” seems to disappear in the desert of
institutional infrastructure.
All in all, we believe that the most important thing is to create interest in the
community regarding the use of digital tools and resources in every possible
way: at conferences within the context of research colloquia, through our
classes, at teachers’ meetings, etc. We are fully aware that it will not be easy
to change the academic culture at a School that, traditionally, is used to
reading on paper; however, we do believe that the ability to establish
dialogues, also traditional and inherent to the Humanities, will at least allow
us to cause curiosity in its population.
The funding we have received forces us to review the site in pairs, and even
though we can count on two teachers who are willing to perform an assessment, it
has become necessary to elaborate an evaluation guide, for historians are not
used to analyzing this kind of products. For the time being, the site is being
used by the teachers who belong to the project, within the classes we teach, and
we have invited teachers from other institutions and levels to add the contents
of the site as an additional support for their teaching activities.
6. Academic renewal: Taking DH to the Introduction to History
The constant debate on the students’ training becomes evident in the initiative
of the Head of the Colegio de
Historia, who organized a series of meetings with the
teachers in order to know the problems they had detected on this matter. In
general terms, the teachers mentioned basic problems with reading and writing,
but they also emphasized the lack of knowledge on the digital resources the
university makes available to its community.
The Head office turned to us once again to ask us for some sort of course or
workshop addressed to those students who would begin their studies in August.
This course would not be compulsory, but the importance of attending it was
stressed to them. So, we created a four-hour syllabus and divided the 270 new
students into groups. Four teachers, including ourselves, took on the task of
designing the syllabus and teaching it. Besides the academic life at the
Facultad, we dealt with the
digital resources and catalogues that the 134 libraries at the university offer
their community. We explained that, as students, they have the right to get an
account at the
BidiUNAM (the
library’s site) in order to access electronic resources, which consist of
databases and allow them access to texts and indexes of articles and specialized
journals at an international level.
The course included the implementation of a survey to the Class of 2016 about
different aspects. We would like to highlight here part of the results on the
knowledge about, and the use of, digital devices and the internet in their
academic training. We discovered that 234 of the students beginning their
undergraduate course have laptops, 137 have tablets and 175 have smartphones,
and that 94% of them make use of these devices to carry out academic work.
Although they did not state which particular tasks they did, from individual
conversations with them we were able to infer that the use of these devices
tended to be for basic search of information. Despite previous restrictions over
the use of the internet in their studies, 89% of the first-year students are in
favor of the use of the internet to perform their research throughout their
undergraduate course, although they are not aware of the names of resources and
applications; i.e., they are familiar with the use of text editors, blog
management software or social networks platforms, but they do not know the
differences between the various digital objects.
These surveys have allowed us to conclude our first diagnosis and to identify
several aspects that should be incorporated to the Plan de Estudios of the undergraduate History
Course. First, we believe that the use of the internet and of structured data
should be included, for they allow both the macro- and microanalysis of our
objects of study. We also maintain that, within the graduate profile at the
PE, we should include students’ abilities to broaden the field
with the search of theoretical, monographic and documentary information in order
to carry out research work that would allow them to solve problems.
Even though interdisciplinary work is still pending, it could be made real by
means of the joint elaboration of digital projects. The relationship among the
different Facultades at the UNAM,
and even among the different undergraduate courses within our own Facultad, could offer humanists the
ability to develop collaborative and interdisciplinary work, because faculty
members must actively participate in the digital training of their students.
Certainly, for this, it will also be necessary to spread the use of updating
software for those teachers who are currently working there. It would be
desirable for teaching staff to include in their syllabuses some activities
involving the use of digital resources or tools in order to develop academic
products within the theme and the objectives of each subject.
To implement the inclusion of these aspects, it seems necessary to sensitize both
teachers [
Trinkle 2004] and students regarding the importance not
only of digital technologies, but also of the reflection about the implications
that their use has in each of the disciplines, as well as of the advantages of
using them properly. It will definitely be necessary to have the infrastructure
required so as to achieve these goals, which is already part of the policies and
working plans of the administration.
While the debate develops and the appropriate decisions on the changes in the
PE are made, we have brought forward two workshops addressed to
teachers, the academic technical staff and teaching assistants within the
Programa de Actualización y Superación
Docente (
PASD, its acronym in
Spanish)
[8] from the
Dirección General de Asuntos del Personal
Académico (
DGAPA, its acronym in
Spanish)
[9] at
the UNAM: an introductory one and another one for the development of digital
projects. This entails a new challenge: we believe that it is now imperative to
broaden the impact of our proposal of creating this digital academic culture
which will have an effect not only on the way knowledge is produced within our
university to this day, but also on the criteria for the evaluation of the
teaching-learning process as well as of teachers’ productivity. And, even though
this is an aspect that requires an open debate among academicians, it goes
beyond the scope of this article. The active involvement of teachers, now and in
the near future, in the development of digital products and projects as part of
their teaching work will depend on this debate.
The case of study here presented and the efforts made within the UNAM classrooms
owe much to the existence of the
RedHD, which was created in
Mexico, though together with members from different parts of the world. Several
collaborators in this network have taught workshops to various academic groups,
both at a national and at an international level. One way or the other, these
workshops have begun to make an impact in the development of projects –some of
which were already being carried out, though they were still not identified as
DH work. The spreading of DH, as well as of the responsible use of the internet
and of digital tools have been some of the main goals. In fact, the authors of
this article, together with Ernesto Priani Saisó, have collaborated with
institutional projects, such as
Comunidades
Digitales para el Aprendizaje en Educación Superior
(
CODAES, its acronym in
Spanish), which was coordinated by the University of Veracruz. As mentioned
above, the need of training teachers as well has been acknowledged, but some
workshops have been offered in other institutions outside the UNAM. For
instance, in South America, within the context of the
HASTAC
2014 Congress (Lima, Peru), the workshop “On
Arriving at the Digital: Describing Critical Paths into the Digital
Humanities” was organized by the University of Illinois at
Urbana-Champaign and taught with guests from Mexico, Peru and Argentina. What is
more, some workshops have been carried out in the
Primeras Jornadas Nacionales de Humanidades
Digitales (Buenos Aires, Argentina 2014) [
Peña 2015]. In Central America, some workshops have been organized
at the University of San Carlos de Guatemala and at the National Autonomous
University of Honduras, as well as at the Latin American Social Sciences
Institute of Honduras [
Domínguez 2016]. Therefore, the case study
at the
Facultad de Filosofía y Letras is part of an expansion
process of DH–for the time being, within the Mexican and Latin American academic
institutions. Isabel Galina has discussed this issue in several texts since 2013
[
Galina 2013]
[
Galina 2015]
[
Galina 2017].
Notes
[1] Even though the concept of Humanidades Digitales (HD) is not culturally
equivalent to that of Digital Humanities (DH), we have decided, out of
consideration to readers of this journal, to translate HD as
DH.
[2]
Facultad de Filosofía y Letras is the
equivalent to the American model of School (or Faculty) of Arts &
Humanities.
[3]
Plan de Estudios is the description of the curriculum and the
statements of its methods, as well as the conception of the level and the
area of study. In this case, we are referring to the undergraduate course in
History
[4] Direct quotations have been translated into English.
[5]
SEP is the equivalent to Ministry of Education.
[6] The site was temporarily taken down due to
problems with the server.
[7]
The teachers who collaborated with the authors in this project are Cristina
Ratto and Érika Adán; and the students, Claudia Muñoz, Diego Salgado, María
Fernanda López and Bryan Gómez.
[8] Teaching Updating and Improvement Program.
[9] General Administration of Academic Staff Affairs.
Works Cited
D'Iorio and Barbera 2011 D’Iorio, Paolo and
Michele Barbera. “Scholar Source: A Digital Infrastructure
for the Humanities,” Thomas Bartscherer (ed.), Switching Codes. Thinking Through Digital Technology in the Humanities and
the Arts, Michigan: University of Chicago Press (2011), pp.
61-88.
Muñoz 2015 Muñoz, Claudia. “ConectaHD,” unavailable (2015).
Rockwell and Sinclair 2012 Rockwell, Geoffrey
and Stéfan Sinclair. “Acculturation and the Digital
Humanities Community,” Brett D. Hirsch (ed.),
Digital Humanities Pedagogy: Practices, Principles and Policies,
Cambridge, UK: Open Book Publishers (2012). DOI: 10.11647/OBP.0024.
http://www.openbookpublishers.com/htmlreader/DHP/chap07.html#ch07 Svensson 2014 Svensson, Anna. “El término Humanidades Digitales y los
Estudios Latinoamericanos: una revisión bibliográfica,”
Anuario Americanista Europeo, Issue 12, (2014), pp.
1-28.
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