Author Index

[fr]Entre musique et lettres : vers une méthodologie numérique pour l’analyse de la mise en musique des poésies de Charles Baudelaire
[en]Between words and music: towards a digital methodology for analysing song settings of the poems of Charles Baudelaire, 2018: v12 n1, [co-authored]

Automatic Identification of Rhetorical Elements in classical Arabic Poetry, 2023: v17 n2, [co-authored]

​​Whole Self to the World: Creating Affective Worlds and Black Digital Intimacy in the Fandom of The Misadventures of Awkward Black Girl and Insecure, 2022: v16 n3

Gamer Trouble: A Review, 2024: v18 n1

e-Science for Medievalists: Options, Challenges, Solutions and Opportunities, 2009: v3 n4, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

[pt]Geovisualização de dados e ciência aberta e cidadã - a experiência da Plataforma LindaGeo
[en]Data Geovisualization and Open and Citizen Science - the LindaGeo Platform Prototype, 2020: v14 n2, [co-authored]

Finding and Interpreting Arguments: An Important Challenge for Humanities Computing and Scholarly Practice, 2019: v13 n4, [co-authored]

Augmenting Access to Embodied Knowledge Archives: A Computational Framework, 2024: v18 n3, [co-authored]

Manuscript Study in Digital Spaces: The State of the Field and New Ways Forward, 2018: v12 n2, [co-authored]

Introduction: Digital Humanities & Colonial Latin American Studies, 2020: v14 n4, [co-authored]

[fr]Pour une analyse automatique du jugement critique : les citations modalisées dans le discours littéraire du XIXe siècle
[en]Toward an automatic analysis of critical judgment: modified quotes in the literary discourse of the nineteenth century, 2018: v12 n1, [co-authored]

Character Recognition Of Seventeenth-Century Spanish American Notary Records Using Deep Learning, 2021: v15 n4, [co-authored]

Manifesto: A Life on the Hyphen: Balancing Identities as Librarians, Scholars, and Digital Practitioners, 2019: v13 n2, [co-authored]

Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]

Interlinking Text and Data with Semantic Annotation and Ontology Design Patterns to Analyse Historical Travelogues, 2023: v17 n3, [co-authored]

Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]

Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project, 2021: v15 n1, [co-authored]

Aporias of the Digital Avant-Garde, 2007: v1 n2

Open Access and the Theological Imagination, 2017: v11 n4, [co-authored]

Annotation: A Uniting, but Multifaceted Practice. A Review of Nantke and Schlupkothen (2020), 2022: v16 n4

Researcher as Bricoleur: Contextualizing humanists’ digital workflows, 2018: v12 n3, [co-authored]

Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]

An Open Lab? The Electronic Textual Cultures Lab in the Evolving Digital Humanities Landscape, 2020: v14 n3, [co-authored]

[fr]Entre musique et lettres : vers une méthodologie numérique pour l’analyse de la mise en musique des poésies de Charles Baudelaire
[en]Between words and music: towards a digital methodology for analysing song settings of the poems of Charles Baudelaire, 2018: v12 n1, [co-authored]

Words, Patterns and Documents: Experiments in Machine Learning and Text Analysis, 2009: v3 n2, [co-authored]

The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]

Metaphors in Digital Hermeneutics: Zooming through Literary, Didactic and Historical Representations of Imaginary and Existing Cities, 2017: v11 n3, [co-authored]

Audiovisualities out of Annotation: Three Case Studies in Teaching Digital Annotation with Mediate, 2021: v15 n1, [co-authored]

It May Change My Understanding of the Field: Understanding Reading Tools for Scholars and Professional Readers, 2009: v3 n4, [co-authored]

Introduction: Special Issue on AudioVisual Data in DH, 2021: v15 n1, [co-authored]

Modeling Afro-Latin American Artistic Representations in Topic Maps: Cuba’s Prominence in Latin American Discourse, 2013: v7 n1, [co-authored]

The Digital Environmental Humanities (DEH) in the Anthropocene: Challenges and Opportunities in an Era of Ecological Precarity, 2023: v17 n3, [co-authored]

Experiential Analogies: A Sonic Digital Ekphrasis as a Digital Humanities Project, 2016: v10 n2, [co-authored]

AI and Medical Images: Addressing Ethical Challenges to Provide Responsible Access to Historical Medical Illustrations, 2024: v18 n3, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Applied Digital Humanities and the Creative Industries in the United Kingdom, 2022: v16 n2, [co-authored]

Manual Annotation of Unsupervised Models: Close and Distant Reading of Politics on Reddit, 2019: v13 n3, [co-authored]

Affective Absence: Risks in the Institutionalization of the FemTechNet Archive, 2019: v13 n2

Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]

Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC), 2020: v14 n3, [co-authored]

Classics in the Million Book Library, 2009: v3 n1, [co-authored]

My DH Present, Past, & Future, 2022: v16 n3

Automatic Identification of Types of Alterations in Historical Manuscripts, 2021: v15 n2, [co-authored]

Matching Computational Analysis and Human Experience: Performative Arts and the Digital Humanities, 2020: v14 n4, [co-authored]

Detecting and Characterising Transmission from Legacy Collection Catalogues, 2022: v16 n2, [co-authored]

DH Moments, Caribbean Considerations: On Reaction, Response, and Relevance in the Digital Humanities, 2019: v13 n3

Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]

Interlinking Text and Data with Semantic Annotation and Ontology Design Patterns to Analyse Historical Travelogues, 2023: v17 n3, [co-authored]

The Idiocy of the Digital Literary (and what does it have to do with digital humanities)?, 2013: v7 n1

Computational Linguistics and Classical Lexicography, 2009: v3 n1, [co-authored]

Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain, 2021: v15 n1, [co-authored]

Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]

The Form of the Content: The Digital Archive Nahuatl/Nawat in Central America, 2020: v14 n4, [co-authored]

Fading Away... The challenge of sustainability in digital studies, 2020: v14 n3, [co-authored]

Sound and Digital Humanities: reflecting on a DHSI course, 2016: v10 n1

Theatre analytics: developing software for theatre research, 2020: v14 n3

[en]Recognition and Analysis of the Proceedings of the Greek Parliament after WWII, 2024: v18 n1, [co-authored]

Machine Enhanced (Re)minding: the Development of Storyspace, 2012: v6 n2

The Age Old Question: A Review of What is Digital History? by Hannu Salmi, 2021: v15 n4

Scholarly Primitives of Scholarly Meetings: A DH-Inspired Exploration of the Virtual Incunabular in the Time of COVID 19, 2022: v16 n2, [co-authored]

Old Ways for Linking Texts in the Digital Reading Environment: The Case of the Thompson Chain Reference Bible, 2012: v6 n2, [co-authored]

The Stories We Tell: Project Narratives, Project Endings, and the Affective Value of Collaboration, 2023: v17 n1

Introduction to Göttingen Dialogues 2016, 2021: v15 n1

Theorizing Connectivity: Modernism and the Network Narrative, 2011: v5 n2, [co-authored]

Historical GIS and Guidebooks: A Scalable Reading of Czechoslovak Tourist Attractions, 2023: v17 n2, [co-authored]

Category Development at the Interface of Interpretive Pragmalinguistic Annotation and Machine Learning: Annotation, detection and classification of linguistic routines of discourse referencing in political debates, 2023: v17 n3, [co-authored]

Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]

The Sound of Many Hands Clapping: Teaching the Digital Humanities through Virtual Research Environment (VREs), 2012: v6 n2

[en]LemonizeTBX: Design and Implementation of a New Converter from TBX to OntoLex-Lemon, 2024: v18 n2, [co-authored]

Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]

Using word vector models to trace conceptual change over time and space in historical newspapers, 1840–1914, 2022: v16 n2, [co-authored]

The Media Ecology Project: Collaborative DH Synergies to Produce New Research in Visual Culture History, 2021: v15 n1, [co-authored]

Medieval manuscript descriptions and the Semantic Web: analysing the impact of CIDOC CRM on Italian codicological-paleographical data, 2020: v14 n1

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Learning Digital Humanities in a Community of Practice: the DEAR model of Postgraduate Research Training, 2021: v15 n3, [co-authored]

Category Development at the Interface of Interpretive Pragmalinguistic Annotation and Machine Learning: Annotation, detection and classification of linguistic routines of discourse referencing in political debates, 2023: v17 n3, [co-authored]

Making the Whole Greater than the Sum of its Parts: Taxonomy development as a site of negotiation and compromise in an interdisciplinary software development project, 2023: v17 n3, [co-authored]

Crowdsourcing Image Extraction and Annotation: Software Development and Case Study, 2020: v14 n2, [co-authored]

Can an author style be unveiled through word distribution?, 2021: v15 n1

Crowdsourcing Image Extraction and Annotation: Software Development and Case Study, 2020: v14 n2, [co-authored]

Ooligan Press: Building and Sustaining a Feminist Digital Humanities Lab at a R-2, 2020: v14 n3, [co-authored]

Digital Oulipo: Programming Potential Literature, 2017: v11 n3

An Annotated Multilingual Dataset to Study Modality in the Gospels, 2024: v18 n1, [co-authored]

Digital Methods and Classical Studies, 2016: v10 n2, [co-authored]

[fr]Introduction
[en]Introduction, 2018: v12 n1, [co-authored]

Tracing Toxicity Through Code: Towards a Method of Explainability and Interpretability in Software, 2023: v17 n2

Healing the Gap: Digital Humanities Methods for the Virtual Reunification of Split Media and Paper Collections, 2021: v15 n1, [co-authored]

The Leipzig Open Fragmentary Texts Series (LOFTS), 2016: v10 n2, [co-authored]

All and Each: A Socio-Technical Review of the Europeana Project, 2017: v11 n3, [co-authored]

Attention Ecology: Trend Circulation and the Virality Threshold, 2016: v10 n4, [co-authored]

Interlinking Text and Data with Semantic Annotation and Ontology Design Patterns to Analyse Historical Travelogues, 2023: v17 n3, [co-authored]

Creative Data Literacy: A Constructionist Approach to Teaching Information Visualization , 2018: v12 n4, [co-authored]

Digital Humanities Inside Out: Developing a Digital Humanities Curriculum for Computer Scientists in Singapore , 2022: v16 n4, [co-authored]

Reconstructing historical texts from fragmentary sources: Charles S. Parnell and the Irish crisis, 1880-86, 2023: v17 n3, [co-authored]

Man and His Tool, Again? Queer and Feminist Notes on Practices in the Digital Humanities and Object Orientations Everywhere, 2015: v9 n2

Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process, 2021: v15 n3, [co-authored]

Virtual museums as an extended museum experience: Challenges and impacts for museology, digital humanities, museums and visitors – in times of (Coronavirus) crisis, 2021: v15 n3

An Ontology for Gendered Content Representation of Cultural Heritage Artefacts, 2017: v11 n3, [co-authored]

Velvet Evolution: A Review of Lev Manovich's Software Takes Command (Bloomsbury Academic, 2013), 2019: v13 n1

Distant Reading and Viewing: Big Questions in Digital Art History and Digital Literary Studies, 2023: v17 n2

Reassessing the locus of normalization in machine-assisted collation, 2020: v14 n3, [co-authored]

Diachronic trends in Homeric translations, 2017: v11 n2, [co-authored]

Reinventing the Classroom Edition: Paradise Lost Book IX Flash Audiotext, 2009: v3 n3

A Textual History of Mozilla: Using Topic Modeling to Trace Sociocultural Influences on Software Development, 2015: v9 n3

Technology, Collaboration, and Undergraduate Research, 2009: v3 n1, [co-authored]

It May Change My Understanding of the Field: Understanding Reading Tools for Scholars and Professional Readers, 2009: v3 n4, [co-authored]

A Culture of non-citation: Assessing the digital impact of British History Online and the Early English Books Online Text Creation Partnership, 2017: v11 n1, [co-authored]

Predicting the Past, 2018: v12 n2

A Life Lived in Media, 2012: v6 n1, [co-authored]

Layers of Variation: a Computational Approach to Collating Texts with Revisions, 2022: v16 n1, [co-authored]

How to cite this digital edition?, 2021: v15 n3

Jane, John … Leslie? A Historical Method for Algorithmic Gender Prediction, 2015: v9 n3, [co-authored]

Creating a User Manual for Healthy Crowd Engagement: A Review of Mark Hedges and Stuart Dunn's Academic Crowdsourcing in the Humanities: Crowds, Communities and Co-production, 2019: v13 n4

Tiresias: A Novel Approach for Mining Book Indices, 2023: v17 n1, [co-authored]

Erasure, Misrepresentation and Confusion: Investigating JSTOR Topics on Women’s and Race Histories, 2020: v14 n1

The Fold: Rethinking Interactivity in Data Visualization, 2020: v14 n3, [co-authored]

[fr]Les Sganarelle de Molière : un nom, des syntaxes ?
[en]Molière's Sganarelles: one name, several syntaxes?, 2018: v12 n1, [co-authored]

Ghosts in the Machine: a motion-capture experiment in distributed reception, 2018: v12 n3, [co-authored]

Epigraphy in 2017, 2009: v3 n1, [co-authored]

The Making and Re-making of The Philadelphia Negro, 2022: v16 n2, [co-authored]

Designing Choreographies for the New Economy of Attention , 2009: v3 n2, [co-authored]

Digital Literature and the Modernist Problem, 2011: v5 n3, [co-authored]

Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project, 2021: v15 n1, [co-authored]

Stretched Skulls: Anamorphic Games and the memento mortem mortis , 2012: v6 n2, [co-authored]

Rule-based Adornment of Modern Historical Japanese Corpora using Accurate Universal Dependencies, 2022: v16 n4, [co-authored]

Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project, 2021: v15 n1, [co-authored]

Innovation Through Collaboration in Humanities Research, 2021: v15 n4, [co-authored]

TaDiRAH: a Case Study in Pragmatic Classification, 2016: v10 n1, [co-authored]

The Digital Future is Now: A Call to Action for the Humanities, 2009: v3 n4

Tool criticism in practice. On methods, tools and aims of computational literary studies, 2023: v17 n2, [co-authored]

Graph based modelling of prosopographical datasets. Case study: Romans 1by1, 2024: v18 n2, [co-authored]

The Data Sprint Approach: Exploring the field of Digital Humanities through Amazon’s Application Programming Interface, 2015: v9 n3, [co-authored]

Annotating ritual in ancient Greek tragedy: a bottom-up approach in action, 2021: v15 n1, [co-authored]

[en]Editorializing the Greek Anthology: The palatin manuscript as a collective imaginary, 2020: v14 n1, [co-authored]

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

Mining for characterising patterns in literature using correspondence analysis: an experiment on French novels, 2017: v11 n2, [co-authored]

The Lives of Mistresses and Maids: Editing Victorian Correspondence with Genealogy, Prosopography, and the TEI, 2022: v16 n1, [co-authored]

Information access in the art history domain: Evaluating a federated search engine for Rembrandt research , 2016: v10 n4, [co-authored]

Poetry as Code as Interactive Fiction: Engaging Multiple Text-Based Literacies in Scarlet Portrait Parlor, 2023: v17 n2

Ethical and Effective Visualization of Knowledge Networks, 2022: v16 n3, [co-authored]

Power and Precarity: Lessons from the Makers by Mail Project, 2022: v16 n2, [co-authored]

Power and Precarity: Lessons from the Makers by Mail Project, 2022: v16 n2, [co-authored]

Reviving Classical Drama: virtual reality and experiential learning in a traditional classroom, 2018: v12 n3

Textension: Digitally Augmenting Document Spaces in Analog Texts, 2019: v13 n3, [co-authored]

A Prosopography as Linked Open Data: Some Implications from DPRR, 2020: v14 n2

[fr]Potentialités et difficultés d’un projet en humanités numériques (DH) : confrontation aux outils et réorientations de recherche
[en]Potentialities and difficulties of a digital humanities (DH) project: confrontation with tools and reorientations of research, 2018: v12 n1, [co-authored]

Cosmopolitanism, Japaneseness, and Video Game Studies: A Review of Mia Consalvo's Atari to Zelda: Japan's Videogames in Global Contexts, 2019: v13 n4

Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]

Crowdsourcing Image Extraction and Annotation: Software Development and Case Study, 2020: v14 n2, [co-authored]

A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]

The New Itinerancy: Digital Pedagogy and the Adjunct Instructor in the Modern Academy, 2017: v11 n3

Classics in the Million Book Library, 2009: v3 n1, [co-authored]

Xpos’re: A Tool for Rich Internet Publications, 2014: v8 n2, [co-authored]

The Fold: Rethinking Interactivity in Data Visualization, 2020: v14 n3, [co-authored]

Digital Humanities in the 21st Century: Digital Material as a Driving Force , 2016: v10 n3

Computer Vision and the Creation of a Database of Printers’ Ornaments, 2021: v15 n1, [co-authored]

Ticha: Collaboration with Indigenous communities to build digital resources on Zapotec language and history, 2020: v14 n4, [co-authored]

Comparative K-Pop Choreography Analysis through Deep-Learning Pose Estimation across a Large Video Corpus, 2021: v15 n1, [co-authored]

Finding Narratives in News Flows: The Temporal Dimension of News Stories, 2021: v15 n4, [co-authored]

Building Bridges: Collaboration between Computer Sciences and Media Studies in a Television Archive Project, 2019: v13 n3, [co-authored]

Perceptual Effects of Hierarchy in Art Historical Social Networks, 2022: v16 n1, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

Networked Cross-Dressing: A Digital Refashioning of Shakespearean Gender Subversion, 2022: v16 n3, [co-authored]

Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]

Digital Editions and Version Numbering, 2020: v14 n2

The AudiAnnotate Project: Four Case Studies in Publishing Annotations for Audio and Video, 2022: v16 n2, [co-authored]

The AudiAnnotate Project: Four Case Studies in Publishing Annotations for Audio and Video, 2022: v16 n2, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Accessioning the Digital Humanities: Report from the 1st Archival Education and Research Institute, 2010: v4 n1

To tree, or not to tree? On the Empirical Basis for Having Past Landscapes to Experience., 2018: v12 n3, [co-authored]

Developing a Qualitative Coding Analysis of Visual Artwork for Humanities Research, 2016: v10 n4

Layers of Variation: a Computational Approach to Collating Texts with Revisions, 2022: v16 n1, [co-authored]

War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]

Automated Visual Content Analysis for Film Studies: Current Status and Challenges, 2020: v14 n4, [co-authored]

Comparing Disciplinary Patterns: Exploring the Humanities through the Lens of Scholarly Communication, 2017: v11 n2

Imagining the Continuously Present Past: Visualizing William Faulkner’s Narratives and Digital Yoknapatawpha, 2021: v15 n2

Audiovisualities out of Annotation: Three Case Studies in Teaching Digital Annotation with Mediate, 2021: v15 n1, [co-authored]

New Media in the Academy: Labor and the Production of Knowledge in Scholarly Multimedia, 2011: v5 n3, [co-authored]

Topological properties of music collaboration networks: The case of Jazz and Hip Hop, 2021: v15 n1, [co-authored]

Reading Chicago Reading: Quantitative Analysis of a Repeating Literary Program, 2020: v14 n2, [co-authored]

Recovering the London Stage Information Bank: Lessons from an Early Humanities Computing Project, 2017: v11 n3

Tesserae Intertext Service, 2022: v16 n1, [co-authored]

A Beautiful Look at Modern Digital Humanities: A review of Mark Goble, Beautiful Circuits: Modernism and the Mediated Life (New York: Columbia University Press, 2010), 2013: v7 n2

The Voices of Doctor Who – How Stylometry Can be Useful in Revealing New Information About TV Series, 2020: v14 n4

Organic and Locally Sourced: Growing a Digital Humanities Lab with an Eye Towards Sustainability, 2020: v14 n3, [co-authored]

Finding Narratives in News Flows: The Temporal Dimension of News Stories, 2021: v15 n4, [co-authored]

[es]La conquista de Jerusalén ¿de Cervantes? Análisis estilométrico sobre autoría en el teatro del Siglo de Oro español
[en]The Conquest of Jerusalem: by Cervantes? Stylometric analysis on authorship in the Golden Age Spanish theater, 2018: v12 n1, [co-authored]

A review of Nathan Ensmenger, The Computer Boys Take Over: Computers, Programmers, and the Politics of Technical Expertise (Cambridge, MA, and London: MIT Press, 2010), 2013: v7 n2

Ethical and Effective Visualization of Knowledge Networks, 2022: v16 n3, [co-authored]

Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]

A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online) , 2017: v11 n3, [co-authored]

Introduction, 2011: v5 n3, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Textension: Digitally Augmenting Document Spaces in Analog Texts, 2019: v13 n3, [co-authored]

Afrofuturist Intellectual Mixtapes: A Classroom Case Study , 2021: v15 n1, [co-authored]

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Finding Narratives in News Flows: The Temporal Dimension of News Stories, 2021: v15 n4, [co-authored]

[en]Editorializing the Greek Anthology: The palatin manuscript as a collective imaginary, 2020: v14 n1, [co-authored]

Lilypond Music-Notation Software in the Digital-Humanities Toolbox, 2024: v18 n2

Building A Volunteer Community: Results and Findings from Transcribe Bentham , 2012: v6 n2, [co-authored]

Epigraphy in 2017, 2009: v3 n1, [co-authored]

Computational art Explorations of Linguistic Possibility Spaces: comparative translingual close readings of Daniel C. Howe’s Automatype and Radical of the Vertical Heart 忄, 2023: v17 n2

[es]La conquista de Jerusalén ¿de Cervantes? Análisis estilométrico sobre autoría en el teatro del Siglo de Oro español
[en]The Conquest of Jerusalem: by Cervantes? Stylometric analysis on authorship in the Golden Age Spanish theater, 2018: v12 n1, [co-authored]

Classics in the Million Book Library, 2009: v3 n1, [co-authored]

Developing Research through Podcasts: Circulating Spaces, A Case Study, 2021: v15 n3, [co-authored]

DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Interdisciplinary Collaboration and Brokerage in the Digital
 Humanities, 2017: v11 n3, [co-authored]

Minimal Computing from the Labor Perspective , 2022: v16 n2, [co-authored]

Introduction to the DHQ Special Issue: Digital Technology in the Study of the Past, 2018: v12 n3, [co-authored]

Raising Visibility in the Digital Humanities Landscape: Academic Engagement and the Question of the Library’s Role, 2019: v13 n2, [co-authored]

A Named Entity Recognition Model for Medieval Latin Charters, 2021: v15 n4, [co-authored]

Minimal Computing for Exploring Indian Poetics, 2022: v16 n2, [co-authored]

In One's Own Hand: Seeing Manuscripts in a Digital Age, 2012: v6 n2

Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship, 2022: v16 n2, [co-authored]

Interdisciplinary Collaboration and Brokerage in the Digital
 Humanities, 2017: v11 n3, [co-authored]

Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship, 2022: v16 n2, [co-authored]

Digital Methods in Literary Criticism: A Review of Digital Humanities and Literary Studies (2022), : v n, [co-authored]

The In/Visible, In/Audible Labor of Digitizing the Public Domain, 2019: v13 n2

The Role of Critical Thinking in Humanities Infrastructure: The Pipeline Concept with a Study of HaToRI (Hansard Topic Relevance Identifier), 2020: v14 n3, [co-authored]

Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC), 2020: v14 n3, [co-authored]

Episodic Theater and the Digital Text: Editing the Traveling Players’ Fortunatus, 2020: v14 n1

Starting From Scratch? Workshopping New Directions in Undergraduate Digital Humanities, 2017: v11 n3, [co-authored]

Building a Toolkit for Digital Pedagogy, 2017: v11 n3

Racism in the Machine: Visualization Ethics in Digital Humanities Projects, 2018: v12 n4, [co-authored]

The Materialities of Close Reading: 1942, 1959, 2009, 2012: v6 n1

Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab , 2019: v13 n1, [co-authored]

Reading Today, 2014: v8 n4

Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]

The AudiAnnotate Project: Four Case Studies in Publishing Annotations for Audio and Video, 2022: v16 n2, [co-authored]

[fr]Introduction
[en]Introduction, 2018: v12 n1, [co-authored]

Continuous Integration and Unit Testing of Digital Editions, 2017: v11 n4, [co-authored]

Reference Rot in the Digital Humanities Literature: An Analysis of Citations Containing Website Links in DHQ, 2023: v17 n1, [co-authored]

[fr]Potentialités et difficultés d’un projet en humanités numériques (DH) : confrontation aux outils et réorientations de recherche
[en]Potentialities and difficulties of a digital humanities (DH) project: confrontation with tools and reorientations of research, 2018: v12 n1, [co-authored]

Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain, 2021: v15 n1, [co-authored]

Tesserae Intertext Service, 2022: v16 n1, [co-authored]

Building the Women in Book History Bibliography, or Digital Enumerative Bibliography as Preservation of Feminist Labor., 2019: v13 n3, [co-authored]

Textension: Digitally Augmenting Document Spaces in Analog Texts, 2019: v13 n3, [co-authored]

The Project Endings Interviews: A Summary of Methodological Foundations, 2023: v17 n1

Nonsense Code: A Nonmaterial Performance, 2023: v17 n2, [co-authored]

Networks, Maps, and Time: Visualizing Historical Networks Using Palladio, 2021: v15 n1

Gender, Race, and Nationality in Black Drama, 1950-2006: Mining Differences in Language Use in Authors and their Characters, 2009: v3 n2, [co-authored]

Exploring Film Language with a Digital Analysis Tool: the Case of Kinolab, 2021: v15 n1, [co-authored]

ᐊᒐᐦᑭᐯᐦᐃᑲᓇ ᒫᒥᑐᓀᔨᐦᐃᒋᑲᓂᐦᑳᓂᕽ | acahkipehikana mâmitoneyihicikanihkânihk | Programming with Cree# and Ancestral Code: Nehiyawewin Spirit Markings in an Artificial Brain, 2023: v17 n2

Review: Katherine Bode's A World of Fiction, 2021: v15 n3

Visualizing a Series: Aggregate Compositional Analysis of Botticelli's Commedia, 2023: v17 n3

Crowdsourcing Image Extraction and Annotation: Software Development and Case Study, 2020: v14 n2, [co-authored]

[pt]Curadoria Digital e Custos – Exploração de abordagens e perceções
[en]Digital Curation and its Costs: A Study of Practices and Insights, 2020: v14 n2, [co-authored]

Raising Visibility in the Digital Humanities Landscape: Academic Engagement and the Question of the Library’s Role, 2019: v13 n2, [co-authored]

Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain, 2021: v15 n1, [co-authored]

Hands-On Reading: An Experiment in Slow Digital Reading, 2021: v15 n2, [co-authored]

Innovation Through Collaboration in Humanities Research, 2021: v15 n4, [co-authored]

Leonardo, Morelli, and the Computational Mirror, 2021: v15 n1, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Reaping the Harvest: Descendant Archival Practice to Foster Sustainable Digital Archives for Rural Black Women, 2022: v16 n3, [co-authored]

The Leipzig Open Fragmentary Texts Series (LOFTS), 2016: v10 n2, [co-authored]

[en]Developing a Process-Oriented, Inclusive Pedagogy: At the Intersection of Digital Humanities, Second Language Acquisition, and New Literacies, 2020: v14 n1, [co-authored]

No Boutique or Fashionable Technologies: Project Development, Mentorship, and Sustainability in an Innovation-First World, 2023: v17 n1

Digital library search preferences amongst historians and genealogists: British History Online user survey, 2016: v10 n4

Academics Retire and Servers Die: Adventures in the Hosting and Storage of Digital Humanities Projects, 2023: v17 n1

Organic and Locally Sourced: Growing a Digital Humanities Lab with an Eye Towards Sustainability, 2020: v14 n3, [co-authored]

The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

Manual Annotation of Unsupervised Models: Close and Distant Reading of Politics on Reddit, 2019: v13 n3, [co-authored]

A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Remembering Stéfan Sinclair, 2020: v14 n2

Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain, 2021: v15 n1, [co-authored]

A Case Study Protocol for Meta-Research into Digital Practices in the Humanities, 2020: v14 n3, [co-authored]

Computational Paremiology: Charting the temporal, ecological dynamics of proverb use in books, news articles, and tweets, 2023: v17 n2, [co-authored]

Unknowable Facts and Digital Databases: Reflections on the Women Film Pioneers Project and Women in Film History, 2020: v14 n4

[fr]Potentialités et difficultés d’un projet en humanités numériques (DH) : confrontation aux outils et réorientations de recherche
[en]Potentialities and difficulties of a digital humanities (DH) project: confrontation with tools and reorientations of research, 2018: v12 n1, [co-authored]

[pt]Curadoria Digital e Custos – Exploração de abordagens e perceções
[en]Digital Curation and its Costs: A Study of Practices and Insights, 2020: v14 n2, [co-authored]

Computational Paremiology: Charting the temporal, ecological dynamics of proverb use in books, news articles, and tweets, 2023: v17 n2, [co-authored]

BigDIVA and Networked Browsing: A Case for Generous Interfacing and Joyous Searching, 2018: v12 n2, [co-authored]

Burying Dead Projects: Depositing the Globalization Compendium, 2014: v8 n2, [co-authored]

The Shock of the Familiar: Three Timelines about Gender and Technology in the Library, 2015: v9 n2

Visual Communication and the promotion of Health: an exploration of how they intersect in Italian education, 2018: v12 n4, [co-authored]

Classics in the Million Book Library, 2009: v3 n1, [co-authored]

Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]

Layers of Variation: a Computational Approach to Collating Texts with Revisions, 2022: v16 n1, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Researching Spanish Dance in Time and Space: A GIS for La Argentina's Ballets Espagnols, 2022: v16 n3, [co-authored]

[fr]Analyser les emboîtements d’échelles spatio-temporelles d’un territoire forestier : du système d’information géographique à la méthode SyMoGIH (Avesnois, France)
[en]Analyzing the interlocking spatio-temporal scales of a forest: from geographic information systems to the SyMoGIH method (Avesnois, France), 2018: v12 n1

Annotating ritual in ancient Greek tragedy: a bottom-up approach in action, 2021: v15 n1, [co-authored]

Diachronic trends in Homeric translations, 2017: v11 n2, [co-authored]

An Annotated Multilingual Dataset to Study Modality in the Gospels, 2024: v18 n1, [co-authored]

To tree, or not to tree? On the Empirical Basis for Having Past Landscapes to Experience., 2018: v12 n3, [co-authored]

Open, Equitable, and Minimal: Teaching Digital Scholarly Editing North and South, 2022: v16 n2, [co-authored]

Open, Equitable, and Minimal: Teaching Digital Scholarly Editing North and South, 2022: v16 n2, [co-authored]

Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]

[en]Sensitivity and Access: Unlocking the Colonial Visual Archive with Machine Learning, 2024: v18 n3, [co-authored]

Perceptual Effects of Hierarchy in Art Historical Social Networks, 2022: v16 n1, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Digital Humanities on Reserve: From Reading Room to Laboratory at Yale University Library, 2020: v14 n3, [co-authored]

[pt]Ler a prosa do mundo hoje
[en]Reading Prose in this Day and Age, 2020: v14 n2

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

[fr]Potentialités et difficultés d’un projet en humanités numériques (DH) : confrontation aux outils et réorientations de recherche
[en]Potentialities and difficulties of a digital humanities (DH) project: confrontation with tools and reorientations of research, 2018: v12 n1, [co-authored]

A Life Lived in Media, 2012: v6 n1, [co-authored]

Semantic Enrichment of a Multilingual Archive with Linked Open Data, 2017: v11 n4, [co-authored]

The Dangers of Disappearance, the Opportunities of Recovery, 2023: v17 n1

Minimal Computing with Progressive Web Apps, 2022: v16 n2

Crafting in Games, 2017: v11 n4, [co-authored]

Cross-codex Learning for Reliable Scribe Identification in Medieval Manuscripts, 2024: v18 n1, [co-authored]

Creative Data Literacy: A Constructionist Approach to Teaching Information Visualization , 2018: v12 n4, [co-authored]

[en]LemonizeTBX: Design and Implementation of a New Converter from TBX to OntoLex-Lemon, 2024: v18 n2, [co-authored]

Interpretable Outputs: Criteria for Machine Learning in the Humanities, 2021: v15 n2

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]

Computational Paremiology: Charting the temporal, ecological dynamics of proverb use in books, news articles, and tweets, 2023: v17 n2, [co-authored]

Automatic Identification of Types of Alterations in Historical Manuscripts, 2021: v15 n2, [co-authored]

Minimizing Computing Maximizes Labor, 2022: v16 n2

Do You Want to Save Your Progress?: The Role of Professional and Player Communities in Preserving Virtual Worlds, 2012: v6 n2, [co-authored]

GIS and Literary History: Advancing Digital Humanities research through the Spatial Analysis of historical travel writing and topographical literature, 2017: v11 n1, [co-authored]

Thinking Digitally: A Review of N. Katherine Hayles’s How We Think: Digital Media and Contemporary Technogenesis (University of Chicago Press, 2012), 2018: v12 n1

Making the Whole Greater than the Sum of its Parts: Taxonomy development as a site of negotiation and compromise in an interdisciplinary software development project, 2023: v17 n3, [co-authored]

Introduction: Situating Critical Code Studies in the Digital Humanities, 2023: v17 n2, [co-authored]

Escaping the Shallows: Deep Reading’s Revival in the Digital Age, 2014: v8 n2

The Fold: Rethinking Interactivity in Data Visualization, 2020: v14 n3, [co-authored]

Heterochronologies: a platform for correlation and research in temporal graphics, 2022: v16 n3, [co-authored]

[fr]Entre musique et lettres : vers une méthodologie numérique pour l’analyse de la mise en musique des poésies de Charles Baudelaire
[en]Between words and music: towards a digital methodology for analysing song settings of the poems of Charles Baudelaire, 2018: v12 n1, [co-authored]

Digital Criticism: Editorial Standards for the Homer Multitext , 2009: v3 n1, [co-authored]

Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology, 2019: v13 n1, [co-authored]

Textual Reuse in the Eighteenth Century: Mining Eliza Haywood’s Quotations, 2016: v10 n1

The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]

Explaining Events to Computers: Critical Quantification, Multiplicity and Narratives in Cultural Heritage, 2016: v10 n3, [co-authored]

Tracking the telepathic sublime as a phenomenon in a digital humanities archive, 2017: v11 n4, [co-authored]

Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]

An Open Lab? The Electronic Textual Cultures Lab in the Evolving Digital Humanities Landscape, 2020: v14 n3, [co-authored]

Introduction, 2009: v3 n3, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Picture Problems: X-Editing Images 1992-2010, 2009: v3 n3

Digital Criticism: Editorial Standards for the Homer Multitext , 2009: v3 n1, [co-authored]

The Almanac Archive: Theorizing Marginalia and Duplicate Copies in the Digital Realm, 2016: v10 n1, [co-authored]

Making the Whole Greater than the Sum of its Parts: Taxonomy development as a site of negotiation and compromise in an interdisciplinary software development project, 2023: v17 n3, [co-authored]

An Enlightenment Utopia: The Network of Sociability in Corinne, 2017: v11 n2

Books Aren't Dead: Resurrecting Audio Technology and Feminist Digital Humanities Approaches to Publication and Authorship, 2021: v15 n1, [co-authored]

Literary Data Mining: A review of Matthew Jockers, Macroanalysis: Digital Methods and Literary History (Urbana: University of Illinois Press, 2013)., 2016: v10 n3

Cuneiform Stroke Recognition and Vectorization in 2D Images, 2024: v18 n1, [co-authored]

Book Review: Digital Sound Studies (2018) , 2021: v15 n1

An Open Lab? The Electronic Textual Cultures Lab in the Evolving Digital Humanities Landscape, 2020: v14 n3, [co-authored]

Epigraphy in 2017, 2009: v3 n1, [co-authored]

A Text Network Analysis of Discursive Changes in German, Austrian and Swiss New Year’s Speeches 2000-2021, 2022: v16 n1

From close listening to distant listening: Developing tools for Speech-Music discrimination of Danish music radio , 2021: v15 n1, [co-authored]

Digital Literature and the Modernist Problem, 2011: v5 n3, [co-authored]

Friedrich Kittler's Digital Legacy – PART I - Challenges, Insights and Problem-Solving Approaches in the Editing of Complex Digital Data Collections, 2017: v11 n2, [co-authored]

Reconstructing Brandon (1998-1999): A Cross-disciplinary Digital Humanities Study of Shu Lea Cheang’s Early Web Artwork, 2018: v12 n2, [co-authored]

Burying Dead Projects: Depositing the Globalization Compendium, 2014: v8 n2, [co-authored]

Using an Advanced Text Index Structure for Corpus Exploration in Digital Humanities, 2021: v15 n1, [co-authored]

Categorising Legal Records – Deductive, Pragmatic, and Computational Strategies, 2023: v17 n3, [co-authored]

The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities , 2022: v16 n4, [co-authored]

The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]

One Loveheart at a Time: The Language of Emoji and the Building of Affective Community in the Digital Medieval Studies Environment, 2020: v14 n3, [co-authored]

All Hope Abandon: Biblical Text and Interactive Fiction, 2007: v1 n2

Lessons from the Library: Extreme Minimalist Scaling at Pirate Ebook Platforms, 2022: v16 n2

Web 2.0 and the Ontology of the Digital, 2012: v6 n2

Automated Visual Content Analysis for Film Studies: Current Status and Challenges, 2020: v14 n4, [co-authored]

[en]Digital Humanities and Natural Language Processing: Je t’aime... Moi non plus, 2020: v14 n2, [co-authored]

Manuscript Catalogues as Data for Research: From Provenance to Data Decolonisation, 2024: v18 n3, [co-authored]

Obama’s Sixth Annual Address: Image, Affordance, Flow, 2016: v10 n4

Reverse Engineering the Gendered Design of Amazon’s Alexa: Methods in Testing Closed-Source Code in Grey and Black Box Systems, 2023: v17 n2

Word Processor Art: How User-friendly Inhibits Creativity, 2016: v10 n1

Developing Geographically Oriented NLP Approaches to Sixteenth–Century Historical Documents: Digging into Early Colonial Mexico, 2020: v14 n4, [co-authored]

A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]

Towards a differentiated digital-hermeneutic analysis tool for the detection of short quotations using the example of the Church Father Jerome, 2024: v18 n3, [co-authored]

Discourse cohesion in Xenophon’s On Horsemanship through Sketch Engine, 2023: v17 n3, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Digital Surrealism: Visualizing Walt Disney Animation Studios, 2017: v11 n1

[pt]Apresentação - Edição especial da DHQ em português
[en]Introduction: A Portuguese-language Special Issue of DHQ, 2020: v14 n2, [co-authored]

Studying Up: A Review of Alice Marwick’s Status Update, 2015: v9 n2

[es]United Fronteras como tercer espacio: Modelo transfronterizo a través de las humanidades digitales poscoloniales y la computación mínima
[en]United Fronteras as Third Space: A Transborder Model Through Postcolonial Digital Humanities and Minimal Computing, 2022: v16 n2, [co-authored]

Researching Spanish Dance in Time and Space: A GIS for La Argentina's Ballets Espagnols, 2022: v16 n3, [co-authored]

[pt]Reconstruir histórias da conservação da natureza na Califórnia: 1850 – 2010
[en]Reconstructing Histories of Nature Conservation in California: 1850-2010, 2020: v14 n2

[pt]Avanços no estudo das redes de itinerários da Península Ibérica no século XVI. Aplicando os SIGH para estudar a história da arquitetura
[en]Advances in the Study of 16th-century Road Networks in the Iberian Peninsula: Applying SIGH to the History of Architecture, 2020: v14 n2

Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology, 2019: v13 n1, [co-authored]

Inside the Trading Zone: Thinkering in a Digital History Lab, 2020: v14 n3, [co-authored]

[en]SEDES: Metrical Position in Greek Hexameter, 2023: v17 n2, [co-authored]

Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks , 2016: v10 n3, [co-authored]

What Your Teacher Told You is True: Latin Verbs Have Four Principal Parts , 2009: v3 n1, [co-authored]

Revenge of the Nerd: Junot Díaz and the Networks of American Literary Imagination, 2013: v7 n1

Digital Encoding as a Hermeneutic and Semiotic Act: The Case of Valerio Magrelli, 2010: v4 n1, [co-authored]

Audiated Annotation from the Middle Ages to the Open Web, 2021: v15 n1, [co-authored]

By the People, For the People: Assessing the Value of Crowdsourced, User-Generated Metadata, 2015: v9 n1, [co-authored]

FairCite, 2013: v7 n2, [co-authored]

All Relate to Art: The William Blake Archive and Its Web of Relations, 2018: v12 n1, [co-authored]

Made to Be a Woman: A case study on the categorization of gender using an individuation-based approach in the analysis of literary texts, 2023: v17 n3, [co-authored]

A short Introduction to the Hidden Histories project and interviews , 2012: v6 n3, [co-authored]

Methods and Advanced Tools for the Analysis of Film Colors in Digital Humanities, 2020: v14 n4, [co-authored]

Introduction to the DHQ Special Issue: Digital Technology in the Study of the Past, 2018: v12 n3, [co-authored]

[en]Sensitivity and Access: Unlocking the Colonial Visual Archive with Machine Learning, 2024: v18 n3, [co-authored]

Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]

Translation Alignment for Historical Language Learning: a Case Study, 2021: v15 n3, [co-authored]

Critical Design as Theory, Experiment, and Data: A Sociologically-Informed Approach to Visualizing Networks of Loss, 2022: v16 n3

The Stuff of Science Fiction: An Experiment in Literary History, 2016: v10 n1, [co-authored]

The Writeprints of Man: a Stylometric Study of Lafayette's Hand in Paine's 'Rights of Man', 2018: v12 n1, [co-authored]

Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction, 2020: v14 n4, [co-authored]

History Harvesting: A Case Study in Documenting Local History, 2023: v17 n3, [co-authored]

All Relate to Art: The William Blake Archive and Its Web of Relations, 2018: v12 n1, [co-authored]

Audiovisualities out of Annotation: Three Case Studies in Teaching Digital Annotation with Mediate, 2021: v15 n1, [co-authored]

Towards a User-Friendly Tool for Automated Sign Annotation: Identification and Annotation of Time Slots, Number of Hands, and Handshape , 2021: v15 n1, [co-authored]

Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]

Cuneiform Stroke Recognition and Vectorization in 2D Images, 2024: v18 n1, [co-authored]

Exploring Film Language with a Digital Analysis Tool: the Case of Kinolab, 2021: v15 n1, [co-authored]

The End of Literature: Machine Reading and Amitav Ghosh’s The Calcutta Chromosome , 2013: v7 n1

Interlinking Text and Data with Semantic Annotation and Ontology Design Patterns to Analyse Historical Travelogues, 2023: v17 n3, [co-authored]

A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

The First Steps of Digital Humanities: A Review of Tara L. Andrews and Caroline Macé’s Analysis of Ancient and Medieval Texts and Manuscripts: Digital Approaches, 2021: v15 n3

The case of the golden background, a virtual restoration and a physical reconstruction of the medieval Crucifixion of the Lindau Master (c. 1425), 2023: v17 n1, [co-authored]

Fostering Community Engagement through Datathon Events: The Archives Unleashed Experience, 2021: v15 n1, [co-authored]

Tool criticism in practice. On methods, tools and aims of computational literary studies, 2023: v17 n2, [co-authored]

The Lives of Mistresses and Maids: Editing Victorian Correspondence with Genealogy, Prosopography, and the TEI, 2022: v16 n1, [co-authored]

Structure over Style: Collaborative Authorship and the Revival of Literary Capitalism, 2017: v11 n1, [co-authored]

Playing with Identities: Queering Digital Narratology and the Exploration of Gender and Sexual Identities, 2017: v11 n3

The Model is the Message: Modelling and the Future of Humanities Scholarship, 2024: v18 n3

Cervantes Project: The Digital Quixote Iconography Collection, 2009: v3 n3, [co-authored]

Reading, Making, and Metacognition: Teaching Digital Humanities for Transfer, 2018: v12 n2

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

Afro-Indigenous Women Healers in the Caribbean and Its Diasporas: A Decolonial Digital Humanities Project, 2022: v16 n3, [co-authored]

Winesburg, Ohio: A Modernist Kluge, 2011: v5 n2

Traveling the Silk Road on a Virtual Globe: Pedagogy, Technology and Evaluation for Spatial History, 2013: v7 n2, [co-authored]

Creating a regional DH community – A Case Study of the RedHD, 2015: v9 n3

Visual Communication and the promotion of Health: an exploration of how they intersect in Italian education, 2018: v12 n4, [co-authored]

[fr]Que mille lectures s’épanouissent… Modélisation du personnage et expérience de  crowdreading 
[en]Let a thousand readings flourish . . . A crowdreading experience, 2018: v12 n1, [co-authored]

Looking Backward and Forward: Pleasure, Joy, and the Future of Black DH, 2022: v16 n3

Hands-On Reading: An Experiment in Slow Digital Reading, 2021: v15 n2, [co-authored]

Introduction to the Digital Humanities Summer Institute Colloquium Special Issue, 2016: v10 n1, [co-authored]

The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]

Mining for characterising patterns in literature using correspondence analysis: an experiment on French novels, 2017: v11 n2, [co-authored]

Tracking the Consumption Junction: Temporal Dependencies between Articles and Advertisements in Dutch Newspapers, 2020: v14 n2, [co-authored]

Ticha: Collaboration with Indigenous communities to build digital resources on Zapotec language and history, 2020: v14 n4, [co-authored]

A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online) , 2017: v11 n3, [co-authored]

Seeking Information in Spanish Historical Newspapers: The Case of Diario de Madrid (18th and 19th Centuries), 2023: v17 n4, [co-authored]

Hands-On Reading: An Experiment in Slow Digital Reading, 2021: v15 n2, [co-authored]

From Stone to Screen: Digital Revitalization of Ancient Epigraphy, 2016: v10 n1, [co-authored]

Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]

Scholarly Primitives of Scholarly Meetings: A DH-Inspired Exploration of the Virtual Incunabular in the Time of COVID 19, 2022: v16 n2, [co-authored]

Using structured text corpora in Parliamentary Metadata Language for the analysis of legislative proceedings, 2018: v12 n2

Categorising Legal Records – Deductive, Pragmatic, and Computational Strategies, 2023: v17 n3, [co-authored]

Ooligan Press: Building and Sustaining a Feminist Digital Humanities Lab at a R-2, 2020: v14 n3, [co-authored]

[es]Cartografías de la sociedad red
[en]Cartographies of the Network Society, 2018: v12 n1

Agent-Based Modeling and Historical Simulation, 2014: v8 n4

Deep Learning for Historical Cadastral Maps and Satellite Imagery Analysis: Insights from Styria's Franciscean Cadastre, 2024: v18 n3, [co-authored]

Reconstructing historical texts from fragmentary sources: Charles S. Parnell and the Irish crisis, 1880-86, 2023: v17 n3, [co-authored]

Using an Advanced Text Index Structure for Corpus Exploration in Digital Humanities, 2021: v15 n1, [co-authored]

Categorising Legal Records – Deductive, Pragmatic, and Computational Strategies, 2023: v17 n3, [co-authored]

Working on and with Categories for Text Analysis: Challenges and Findings from and for Digital Humanities Practices, 2023: v17 n3, [co-authored]

Comparative rates of text reuse in classical Latin hexameter poetry, 2015: v9 n3, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain, 2021: v15 n1, [co-authored]

Case Study: Annotating the ambiguous modality of "must" in Jane Austen’s Emma, 2023: v17 n3, [co-authored]

[en]Exploring Combinatorial Methods to Produce Sonnets: An Overview of the Oupoco Project, 2024: v18 n1, [co-authored]

Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology, 2019: v13 n1, [co-authored]

Building Better Digital Humanities Tools: Toward broader audiences and user-centered designs, 2012: v6 n2, [co-authored]

Topological properties of music collaboration networks: The case of Jazz and Hip Hop, 2021: v15 n1, [co-authored]

Mining Public Discourse for Emerging Dutch Nationalism, 2016: v10 n3, [co-authored]

The Radical Historicity of Everything: Exploring Shakespearean Identity with Web 2.0, 2009: v3 n3, [co-authored]

Introduction: The Questions of Minimal Computing, 2022: v16 n2, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Digital Geography and Classics, 2009: v3 n1, [co-authored]

A Model for Representing Diachronic Terminologies: the Saussure Case Study, 2021: v15 n3, [co-authored]

Linked data from TEI (LIFT): A Teaching Tool for TEI to Linked Data Transformation, 2022: v16 n2, [co-authored]

Working on and with Categories for Text Analysis: Challenges and Findings from and for Digital Humanities Practices, 2023: v17 n3, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Past Visions and Reconciling Views: Visualizing Time, Texture and Themes in Cultural Collections, 2017: v11 n2, [co-authored]

Caribbean Futures in Black DH, 2022: v16 n3

Researching Spanish Dance in Time and Space: A GIS for La Argentina's Ballets Espagnols, 2022: v16 n3, [co-authored]

Nodalism, 2011: v5 n3

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Service-Oriented Software in the Humanities: A Software Engineering Perspective, 2009: v3 n4

[es]Introducción de los editores
[en]Editors' Introduction, 2018: v12 n1, [co-authored]

Learning Digital Humanities in a Community of Practice: the DEAR model of Postgraduate Research Training, 2021: v15 n3, [co-authored]

Cuneiform Stroke Recognition and Vectorization in 2D Images, 2024: v18 n1, [co-authored]

Designing Choreographies for the New Economy of Attention , 2009: v3 n2, [co-authored]

Computer Vision and the Creation of a Database of Printers’ Ornaments, 2021: v15 n1, [co-authored]

Universal Dependencies and Author Attribution of Short Texts with Syntax Alone, 2022: v16 n2

Digital Humanities Inside Out: Developing a Digital Humanities Curriculum for Computer Scientists in Singapore , 2022: v16 n4, [co-authored]

Radically Accessible Shakespeare: Cripping the Digital Shakespeare Canon through Universal Design and Disability Studies, 2023: v17 n1

Vive la Différence! Text Mining Gender Difference in French Literature , 2009: v3 n2, [co-authored]

Introduction: Questioning Collaboration, Labor, and Visibility in Digital Humanities Research, 2019: v13 n2, [co-authored]

A Case Study Protocol for Meta-Research into Digital Practices in the Humanities, 2020: v14 n3, [co-authored]

The Printing Press as Metaphor, 2016: v10 n3

From Kindling to Kindles: A Review of Matt Hayler, Challenging the Phenomena of Technology: Embodiment, Expertise and Evolved Knowledge (Basingstoke: Palgrave Macmillan, 2015), 2016: v10 n2

Open Arabic Periodical Editions: A Framework for Bootstrapped Scholarly Editions Outside the Global North, 2022: v16 n2

The Almanac Archive: Theorizing Marginalia and Duplicate Copies in the Digital Realm, 2016: v10 n1, [co-authored]

Vivas to those who have failed: Walt Whitman Electric and the (Digital) Humanities, 2020: v14 n4

Innovation Through Collaboration in Humanities Research, 2021: v15 n4, [co-authored]

The New Place of Reading: Locative Media and the Future of Narrative, 2011: v5 n3

Developing Geographically Oriented NLP Approaches to Sixteenth–Century Historical Documents: Digging into Early Colonial Mexico, 2020: v14 n4, [co-authored]

Character Recognition Of Seventeenth-Century Spanish American Notary Records Using Deep Learning, 2021: v15 n4, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Collaboration in Digital Humanities Research – Persisting Silences, 2018: v12 n1, [co-authored]

Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]

Scholarly Primitives of Scholarly Meetings: A DH-Inspired Exploration of the Virtual Incunabular in the Time of COVID 19, 2022: v16 n2, [co-authored]

Matching Computational Analysis and Human Experience: Performative Arts and the Digital Humanities, 2020: v14 n4, [co-authored]

Crafting in Games, 2017: v11 n4, [co-authored]

Music Scholarship Online (MuSO): A Research Environment for a More Democratic Digital Musicology, 2019: v13 n1, [co-authored]

Published Yet Never Done: The Tension Between Projection and Completion in Digital Humanities Research, 2009: v3 n2, [co-authored]

[en]Exploring Combinatorial Methods to Produce Sonnets: An Overview of the Oupoco Project, 2024: v18 n1, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]

The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities , 2022: v16 n4, [co-authored]

DH as Data: Establishing Greater Access through Sustainability, 2023: v17 n3, [co-authored]

Scholarly Infrastructure as Critical Argument: Nine principles in a preliminary survey of the bibliographic and critical values expressed by scholarly web-portals for visualizing data, 2020: v14 n3

Underlying Sentiments in 1867: A Study of News Flows on the Execution of Emperor Maximilian I of Mexico in Digitized Newspaper Corpora, 2022: v16 n4, [co-authored]

A Network Analysis of Figurative Topic Classification: The Case Study of Timon of Athens, 2024: v18 n3

Linking Data and Disciplines: Interdisciplinary brokering in digital humanities research , 2022: v16 n3, [co-authored]

Worlds and Readers: Augmented Reality in Modern Polaxis, 2022: v16 n2, [co-authored]

Problems of Authorship Classification: Recognising the Author Style or a Book?, 2023: v17 n4, [co-authored]

From Archive to Database: Using Crowdsourcing, TEI, and Collaborative Labor to Construct the Maria Edgeworth Letters Project, 2024: v18 n2, [co-authored]

What Counts? Digital Humanities Pedagogy Seminars as Teaching, 2023: v17 n4, [co-authored]

Applied Digital Humanities and the Creative Industries in the United Kingdom, 2022: v16 n2, [co-authored]

The Push and Pull of Digital Humanities: Topic Modeling the What is digital humanities? Genre, 2020: v14 n1, [co-authored]

Methods and Advanced Tools for the Analysis of Film Colors in Digital Humanities, 2020: v14 n4, [co-authored]

Cross-codex Learning for Reliable Scribe Identification in Medieval Manuscripts, 2024: v18 n1, [co-authored]

New Media in the Academy: Labor and the Production of Knowledge in Scholarly Multimedia, 2011: v5 n3, [co-authored]

Cuneiform Stroke Recognition and Vectorization in 2D Images, 2024: v18 n1, [co-authored]

Language DNA: Visualizing a Language Decomposition , 2016: v10 n4, [co-authored]

Reconstructing historical texts from fragmentary sources: Charles S. Parnell and the Irish crisis, 1880-86, 2023: v17 n3, [co-authored]

Determining Value for Digital Humanities Tools: Report on a Survey of Tool Developers , 2010: v4 n2, [co-authored]

PodcastRE Analytics: Using RSS to Study the Cultures and Norms of Podcasting , 2021: v15 n1, [co-authored]

Crowdsourcing Image Extraction and Annotation: Software Development and Case Study, 2020: v14 n2, [co-authored]

Rich Veins of Ore: A Review of Gabe Ignatow and Rada Mihalcea’s An Introduction to Text Mining: Research Design, Data Collection, and Analysis, 2023: v17 n4

The Underside of the Digital Field, 2012: v6 n2

The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]

Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]

From Distracted to Distributed Attention: Expanded Learning through Social Media, Augmented Reality, Remixing, and Activist Geocaching, 2018: v12 n2

From close listening to distant listening: Developing tools for Speech-Music discrimination of Danish music radio , 2021: v15 n1, [co-authored]

From Archive to Database: Using Crowdsourcing, TEI, and Collaborative Labor to Construct the Maria Edgeworth Letters Project, 2024: v18 n2, [co-authored]

Modelling Medieval Hands: Practical OCR for Caroline Minuscule, 2019: v13 n1, [co-authored]

Computational Models for Analyzing Data Collected from Reconstructed Cuneiform Syllabaries, 2018: v12 n1

Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process, 2021: v15 n3, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Collaboration in Digital Humanities Research – Persisting Silences, 2018: v12 n1, [co-authored]

The Digital Environmental Humanities (DEH) in the Anthropocene: Challenges and Opportunities in an Era of Ecological Precarity, 2023: v17 n3, [co-authored]

Grid-enabling Humanities Datasets, 2009: v3 n4

Film and Video Analysis in the Digital Humanities – An Interdisciplinary Dialog, 2020: v14 n4, [co-authored]

Multiple and Converging Literacies: A Review of Learning the Virtual Life, edited by Peter Trifonas., 2014: v8 n3

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Inside the Trading Zone: Thinkering in a Digital History Lab, 2020: v14 n3, [co-authored]

Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]

More than Distant Viewing: Qualitative Views on Machine Learning as an Automated Analysis Method in Networked Climate Image Communication, 2023: v17 n1, [co-authored]

The Data Sprint Approach: Exploring the field of Digital Humanities through Amazon’s Application Programming Interface, 2015: v9 n3, [co-authored]

Is this Article a Comic?, 2015: v9 n4

Studying Large-Scale Behavioral Differences in Auschwitz-Birkenau with Simulation of Gendered Narratives, 2022: v16 n3, [co-authored]

One Loveheart at a Time: The Language of Emoji and the Building of Affective Community in the Digital Medieval Studies Environment, 2020: v14 n3, [co-authored]

Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]

Semantic Enrichment of a Multilingual Archive with Linked Open Data, 2017: v11 n4, [co-authored]

New Digital Worlds: Postcolonial Digital Humanities in Theory, Praxis and Pedagogy, 2022: v16 n2

Ethical and Effective Visualization of Knowledge Networks, 2022: v16 n3, [co-authored]

Open, Equitable, and Minimal: Teaching Digital Scholarly Editing North and South, 2022: v16 n2, [co-authored]

Tool criticism in practice. On methods, tools and aims of computational literary studies, 2023: v17 n2, [co-authored]

Books Aren't Dead: Resurrecting Audio Technology and Feminist Digital Humanities Approaches to Publication and Authorship, 2021: v15 n1, [co-authored]

Metaphors in Digital Hermeneutics: Zooming through Literary, Didactic and Historical Representations of Imaginary and Existing Cities, 2017: v11 n3, [co-authored]

Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]

The Phenomenon of Interwar City Symphonies: A Combined Methodology of Digital Tools and Traditional Film Analysis Methods to Study Visual Motifs and Structural Patterns of Experimental-Documentary City Films, 2020: v14 n4

Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]

[pt]Aproximações ao cenário das humanidades digitais no Brasil
[en]Approaches to the Digital Humanities Scene in Brazil, 2020: v14 n2, [co-authored]

The Making and Re-making of The Philadelphia Negro, 2022: v16 n2, [co-authored]

Reconstructing Brandon (1998-1999): A Cross-disciplinary Digital Humanities Study of Shu Lea Cheang’s Early Web Artwork, 2018: v12 n2, [co-authored]

Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]

The Stuff of Science Fiction: An Experiment in Literary History, 2016: v10 n1, [co-authored]

Categorial Relations in (Re)constructing Topoi and in (Re)modeling Topology as a Methodology: Vertical, horizontal, heuristic and epistemological interdependencies, 2023: v17 n3

The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]

Interpreting Measures of Meaning: Introducing Salience Differentiated Stability, 2022: v16 n4, [co-authored]

Scaffolding and Play Approaches to Digital Humanities Pedagogy: Assessment and Iteration in Topically-Driven Courses, 2017: v11 n4, [co-authored]

The Imaginary Museum: Teaching Art History with Mobile Digital Technology, 2018: v12 n2

Beyond Representation: Embodied Expression and Social Me-dia, 2012: v6 n2

Friedrich Kittler's Digital Legacy – PART II - Friedrich Kittler and the Digital Humanities: Forerunner, Godfather, Object of Research. An Indexer Model Research , 2017: v11 n2

The Writeprints of Man: a Stylometric Study of Lafayette's Hand in Paine's 'Rights of Man', 2018: v12 n1, [co-authored]

Introduction to Special Issue: Project Resiliency in the Digital Humanities, 2023: v17 n1, [co-authored]

From Disclaimer to Critique: Race and the Digital Image Archivist, 2017: v11 n3

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

The Stylometry of Film Dialogue: Pros and Pitfalls, 2020: v14 n4, [co-authored]

Xpos’re: A Tool for Rich Internet Publications, 2014: v8 n2, [co-authored]

The End of the Irrelevant Text: Electronic Texts, Linguistics, and Literary Theory, 2007: v1 n2

Going Digital: Teaching Crevecoeur in the Twenty-First Century, 2021: v15 n2, [co-authored]

Systems of Intertextuality: Towards a formalization of text relations for manual annotation and automated reasoning, 2023: v17 n3, [co-authored]

Vive la Différence! Text Mining Gender Difference in French Literature , 2009: v3 n2, [co-authored]

Before You Read: A Reconstructed Literary History in Reading by Numbers, 2014: v8 n3

Computational Stylistic Analysis of Popular Songs of Japanese Female Singer-songwriters, 2014: v8 n1, [co-authored]

To Visualize Past Communities: A Solution from Contemporary Practices in the Industry for the Digital Humanities , 2017: v11 n2, [co-authored]

Augmenting Access to Embodied Knowledge Archives: A Computational Framework, 2024: v18 n3, [co-authored]

Interpretative Quests in Theory and Pedagogy, 2007: v1 n1

Developing Research through Podcasts: Circulating Spaces, A Case Study, 2021: v15 n3, [co-authored]

A Digital Humanities Approach to Narrative Voice in The Secret Scripture: Proposing a New Research Method, 2014: v8 n2, [co-authored]

Healing the Gap: Digital Humanities Methods for the Virtual Reunification of Split Media and Paper Collections, 2021: v15 n1, [co-authored]

Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]

A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]

How to Do Things with Deep Learning Code, 2023: v17 n2, [co-authored]

Rediscussing the Political Struggle in the Light of Reform in Late 11th Century China under the View of Digital Humanities, 2022: v16 n2, [co-authored]

Introduction to Special Issue: Project Resiliency in the Digital Humanities, 2023: v17 n1, [co-authored]

Manifesto: A Life on the Hyphen: Balancing Identities as Librarians, Scholars, and Digital Practitioners, 2019: v13 n2, [co-authored]

Are Ontologies Trees or Lattices?, 2023: v17 n3, [co-authored]

Layers of Variation: a Computational Approach to Collating Texts with Revisions, 2022: v16 n1, [co-authored]

Multimodal Authoring and Authority in Educational Comics: Introducing Derrida and Foucault for Beginners, 2015: v9 n4

Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship, 2022: v16 n2, [co-authored]

Decoupling Quality Control and Publication: The Digital Latin Library and the Traveling Imprimatur., 2019: v13 n4, [co-authored]

Automatic Identification of Rhetorical Elements in classical Arabic Poetry, 2023: v17 n2, [co-authored]

Enlisting Vertues Noble & Excelent: Behavior, Credit, and Knowledge Organization in the Social Edition, 2015: v9 n2, [co-authored]

Tractable Tensions: A Review of Digital Humanities: Knowledge and Critique in a Digital Age by David M. Berry and Anders Fagerjord, 2024: v18 n1

[fr]Que mille lectures s’épanouissent… Modélisation du personnage et expérience de  crowdreading 
[en]Let a thousand readings flourish . . . A crowdreading experience, 2018: v12 n1, [co-authored]

The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]

Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

Discourse cohesion in Xenophon’s On Horsemanship through Sketch Engine, 2023: v17 n3, [co-authored]

History, People, and Informatics: A Conversation between Sharon Irish and Wendy Plotkin, 2010: v4 n2, [co-authored]

Relocating Complexity: The Programming Historian and Multilingual Static Site Generation, 2022: v16 n2, [co-authored]

Introduction, 2009: v3 n3, [co-authored]

[pt]Geovisualização de dados e ciência aberta e cidadã - a experiência da Plataforma LindaGeo
[en]Data Geovisualization and Open and Citizen Science - the LindaGeo Platform Prototype, 2020: v14 n2, [co-authored]

Working on and with Categories for Text Analysis: Challenges and Findings from and for Digital Humanities Practices, 2023: v17 n3, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Tool criticism in practice. On methods, tools and aims of computational literary studies, 2023: v17 n2, [co-authored]

Introduction to the Special Issue: Using Visual AI Applied to Digital Archives, 2024: v18 n3

A Review of Feminist in a Software Lab: Difference + Design (2018), 2024: v18 n2

Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project, 2021: v15 n1, [co-authored]

Digital Black Voices: Podcasting and the Black Public Sphere, 2022: v16 n3, [co-authored]

Introduction to Special Issue: Project Resiliency in the Digital Humanities, 2023: v17 n1, [co-authored]

Media Visualization of Book Cover Images: Exploring Differences among Bestsellers in Different Countries, 2017: v11 n3

Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]

Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]

Developing Geographically Oriented NLP Approaches to Sixteenth–Century Historical Documents: Digging into Early Colonial Mexico, 2020: v14 n4, [co-authored]

The Ancient World in Nineteenth-Century Fiction; or, Correlating Theme, Geography, and Sentiment in the Nineteenth Century Literary Imagination, 2016: v10 n2

Crowdsourcing Image Extraction and Annotation: Software Development and Case Study, 2020: v14 n2, [co-authored]

Historical GIS and Guidebooks: A Scalable Reading of Czechoslovak Tourist Attractions, 2023: v17 n2, [co-authored]

Webbots and Machinic Agency, 2012: v6 n2

J. M. Coetzee's Work in Stylostatistics, 2014: v8 n3

Reconstructing historical texts from fragmentary sources: Charles S. Parnell and the Irish crisis, 1880-86, 2023: v17 n3, [co-authored]

DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]

Manuscript Catalogues as Data for Research: From Provenance to Data Decolonisation, 2024: v18 n3, [co-authored]

Environing Media: A Review of Nicole Starosielski’s The Undersea Network, 2017: v11 n4

Reverse Engineering the First Humanities Computing Center, 2018: v12 n2

Moving Cinematic History: Filmic Analysis through Performative Research , 2021: v15 n1, [co-authored]

From the Presupposition of Doom to the Manifestation of Code: Using Emulated Citation in the Study of Games and Cultural Software, 2021: v15 n1, [co-authored]

Canonical References in Electronic Texts: Rationale and Best Practices, 2014: v8 n2

Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC), 2020: v14 n3, [co-authored]

The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]

Modelling Medieval Hands: Practical OCR for Caroline Minuscule, 2019: v13 n1, [co-authored]

Stitching the Fragmented: Feminist Maker Pedagogy and Immersive Technologies for Cultural Learning, 2022: v16 n2, [co-authored]

Reference Rot in the Digital Humanities Literature: An Analysis of Citations Containing Website Links in DHQ, 2023: v17 n1, [co-authored]

Materiality Comics, 2015: v9 n4

Raising Visibility in the Digital Humanities Landscape: Academic Engagement and the Question of the Library’s Role, 2019: v13 n2, [co-authored]

By the People, For the People: Assessing the Value of Crowdsourced, User-Generated Metadata, 2015: v9 n1, [co-authored]

[en]Developing a Process-Oriented, Inclusive Pedagogy: At the Intersection of Digital Humanities, Second Language Acquisition, and New Literacies, 2020: v14 n1, [co-authored]

A Digital Humanities Approach to Narrative Voice in The Secret Scripture: Proposing a New Research Method, 2014: v8 n2, [co-authored]

Using word vector models to trace conceptual change over time and space in historical newspapers, 1840–1914, 2022: v16 n2, [co-authored]

The Arrival Fallacy: Collaborative Research Relationships in the Digital Humanities, 2015: v9 n2

A Digital Humanities Approach to Narrative Voice in The Secret Scripture: Proposing a New Research Method, 2014: v8 n2, [co-authored]

Getting on the Map: A Case Study in Digital Pedagogy and Undergraduate Crowdsourcing, 2017: v11 n3

Interlude: Gaining Access, Gaming Access: Balancing Internal and External Support For Interactive Digital Projects , 2019: v13 n2

A Case Study Protocol for Meta-Research into Digital Practices in the Humanities, 2020: v14 n3, [co-authored]

Augmenting Access to Embodied Knowledge Archives: A Computational Framework, 2024: v18 n3, [co-authored]

A Long-Belated Welcome: Accepting Digital Humanities Methods into Non-DH Classrooms, 2017: v11 n3

From Distracted to Recursive Reading: Facilitating Knowledge Transfer through Annotation Software, 2018: v12 n2, [co-authored]

Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain, 2021: v15 n1, [co-authored]

Lost Spaces, Lost Technologies, and Lost People: Online History Projects Seek to Recover LGBTQ+ Spatial Histories, 2020: v14 n3

Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]

Classifying and Contextualizing Edits in Variants with Coleto: Three Versions of Andy Weir’s The Martian, 2021: v15 n4, [co-authored]

Annotating ritual in ancient Greek tragedy: a bottom-up approach in action, 2021: v15 n1, [co-authored]

Manuscript Study in Digital Spaces: The State of the Field and New Ways Forward, 2018: v12 n2, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

Category Development at the Interface of Interpretive Pragmalinguistic Annotation and Machine Learning: Annotation, detection and classification of linguistic routines of discourse referencing in political debates, 2023: v17 n3, [co-authored]

More than Distant Viewing: Qualitative Views on Machine Learning as an Automated Analysis Method in Networked Climate Image Communication, 2023: v17 n1, [co-authored]

[en]Excavating Infrastructure in the Analog Humanities’ Lab: An Analysis of Claude Lévi-Strauss’s Laboratoire d’anthropologie sociale, 2020: v14 n3

Decolonizing The Digital in the Classroom: Reflections on the Intersection of Colonial Latin American Art History and Digital Art History Pedagogy, 2020: v14 n4

Another Type of Human Narrative: Visualizing Movement Histories Through Motion Capture Data and Virtual Reality, 2021: v15 n1

Sentiment Analysis: Limits and Progress of the Syuzhet Package and Its Lexicons, 2022: v16 n2

One Loveheart at a Time: The Language of Emoji and the Building of Affective Community in the Digital Medieval Studies Environment, 2020: v14 n3, [co-authored]

DH as Data: Establishing Greater Access through Sustainability, 2023: v17 n3, [co-authored]

Tesserae Intertext Service, 2022: v16 n1, [co-authored]

[en]From Semi-structured Text to Tangible Categories: Analysing and annotating death lists in 18th century newspaper issues, 2023: v17 n3, [co-authored]

Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]

Automated Transcription of Non-Latin Script Periodicals: A Case Study in the Ottoman Turkish Print Archive, 2022: v16 n2, [co-authored]

The .txtual Condition: Digital Humanities, Born-Digital Archives, and the Future Literary, 2013: v7 n1

Language DNA: Visualizing a Language Decomposition , 2016: v10 n4, [co-authored]

Computers, Comics and Cult Status: A Forensics of Digital Graphic Novels, 2014: v8 n3

Towards Hermeneutic Visualization in Digital Literary Studies, 2021: v15 n2, [co-authored]

The Kuzushiji Project: Developing a Mobile Learning Application for Reading Early Modern Japanese Texts, 2017: v11 n1, [co-authored]

Project Quintessence: Examining Textual Dimensionality with a Dynamic Corpus Explorer, 2023: v17 n3, [co-authored]

Interdisciplinary Collaboration and Brokerage in the Digital
 Humanities, 2017: v11 n3, [co-authored]

Towards a differentiated digital-hermeneutic analysis tool for the detection of short quotations using the example of the Church Father Jerome, 2024: v18 n3, [co-authored]

[en]Recognition and Analysis of the Proceedings of the Greek Parliament after WWII, 2024: v18 n1, [co-authored]

A Case Study Protocol for Meta-Research into Digital Practices in the Humanities, 2020: v14 n3, [co-authored]

Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]

DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]

Curating Digital Spaces, Making Visual Arguments: A Case Study in New Media Presentations of Ancient Objects, 2013: v7 n2, [co-authored]

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

Making the Whole Greater than the Sum of its Parts: Taxonomy development as a site of negotiation and compromise in an interdisciplinary software development project, 2023: v17 n3, [co-authored]

From Archive to Database: Using Crowdsourcing, TEI, and Collaborative Labor to Construct the Maria Edgeworth Letters Project, 2024: v18 n2, [co-authored]

What Does A Photograph Sound Like? Digital Image Sonification As Synesthetic AudioVisual Digital Humanities, 2021: v15 n1

Friedrich Kittler's Digital Legacy – PART I - Challenges, Insights and Problem-Solving Approaches in the Editing of Complex Digital Data Collections, 2017: v11 n2, [co-authored]

Do You Want to Save Your Progress?: The Role of Professional and Player Communities in Preserving Virtual Worlds, 2012: v6 n2, [co-authored]

Large-Scale Humanities Computing Projects: Snakes Eating Tails, or Every End is a New Beginning? , 2009: v3 n2

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

Topological properties of music collaboration networks: The case of Jazz and Hip Hop, 2021: v15 n1, [co-authored]

Automatic Identification of Rhetorical Elements in classical Arabic Poetry, 2023: v17 n2, [co-authored]

Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]

Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]

Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]

Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

An Ontology for Gendered Content Representation of Cultural Heritage Artefacts, 2017: v11 n3, [co-authored]

A Case Study Protocol for Meta-Research into Digital Practices in the Humanities, 2020: v14 n3, [co-authored]

A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

Perceptual Effects of Hierarchy in Art Historical Social Networks, 2022: v16 n1, [co-authored]

Leonardo, Morelli, and the Computational Mirror, 2021: v15 n1, [co-authored]

Transforming Information Into Knowledge: How Computational Methods Reshape Art History, 2021: v15 n3, [co-authored]

Afro-Indigenous Women Healers in the Caribbean and Its Diasporas: A Decolonial Digital Humanities Project, 2022: v16 n3, [co-authored]

Relocating Complexity: The Programming Historian and Multilingual Static Site Generation, 2022: v16 n2, [co-authored]

German Narratives in International Television Format Adaptations: Comparing Du und Ich (ZDF 2002) with Un Gars, Une Fille (Quebec 1997-2002), 2021: v15 n1

Prison Writer as Witness: Can DH Read for Social Justice?, 2021: v15 n3

Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain, 2021: v15 n1, [co-authored]

Automatic Identification of Types of Alterations in Historical Manuscripts, 2021: v15 n2, [co-authored]

Inferring standard name form, gender and nobility from historical texts using stable model semantics, 2021: v15 n1, [co-authored]

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Why Digital Humanists Should Emphasize Situated Data over Capta, 2021: v15 n2

Theorizing Connectivity: Modernism and the Network Narrative, 2011: v5 n2, [co-authored]

The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities , 2022: v16 n4, [co-authored]

Systems of Intertextuality: Towards a formalization of text relations for manual annotation and automated reasoning, 2023: v17 n3, [co-authored]

OCR of historical printings with an application to building diachronic corpora: A case study using the RIDGES herbal corpus, 2017: v11 n2, [co-authored]

Building an Interface as an Argument? The Case Study of Untangling the Cordel, 2024: v18 n1

The Role of Critical Thinking in Humanities Infrastructure: The Pipeline Concept with a Study of HaToRI (Hansard Topic Relevance Identifier), 2020: v14 n3, [co-authored]

Compounded Mediation: A Data Archaeology of the Newspaper Navigator Dataset, 2021: v15 n4

Networked Cross-Dressing: A Digital Refashioning of Shakespearean Gender Subversion, 2022: v16 n3, [co-authored]

Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]

Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project, 2021: v15 n1, [co-authored]

Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]

Knowledge Organization and Cultural Heritage in the Semantic Web – A Review of a Conference and a Special Journal Issue of JLIS, 2018: v12 n1, [co-authored]

Open or Close Research Instruments? Conflicting Rationales in the Organization of Early Digital Medieval History in Europe (1960–1990)., 2024: v18 n2

Stretched Skulls: Anamorphic Games and the memento mortem mortis , 2012: v6 n2, [co-authored]

Digital Humanities on Reserve: From Reading Room to Laboratory at Yale University Library, 2020: v14 n3, [co-authored]

Underlying Sentiments in 1867: A Study of News Flows on the Execution of Emperor Maximilian I of Mexico in Digitized Newspaper Corpora, 2022: v16 n4, [co-authored]

Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]

A Review of Memes in Digital Culture, 2016: v10 n2

Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]

Developing Geographically Oriented NLP Approaches to Sixteenth–Century Historical Documents: Digging into Early Colonial Mexico, 2020: v14 n4, [co-authored]

Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]

Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]

Ticha: Collaboration with Indigenous communities to build digital resources on Zapotec language and history, 2020: v14 n4, [co-authored]

Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship, 2022: v16 n2, [co-authored]

Relocating Complexity: The Programming Historian and Multilingual Static Site Generation, 2022: v16 n2, [co-authored]

A Visual Sense is Born in the Fingertips: Towards a Digital Ekphrasis, 2013: v7 n1

Sequential Rhetoric: Using Freire and Quintilian to Teach Students to Read and Create Comics , 2015: v9 n4, [co-authored]

Fostering Community Engagement through Datathon Events: The Archives Unleashed Experience, 2021: v15 n1, [co-authored]

Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship, 2022: v16 n2, [co-authored]

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Digital Humanities Pedagogy as Essential Liberal Education: A Framework for Curriculum Development, 2017: v11 n3

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Ticha: Collaboration with Indigenous communities to build digital resources on Zapotec language and history, 2020: v14 n4, [co-authored]

The Fulll Monty, 2022: v16 n3

[en]Recognition and Analysis of the Proceedings of the Greek Parliament after WWII, 2024: v18 n1, [co-authored]

Curating Digital Spaces, Making Visual Arguments: A Case Study in New Media Presentations of Ancient Objects, 2013: v7 n2, [co-authored]

An Integral Web-map for the Analysis of Spatial Change over Time in a Complex Built Environment: Digital Samos, 2023: v17 n2

Reading Chicago Reading: Quantitative Analysis of a Repeating Literary Program, 2020: v14 n2, [co-authored]

Music Theory, the Missing Link Between Music-Related Big Data and Artificial Intelligence, 2021: v15 n1, [co-authored]

DH for History Students: A Case Study at the Facultad de Filosofía y Letras (National Autonomous University of Mexico) , 2017: v11 n3, [co-authored]

May the Text Rise up to Meet You: New Ways of Reading Old Manuscripts, 2009: v3 n3

Social Networks and Archival Context Project: A Case Study of Emerging Cyberinfrastructure, 2014: v8 n3

Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project, 2021: v15 n1, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Slow Listening: Digital Tools for Voice Studies, 2023: v17 n2, [co-authored]

Deep Learning for Historical Cadastral Maps and Satellite Imagery Analysis: Insights from Styria's Franciscean Cadastre, 2024: v18 n3, [co-authored]

Moving Cinematic History: Filmic Analysis through Performative Research , 2021: v15 n1, [co-authored]

Tachypaedia Byzantina: The Suda On Line as Collaborative Encyclopedia, 2009: v3 n1

The Digital Classicist: building a Digital Humanities Community, 2017: v11 n3

[en]Exploring Combinatorial Methods to Produce Sonnets: An Overview of the Oupoco Project, 2024: v18 n1, [co-authored]

Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]

Digital Humanities as Epistemic Cultures: How DH Labs Make Knowledge, Objects, and Subjects, 2020: v14 n3, [co-authored]

Treebanking in the world of Thucydides. Linguistic annotation for the Hellespont Project, 2016: v10 n2

The Poetess Archive Database, 2009: v3 n3

A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]

How Technology Means: Texts, History, and Their Associated Technologies, 2018: v12 n3

By the People, For the People: Assessing the Value of Crowdsourced, User-Generated Metadata, 2015: v9 n1, [co-authored]

Uncovering Latent Metadata in the FSA-OWI Photographic Archive, 2017: v11 n2, [co-authored]

Nutha Planets: On Telos and Digital Blackness, 2022: v16 n3

Methodological Nearness and the Question of Computational Literature, 2018: v12 n2

[fr]Introduction
[en]Introduction, 2018: v12 n1, [co-authored]

Visualization of Categorization: How to see the wood and the trees, 2023: v17 n3, [co-authored]

Introduction: Situating Critical Code Studies in the Digital Humanities, 2023: v17 n2, [co-authored]

The History of Digital History: A Review of Crymble (2021), 2023: v17 n1

Circling around texts and language: towards pragmatic modelling in Digital Humanities, 2016: v10 n3, [co-authored]

Hearing Change in the Chocolate City: Computational Methods for Listening to Gentrification, 2021: v15 n1

Teaching and Learning from the U.S. South in Global Contexts: A Case Study of Southern Spaces and Southcomb, 2009: v3 n2, [co-authored]

Developing Geographically Oriented NLP Approaches to Sixteenth–Century Historical Documents: Digging into Early Colonial Mexico, 2020: v14 n4, [co-authored]

Technology, Collaboration, and Undergraduate Research, 2009: v3 n1, [co-authored]

Digital Encoding as a Hermeneutic and Semiotic Act: The Case of Valerio Magrelli, 2010: v4 n1, [co-authored]

Introduction: Questioning Collaboration, Labor, and Visibility in Digital Humanities Research, 2019: v13 n2, [co-authored]

War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]

A Case Study Protocol for Meta-Research into Digital Practices in the Humanities, 2020: v14 n3, [co-authored]

Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction, 2020: v14 n4, [co-authored]

Crafting in Games, 2017: v11 n4, [co-authored]

The Form of the Content: The Digital Archive Nahuatl/Nawat in Central America, 2020: v14 n4, [co-authored]

AR and Public Participation in Maputo City: An Exploratory Study, 2023: v17 n4

Automated Visual Content Analysis for Film Studies: Current Status and Challenges, 2020: v14 n4, [co-authored]

Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]

Deep Learning for Historical Cadastral Maps and Satellite Imagery Analysis: Insights from Styria's Franciscean Cadastre, 2024: v18 n3, [co-authored]

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Making the Whole Greater than the Sum of its Parts: Taxonomy development as a site of negotiation and compromise in an interdisciplinary software development project, 2023: v17 n3, [co-authored]

Going Digital: Teaching Crevecoeur in the Twenty-First Century, 2021: v15 n2, [co-authored]

An Approach to Designing Project-Based Digital Humanities Internships, 2021: v15 n3

Questioning, Asking and Enduring Curiosity: an Oral History Conversation between Julianne Nyhan and Willard McCarty , 2012: v6 n3, [co-authored]

Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]

[en]Digital Humanities and Natural Language Processing: Je t’aime... Moi non plus, 2020: v14 n2, [co-authored]

Reappearing Acts: A Review of Lori Emerson’s Reading Writing Interfaces: From the Digital to the Bookbound, 2017: v11 n3

From Stone to Screen: Digital Revitalization of Ancient Epigraphy, 2016: v10 n1, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

The MoEML Pedagogical Partnership Program, 2017: v11 n3, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Mining for the Meanings of a Murder: The Impact of OCR Quality on the Use of Digitized Historical Newspapers, 2014: v8 n1, [co-authored]

Visual Communication and the promotion of Health: an exploration of how they intersect in Italian education, 2018: v12 n4, [co-authored]

The MoEML Pedagogical Partnership Program, 2017: v11 n3, [co-authored]

Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]

Text Minding: A Response to Gender, Race, and Nationality in Black Drama, 1850-2000: Mining Differences in Language Use in Authors and their Characters , 2009: v3 n2

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Changes in Lyrical and Hit Diversity of Popular U.S. Songs 1956-2016, 2019: v13 n4

Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC), 2020: v14 n3, [co-authored]

Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab , 2019: v13 n1, [co-authored]

[en]Editorializing the Greek Anthology: The palatin manuscript as a collective imaginary, 2020: v14 n1, [co-authored]

Relocating Complexity: The Programming Historian and Multilingual Static Site Generation, 2022: v16 n2, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Infrastructure and Social Interaction: Situated Research Practices in Digital Humanities in India, 2020: v14 n3, [co-authored]

Seeking Information in Spanish Historical Newspapers: The Case of Diario de Madrid (18th and 19th Centuries), 2023: v17 n4, [co-authored]

The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]

e-Science for Medievalists: Options, Challenges, Solutions and Opportunities, 2009: v3 n4, [co-authored]

A Pedagogy for Computer-Assisted Literary Analysis: Introducing GALGO (Golden Age Literature Glossary Online) , 2017: v11 n3, [co-authored]

PodcastRE Analytics: Using RSS to Study the Cultures and Norms of Podcasting , 2021: v15 n1, [co-authored]

Racial Proxies in Daily News: A Case Study of the Use of Directional Euphemisms, 2016: v10 n4

Black Digital Humanities for the Rising Generation, 2022: v16 n3, [co-authored]

[fr]Le texte numérique : enjeux herméneutiques
[en]Digital text: hermeneutic issues , 2018: v12 n1

Deconstructing Bricolage: Interactive Online Analysis of Compiled Texts with Factotum, 2015: v9 n1, [co-authored]

[fr]Que mille lectures s’épanouissent… Modélisation du personnage et expérience de  crowdreading 
[en]Let a thousand readings flourish . . . A crowdreading experience, 2018: v12 n1, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

SpotiBot — Turing Testing Spotify, 2018: v12 n1, [co-authored]

Computational Paremiology: Charting the temporal, ecological dynamics of proverb use in books, news articles, and tweets, 2023: v17 n2, [co-authored]

A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]

Language, Materiality, and Digital Neapolitanitá, 2023: v17 n2

A multi-dimensional ontology-based analysis of the Censorship of Hebrew Manuscripts, 2020: v14 n1, [co-authored]

Slow Listening: Digital Tools for Voice Studies, 2023: v17 n2, [co-authored]

Manuscript Study in Digital Spaces: The State of the Field and New Ways Forward, 2018: v12 n2, [co-authored]

Fostering Community Engagement through Datathon Events: The Archives Unleashed Experience, 2021: v15 n1, [co-authored]

Introducing DREaM (Distant Reading Early Modernity), 2017: v11 n4, [co-authored]

Classics in the Million Book Library, 2009: v3 n1, [co-authored]

Moving Cinematic History: Filmic Analysis through Performative Research , 2021: v15 n1, [co-authored]

One Loveheart at a Time: The Language of Emoji and the Building of Affective Community in the Digital Medieval Studies Environment, 2020: v14 n3, [co-authored]

Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]

Deformin' in the Rain: How (and Why) to Break a Classic Film , 2021: v15 n1

Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]

[en]Exploring Combinatorial Methods to Produce Sonnets: An Overview of the Oupoco Project, 2024: v18 n1, [co-authored]

Automatic Identification of Types of Alterations in Historical Manuscripts, 2021: v15 n2, [co-authored]

Category Development at the Interface of Interpretive Pragmalinguistic Annotation and Machine Learning: Annotation, detection and classification of linguistic routines of discourse referencing in political debates, 2023: v17 n3, [co-authored]

Visualization of Categorization: How to see the wood and the trees, 2023: v17 n3, [co-authored]

Interpreting Measures of Meaning: Introducing Salience Differentiated Stability, 2022: v16 n4, [co-authored]

[en]Editorializing the Greek Anthology: The palatin manuscript as a collective imaginary, 2020: v14 n1, [co-authored]

[fr]Élaboration d’un modèle appuyé sur le modèle RDF dans le cadre de la réalisation d’une Bibliothèque virtuelle Chris Marker à la Cinémathèque française
[en]Developing an RDF data model for describing the Chris Marker digital archives at the Cinémathèque française, 2018: v12 n1

Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]

cut to fit the toolspun course, 2013: v7 n1, [co-authored]

Stitching the Fragmented: Feminist Maker Pedagogy and Immersive Technologies for Cultural Learning, 2022: v16 n2, [co-authored]

The Brain Is Deeper Than the Sea: Sea and Spar Between, Computational Stuplimity, and Fragmentation, 2022: v16 n1

Attention Ecology: Trend Circulation and the Virality Threshold, 2016: v10 n4, [co-authored]

A Keyword Analysis of Climate Change in Contemporary Literary Studies, 2000-2022, 2023: v17 n1

[fr]Introduction
[en]Introduction, 2018: v12 n1, [co-authored]

PodcastRE Analytics: Using RSS to Study the Cultures and Norms of Podcasting , 2021: v15 n1, [co-authored]

Voluptuous Disintegration: A Future History of Black Computational Thought , 2022: v16 n3

Mining Eighteenth Century Ontologies: Machine Learning and Knowledge Classification in the Encyclopédie , 2009: v3 n2, [co-authored]

Traveling the Silk Road on a Virtual Globe: Pedagogy, Technology and Evaluation for Spatial History, 2013: v7 n2, [co-authored]

The Stuff of Science Fiction: An Experiment in Literary History, 2016: v10 n1, [co-authored]

Stealing a Corpus: Appropriating Aesop’s Body in the Early Age of Print , 2018: v12 n2

Audiovisualities out of Annotation: Three Case Studies in Teaching Digital Annotation with Mediate, 2021: v15 n1, [co-authored]

Shakespeare His Contemporaries: collaborative curation and exploration of Early Modern drama in a digital environment, 2014: v8 n3

Annotating ritual in ancient Greek tragedy: a bottom-up approach in action, 2021: v15 n1, [co-authored]

Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]

Jane, John … Leslie? A Historical Method for Algorithmic Gender Prediction, 2015: v9 n3, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Researching Spanish Dance in Time and Space: A GIS for La Argentina's Ballets Espagnols, 2022: v16 n3, [co-authored]

Introduction, 2017: v11 n3, [co-authored]

A Design Methodology for Web-based Sound Archives, 2014: v8 n2, [co-authored]

Varieties of Digital Literary Studies: Micro, Macro, Meso, 2022: v16 n2

Developing Geographically Oriented NLP Approaches to Sixteenth–Century Historical Documents: Digging into Early Colonial Mexico, 2020: v14 n4, [co-authored]

Beyond the Word: Immersion, Art, and Theory in Environmental and Digital Humanities Prototyping, 2021: v15 n2

Machine-aided close listening: Prosthetic synaesthesia and the 3D phonotext, 2018: v12 n3

Digital Black Voices: Podcasting and the Black Public Sphere, 2022: v16 n3, [co-authored]

Hands-On Reading: An Experiment in Slow Digital Reading, 2021: v15 n2, [co-authored]

Project Quintessence: Examining Textual Dimensionality with a Dynamic Corpus Explorer, 2023: v17 n3, [co-authored]

Foreword, 2009: v3 n1, [co-authored]

Automatic Identification of Types of Alterations in Historical Manuscripts, 2021: v15 n2, [co-authored]

Reconstructing a website’s lost past Methodological issues concerning the history of Unibo.it, 2017: v11 n2

A Review of Twitter and Tear Gas, 2021: v15 n1

Studying Large-Scale Behavioral Differences in Auschwitz-Birkenau with Simulation of Gendered Narratives, 2022: v16 n3, [co-authored]

Exploring Film Language with a Digital Analysis Tool: the Case of Kinolab, 2021: v15 n1, [co-authored]

As You Can See: Applying Visual Collaborative Filtering to Works of Art, 2008: v2 n1

DH2018: A Space to Build Bridges, 2019: v13 n1, [co-authored]

Old Ways for Linking Texts in the Digital Reading Environment: The Case of the Thompson Chain Reference Bible, 2012: v6 n2, [co-authored]

Layers of Variation: a Computational Approach to Collating Texts with Revisions, 2022: v16 n1, [co-authored]

What Counts? Digital Humanities Pedagogy Seminars as Teaching, 2023: v17 n4, [co-authored]

Tracking the Consumption Junction: Temporal Dependencies between Articles and Advertisements in Dutch Newspapers, 2020: v14 n2, [co-authored]

For the master’s [DH] tools will never dismantle the master’s house: An Alternative Primer for a Critical Black DH Praxis, 2022: v16 n3

Deconstructing Bricolage: Interactive Online Analysis of Compiled Texts with Factotum, 2015: v9 n1, [co-authored]

Using word vector models to trace conceptual change over time and space in historical newspapers, 1840–1914, 2022: v16 n2, [co-authored]

PodcastRE Analytics: Using RSS to Study the Cultures and Norms of Podcasting , 2021: v15 n1, [co-authored]

Ooligan Press: Building and Sustaining a Feminist Digital Humanities Lab at a R-2, 2020: v14 n3, [co-authored]

Systems of Intertextuality: Towards a formalization of text relations for manual annotation and automated reasoning, 2023: v17 n3, [co-authored]

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

New Questions, Next Work, 2022: v16 n3

Leonardo, Morelli, and the Computational Mirror, 2021: v15 n1, [co-authored]

It is time to address the Public Communication of DH, 2016: v10 n3

Towards a User-Friendly Tool for Automated Sign Annotation: Identification and Annotation of Time Slots, Number of Hands, and Handshape , 2021: v15 n1, [co-authored]

Foreword, 2009: v3 n1, [co-authored]

Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]

Rule-based Adornment of Modern Historical Japanese Corpora using Accurate Universal Dependencies, 2022: v16 n4, [co-authored]

Lab and Slack. Situated Research Practices in Digital Humanities - Introduction to the DHQ Special Issue., 2020: v14 n3, [co-authored]

Tesserae Intertext Service, 2022: v16 n1, [co-authored]

Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction, 2020: v14 n4, [co-authored]

Words, Patterns and Documents: Experiments in Machine Learning and Text Analysis, 2009: v3 n2, [co-authored]

Transforming Information Into Knowledge: How Computational Methods Reshape Art History, 2021: v15 n3, [co-authored]

Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]

The Invisible Work of the Digital Humanities Lab: Preparing Graduate Students for Emergent Intellectual and Professional Work, 2019: v13 n2, [co-authored]

The App-Maker Model: An Embodied Expansion of Mobile Cyberinfrastructure, 2016: v10 n3, [co-authored]

The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]

The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities , 2022: v16 n4, [co-authored]

From the Presupposition of Doom to the Manifestation of Code: Using Emulated Citation in the Study of Games and Cultural Software, 2021: v15 n1, [co-authored]

A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]

Follow the Money?: Funding and Digital Sustainability, 2023: v17 n1

Building Better Digital Humanities Tools: Toward broader audiences and user-centered designs, 2012: v6 n2, [co-authored]

Moving Cinematic History: Filmic Analysis through Performative Research , 2021: v15 n1, [co-authored]

Building the Women in Book History Bibliography, or Digital Enumerative Bibliography as Preservation of Feminist Labor., 2019: v13 n3, [co-authored]

Crafting in Games, 2017: v11 n4, [co-authored]

DH2018: A Space to Build Bridges, 2019: v13 n1, [co-authored]

Translation Alignment for Historical Language Learning: a Case Study, 2021: v15 n3, [co-authored]

Towards 3D Scholarly Editions: The Battle of Mount Street Bridge, 2019: v13 n1, [co-authored]

Best Practices: Teaching Typographic Principles to Digital Humanities Audiences, 2018: v12 n4

Scholarly Primitives of Scholarly Meetings: A DH-Inspired Exploration of the Virtual Incunabular in the Time of COVID 19, 2022: v16 n2, [co-authored]

Graphic Images of YHWH: Exploring and Exploding the Bounds of Sexual Objectification in Ezekiel 16, 2015: v9 n4

The Lives of Mistresses and Maids: Editing Victorian Correspondence with Genealogy, Prosopography, and the TEI, 2022: v16 n1, [co-authored]

Fitting Personal Interpretation with the Semantic Web: lessons learned from Pliny, 2017: v11 n1, [co-authored]

Modernism and Gender at the Limits of Stylometry, 2021: v15 n4, [co-authored]

Encoding for Endangered Tibetan Texts, 2007: v1 n1

The Humanities HyperMedia Centre @ Acadia University: An Invitation to Think About Higher Education, 2008: v2 n1, [co-authored]

Film and Video Analysis in the Digital Humanities – An Interdisciplinary Dialog, 2020: v14 n4, [co-authored]

Cuneiform Stroke Recognition and Vectorization in 2D Images, 2024: v18 n1, [co-authored]

[en]Recognition and Analysis of the Proceedings of the Greek Parliament after WWII, 2024: v18 n1, [co-authored]

Lab and Slack. Situated Research Practices in Digital Humanities - Introduction to the DHQ Special Issue., 2020: v14 n3, [co-authored]

DH for History Students: A Case Study at the Facultad de Filosofía y Letras (National Autonomous University of Mexico) , 2017: v11 n3, [co-authored]

Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC), 2020: v14 n3, [co-authored]

Tracking the telepathic sublime as a phenomenon in a digital humanities archive, 2017: v11 n4, [co-authored]

TaDiRAH: a Case Study in Pragmatic Classification, 2016: v10 n1, [co-authored]

Creating Spaces for Interdisciplinary Research across Literature, Neuroscience, and DH: A Case Study of The Digital Humanities and Literary Cognition Lab (DHLC), 2020: v14 n3, [co-authored]

Reconstructing Brandon (1998-1999): A Cross-disciplinary Digital Humanities Study of Shu Lea Cheang’s Early Web Artwork, 2018: v12 n2, [co-authored]

Locating Grid Technologies: Performativity, Place, Space: Challenging the Institutionalized Spaces of e-Science, 2009: v3 n4

[en]LemonizeTBX: Design and Implementation of a New Converter from TBX to OntoLex-Lemon, 2024: v18 n2, [co-authored]

Visual Communication and the promotion of Health: an exploration of how they intersect in Italian education, 2018: v12 n4, [co-authored]

Hierarchical or Non-hierarchical? A Philosophical Approach to a Debate in Text Encoding, 2021: v15 n1

A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]

A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]

Tool criticism in practice. On methods, tools and aims of computational literary studies, 2023: v17 n2, [co-authored]

Sustainability and Swedish Women's History: Digitizing Photographs from the KvinnSam Archives, 2024: v18 n3

War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]

Past Visions and Reconciling Views: Visualizing Time, Texture and Themes in Cultural Collections, 2017: v11 n2, [co-authored]

Impractical Applications, 2011: v5 n1

Deep Learning for Historical Cadastral Maps and Satellite Imagery Analysis: Insights from Styria's Franciscean Cadastre, 2024: v18 n3, [co-authored]

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Intermediality and Cultural Assessment: Digital Flows in the Global Age, A Review of Digital Humanities and the Study of Intermediality in Comparative Cultural Studies, edited by Steven Tötösy de Zepetnek. Purdue Scholarly Publishing Services, 2013, 375 pp. , 2015: v9 n3

Where’s the ML in DH? And Where’s the DH in ML? The Relationship between Modern Languages and Digital Humanities, and an Argument for a Critical DHML , 2017: v11 n1, [co-authored]

Project Quintessence: Examining Textual Dimensionality with a Dynamic Corpus Explorer, 2023: v17 n3, [co-authored]

[en]Exploring Combinatorial Methods to Produce Sonnets: An Overview of the Oupoco Project, 2024: v18 n1, [co-authored]

The Data Sprint Approach: Exploring the field of Digital Humanities through Amazon’s Application Programming Interface, 2015: v9 n3, [co-authored]

The Humans and Algorithms of Music Recommendation: A Review of Computing Taste (2022), : v n

Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]

History, People, and Informatics: A Conversation between Sharon Irish and Wendy Plotkin, 2010: v4 n2, [co-authored]

To tree, or not to tree? On the Empirical Basis for Having Past Landscapes to Experience., 2018: v12 n3, [co-authored]

Ticha: Collaboration with Indigenous communities to build digital resources on Zapotec language and history, 2020: v14 n4, [co-authored]

Annotating German in Austria: A Case-study of manual annotation in and for digital variationist linguistics, 2023: v17 n3

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

[en]Exploring Combinatorial Methods to Produce Sonnets: An Overview of the Oupoco Project, 2024: v18 n1, [co-authored]

Heterochronologies: a platform for correlation and research in temporal graphics, 2022: v16 n3, [co-authored]

Pedagogical Entryways into Digital Humanities: A Review of Linda K. Hughes and Sarah R. Robbins’ Teaching Transatlanticism (Edinburgh University Press, 2015), 2017: v11 n1

Visualizing and Analyzing the Hollywood Screenplay with ScripThreads, 2014: v8 n4, [co-authored]

Now is the Future Now? The Urgency of Digital Curation in the Digital Humanities, 2013: v7 n2

Digital Humanities: On Finding the Proper Balance between Qualitative and Quantitative Ways of Doing Research in the Humanities, 2013: v7 n3

LdoD Visual - A Visual Reader for Fernando Pessoa’s Book of Disquiet: An In-Out-In Metaphor , 2021: v15 n3, [co-authored]

Ross Scaife (1960-2008), 2009: v3 n1

Gestured Labor: A Review of Proxies (2021), 2024: v18 n3

To Visualize Past Communities: A Solution from Contemporary Practices in the Industry for the Digital Humanities , 2017: v11 n2, [co-authored]

Towards a Seamful Design of Networked Knowledge: Practical Pedagogies in Collaborative Teams, 2017: v11 n3, [co-authored]

A multi-dimensional ontology-based analysis of the Censorship of Hebrew Manuscripts, 2020: v14 n1, [co-authored]

Bias in Big Data, Machine Learning and AI: What Lessons for the Digital Humanities?, 2023: v17 n2

Algorithmic Close Reading: Using Semantic Triplets to Index and Analyze Agency in Holocaust Testimonies, 2022: v16 n3, [co-authored]

The Literary And/As the Digital Humanities, 2013: v7 n1, [co-authored]

Revista Digital Universitaria: A Workshop of Digital Editing at the Universidad Nacional Autónoma de México, 2007: v1 n2

Underlying Sentiments in 1867: A Study of News Flows on the Execution of Emperor Maximilian I of Mexico in Digitized Newspaper Corpora, 2022: v16 n4, [co-authored]

Curating Digital Spaces, Making Visual Arguments: A Case Study in New Media Presentations of Ancient Objects, 2013: v7 n2, [co-authored]

Edition, Project, Database, Archive, Thematic Research Collection: What's in a Name?, 2009: v3 n3

Black Digital Humanities for the Rising Generation, 2022: v16 n3, [co-authored]

Stitching the Fragmented: Feminist Maker Pedagogy and Immersive Technologies for Cultural Learning, 2022: v16 n2, [co-authored]

Minimal Computing for Exploring Indian Poetics, 2022: v16 n2, [co-authored]

By the People, For the People: Assessing the Value of Crowdsourced, User-Generated Metadata, 2015: v9 n1, [co-authored]

Calamari − A High-Performance Tensorflow-based Deep Learning Package for Optical Character Recognition, 2020: v14 n2, [co-authored]

Conceptual Modeling of European Silk Heritage with the SILKNOW Data Model and Extension, 2024: v18 n3, [co-authored]

Automated Visual Content Analysis for Film Studies: Current Status and Challenges, 2020: v14 n4, [co-authored]

[pt]Geovisualização de dados e ciência aberta e cidadã - a experiência da Plataforma LindaGeo
[en]Data Geovisualization and Open and Citizen Science - the LindaGeo Platform Prototype, 2020: v14 n2, [co-authored]

[en]Fingerprints of British Book History: A Feminist Labor History of EEBO, 2024: v18 n1

Over Uncle Tom's Dead Body: Publication Context and Textual Variation in Harriet Beecher Stowe's Uncle Tom's Cabin , 2009: v3 n3

Tiresias: A Novel Approach for Mining Book Indices, 2023: v17 n1, [co-authored]

The App-Maker Model: An Embodied Expansion of Mobile Cyberinfrastructure, 2016: v10 n3, [co-authored]

Introducing Issues in Humanities Computing, 2007: v1 n1

Designing Data Mining Droplets: New Interface Objects for the Humanities Scholar, 2009: v3 n3, [co-authored]

Digital Humanities as Epistemic Cultures: How DH Labs Make Knowledge, Objects, and Subjects, 2020: v14 n3, [co-authored]

[en]Exploring Combinatorial Methods to Produce Sonnets: An Overview of the Oupoco Project, 2024: v18 n1, [co-authored]

A Review of Oral Tradition and the Internet: Pathways of the Mind by John Miles Foley, 2023: v17 n4

How to Do Things with Deep Learning Code, 2023: v17 n2, [co-authored]

Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project, 2021: v15 n1, [co-authored]

Deep Learning for Historical Cadastral Maps and Satellite Imagery Analysis: Insights from Styria's Franciscean Cadastre, 2024: v18 n3, [co-authored]

The Politics of Tools, 2023: v17 n2

The Design of an International Social Media Event: A Day in the Life of the Digital Humanities, 2012: v6 n2, [co-authored]

Character Recognition Of Seventeenth-Century Spanish American Notary Records Using Deep Learning, 2021: v15 n4, [co-authored]

LdoD Visual - A Visual Reader for Fernando Pessoa’s Book of Disquiet: An In-Out-In Metaphor , 2021: v15 n3, [co-authored]

[en]From Semi-structured Text to Tangible Categories: Analysing and annotating death lists in 18th century newspaper issues, 2023: v17 n3, [co-authored]

Finding and Interpreting Arguments: An Important Challenge for Humanities Computing and Scholarly Practice, 2019: v13 n4, [co-authored]

Investing in Project Maintenance: Auditing the Digital Transgender Archive, 2022: v16 n1, [co-authored]

[pt]Apresentação - Edição especial da DHQ em português
[en]Introduction: A Portuguese-language Special Issue of DHQ, 2020: v14 n2, [co-authored]

Probing Through Iranian Architectural History Within the Framework of an Ontology Development Process, 2021: v15 n3, [co-authored]

[es]Retorno a trazos de mil historias
[en]A Return to the Traces of a Thousand Stories, 2018: v12 n1, [co-authored]

Tool criticism in practice. On methods, tools and aims of computational literary studies, 2023: v17 n2, [co-authored]

Diachronic trends in Homeric translations, 2017: v11 n2, [co-authored]

How to Read Minds: A Review of Refiguring Minds in Narrative Media by David Ciccoricco (Lincoln: University of Nebraska Press, 2015), 2017: v11 n2

Managing an Established Digital Humanities Project: Principles and Practices from the Twentieth Year of the William Blake Archive, 2014: v8 n1

Categorising Legal Records – Deductive, Pragmatic, and Computational Strategies, 2023: v17 n3, [co-authored]

[fr]Criminocorpus. Un projet numérique pour l'histoire de la justice
[en]Criminocorpus. A digital project for History of Justice, 2018: v12 n1, [co-authored]

[en]From Semi-structured Text to Tangible Categories: Analysing and annotating death lists in 18th century newspaper issues, 2023: v17 n3, [co-authored]

Twisty Little Passages Almost All Alike: Applying the FRBR Model to a Classic Computer Game, 2010: v4 n2, [co-authored]

Communitizing Electronic Literature, 2009: v3 n2

Calamari − A High-Performance Tensorflow-based Deep Learning Package for Optical Character Recognition, 2020: v14 n2, [co-authored]

Towards a differentiated digital-hermeneutic analysis tool for the detection of short quotations using the example of the Church Father Jerome, 2024: v18 n3, [co-authored]

[pt]Curadoria Digital e Custos – Exploração de abordagens e perceções
[en]Digital Curation and its Costs: A Study of Practices and Insights, 2020: v14 n2, [co-authored]

Afro-Indigenous Women Healers in the Caribbean and Its Diasporas: A Decolonial Digital Humanities Project, 2022: v16 n3, [co-authored]

Data Stories for/from All: Why Data Feminism is for Everyone, 2022: v16 n2

[pt]Aproximações ao cenário das humanidades digitais no Brasil
[en]Approaches to the Digital Humanities Scene in Brazil, 2020: v14 n2, [co-authored]

[es]Laboratorios ciudadanos y humanidades digitales
[en]Citizen Laboratories and Digital Humanities, 2018: v12 n1

A Synoptic Primer: Review of Wissensrohstoff Text: Eine Einführung in das Text Mining (2022), 2023: v17 n4

Using word vector models to trace conceptual change over time and space in historical newspapers, 1840–1914, 2022: v16 n2, [co-authored]

[fr]Pour une analyse automatique du jugement critique : les citations modalisées dans le discours littéraire du XIXe siècle
[en]Toward an automatic analysis of critical judgment: modified quotes in the literary discourse of the nineteenth century, 2018: v12 n1, [co-authored]

Our Time Is Now (It’s Always Been Our Time), 2022: v16 n3

LdoD Visual - A Visual Reader for Fernando Pessoa’s Book of Disquiet: An In-Out-In Metaphor , 2021: v15 n3, [co-authored]

Building Pedagogy into Project Development: Making Data Construction Visible in Digital Projects, 2019: v13 n2, [co-authored]

Minimal Computing for Exploring Indian Poetics, 2022: v16 n2, [co-authored]

Exploring Historical RDF with Heml, 2009: v3 n1

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

Some principles for making collaborative scholarly editions in digital form, 2017: v11 n2

[es]United Fronteras como tercer espacio: Modelo transfronterizo a través de las humanidades digitales poscoloniales y la computación mínima
[en]United Fronteras as Third Space: A Transborder Model Through Postcolonial Digital Humanities and Minimal Computing, 2022: v16 n2, [co-authored]

Tool criticism in practice. On methods, tools and aims of computational literary studies, 2023: v17 n2, [co-authored]

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

Leonardo, Morelli, and the Computational Mirror, 2021: v15 n1, [co-authored]

Mining Eighteenth Century Ontologies: Machine Learning and Knowledge Classification in the Encyclopédie , 2009: v3 n2, [co-authored]

Humanities Unbound: Supporting Careers and Scholarship Beyond the Tenure Track, 2015: v9 n1

Organic and Locally Sourced: Growing a Digital Humanities Lab with an Eye Towards Sustainability, 2020: v14 n3, [co-authored]

Investing in Project Maintenance: Auditing the Digital Transgender Archive, 2022: v16 n1, [co-authored]

Cuneiform Stroke Recognition and Vectorization in 2D Images, 2024: v18 n1, [co-authored]

An Agent-based Model for the Humanities, 2013: v7 n1

Detecting and Characterising Transmission from Legacy Collection Catalogues, 2022: v16 n2, [co-authored]

Exploring Citation Networks to Study Intertextuality in Classics, 2016: v10 n2

Bibliographic Translation Data: Invisibility, Research Challenges, Institutional and Editorial Practices, 2024: v18 n3, [co-authored]

Introduction: Questioning Collaboration, Labor, and Visibility in Digital Humanities Research, 2019: v13 n2, [co-authored]

Audiovisualities out of Annotation: Three Case Studies in Teaching Digital Annotation with Mediate, 2021: v15 n1, [co-authored]

Towards a Conceptual Framework for the Digital Humanities, 2012: v6 n2

A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]

Close Rereading: A review of Jessica Pressman, Digital Modernism: Making It New in New Media (Oxford: Oxford UP, 2014), 2015: v9 n1

Epigraphy in 2017, 2009: v3 n1, [co-authored]

The Digital Future of Humanities through the Lens of DIY Culture, 2016: v10 n4

Simulated Visuals: Some Rhetorical and Ethical Implications, 2009: v3 n3

Nonsense Code: A Nonmaterial Performance, 2023: v17 n2, [co-authored]

[en]Exploring Combinatorial Methods to Produce Sonnets: An Overview of the Oupoco Project, 2024: v18 n1, [co-authored]

The Ebook Imagination, 2022: v16 n1

Visualizing and Analyzing the Hollywood Screenplay with ScripThreads, 2014: v8 n4, [co-authored]

A Tale of Two Internships: Developing Digital Skills through Engaged Scholarship, 2017: v11 n3, [co-authored]

How do we get to the Humanitarium from here?, 2016: v10 n3

Fostering Community Engagement through Datathon Events: The Archives Unleashed Experience, 2021: v15 n1, [co-authored]

Old Content and Modern Tools – Searching Named Entities in a Finnish OCRed Historical Newspaper Collection 1771–1910, 2017: v11 n3, [co-authored]

The Digital Environmental Humanities (DEH) in the Anthropocene: Challenges and Opportunities in an Era of Ecological Precarity, 2023: v17 n3, [co-authored]

The Stylometry of Film Dialogue: Pros and Pitfalls, 2020: v14 n4, [co-authored]

Toward an Open Digital Tutorial for Ancient Greek v. 2.0, 2016: v10 n2

Advances in Digital Music Iconography: Benchmarking the detection of musical instruments in unrestricted, non-photorealistic images from the artistic domain, 2021: v15 n1, [co-authored]

Networked Cross-Dressing: A Digital Refashioning of Shakespearean Gender Subversion, 2022: v16 n3, [co-authored]

Underlying Sentiments in 1867: A Study of News Flows on the Execution of Emperor Maximilian I of Mexico in Digitized Newspaper Corpora, 2022: v16 n4, [co-authored]

Video-gaming, Paradise Lost and TCP/IP: an Oral History Conversation between Ray Siemens and Anne Welsh , 2012: v6 n3, [co-authored]

[es]El Catálogo Colectivo de Marcas de Fuego. Avatares para conformar su canon de autoridades, 2020: v14 n4

Introduction: Comics and the Digital Humanities, 2015: v9 n4, [co-authored]

A Historical Geographic Information System (HGIS) of Nubia Based on the William J. Bankes Archive (1815-1822), 2017: v11 n2

Detecting and Characterising Transmission from Legacy Collection Catalogues, 2022: v16 n2, [co-authored]

Criminal Code: Procedural Logic and Rhetorical Excess in Videogames, 2013: v7 n1

[fr]Criminocorpus. Un projet numérique pour l'histoire de la justice
[en]Criminocorpus. A digital project for History of Justice, 2018: v12 n1, [co-authored]

Modeling Afro-Latin American Artistic Representations in Topic Maps: Cuba’s Prominence in Latin American Discourse, 2013: v7 n1, [co-authored]

Avatari: Disruption and Imago in Video Games, 2009: v3 n3

[en]SEDES: Metrical Position in Greek Hexameter, 2023: v17 n2, [co-authored]

Heterochronologies: a platform for correlation and research in temporal graphics, 2022: v16 n3, [co-authored]

[en]libEscansión: A Recursive Precedence Approach to Metrical Scansion, 2024: v18 n3

Readies Online, 2011: v5 n3

Healing the Gap: Digital Humanities Methods for the Virtual Reunification of Split Media and Paper Collections, 2021: v15 n1, [co-authored]

A Review of Intergenerational Connections in Digital Families, 2021: v15 n1

Machine Learning Techniques For Analyzing Inscriptions From Israel, 2023: v17 n2, [co-authored]

Linking Data and Disciplines: Interdisciplinary brokering in digital humanities research , 2022: v16 n3, [co-authored]

Teaching Electronic Literature as Digital Humanities: A Proposal, 2017: v11 n3

Building a Student-Centered (Digital) Learning Community With Undergraduates, 2017: v11 n3, [co-authored]

Textension: Digitally Augmenting Document Spaces in Analog Texts, 2019: v13 n3, [co-authored]

Minimal Computing from the Labor Perspective , 2022: v16 n2, [co-authored]

Introduction: Special Issue on AudioVisual Data in DH, 2021: v15 n1, [co-authored]

Fading Away... The challenge of sustainability in digital studies, 2020: v14 n3, [co-authored]

Sight and Sound: Counter-mapping the U.S.-Mexico Border Crisis, 2022: v16 n3

Classifying and Contextualizing Edits in Variants with Coleto: Three Versions of Andy Weir’s The Martian, 2021: v15 n4, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

Matching Computational Analysis and Human Experience: Performative Arts and the Digital Humanities, 2020: v14 n4, [co-authored]

Exploratory Search Through Visual Analysis of Topic Models, 2017: v11 n2, [co-authored]

Teaching Spatial Literacy in the Classical Studies Curriculum, 2016: v10 n2

Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]

Beyond Gutenberg: Transcending the Document Paradigm in Digital Humanities, 2014: v8 n4, [co-authored]

Beyond Gutenberg: Transcending the Document Paradigm in Digital Humanities, 2014: v8 n4, [co-authored]

Investing in Project Maintenance: Auditing the Digital Transgender Archive, 2022: v16 n1, [co-authored]

[en]A Model of Versions and Layers, 2019: v13 n3

More than Distant Viewing: Qualitative Views on Machine Learning as an Automated Analysis Method in Networked Climate Image Communication, 2023: v17 n1, [co-authored]

BigDIVA and Networked Browsing: A Case for Generous Interfacing and Joyous Searching, 2018: v12 n2, [co-authored]

Playing with Chance: On Random Generation in Playable Media and Electronic Literature, 2013: v7 n3

Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]

Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]

Towards 3D Scholarly Editions: The Battle of Mount Street Bridge, 2019: v13 n1, [co-authored]

Raiders of the Lost Corpus, 2016: v10 n2, [co-authored]

Towards a differentiated digital-hermeneutic analysis tool for the detection of short quotations using the example of the Church Father Jerome, 2024: v18 n3, [co-authored]

[en]Sensitivity and Access: Unlocking the Colonial Visual Archive with Machine Learning, 2024: v18 n3, [co-authored]

Using an Advanced Text Index Structure for Corpus Exploration in Digital Humanities, 2021: v15 n1, [co-authored]

Made to Be a Woman: A case study on the categorization of gender using an individuation-based approach in the analysis of literary texts, 2023: v17 n3, [co-authored]

Narrelations — Visualizing Narrative Levels and their Correlations with Temporal Phenomena, 2019: v13 n3, [co-authored]

Recording invisible proofs to compose stone narratives. Applications of Near Infrared Spectroscopy in provenance studies., 2018: v12 n3

Acknowledgements and Dedications, 2009: v3 n1, [co-authored]

Student Labour and Training in Digital Humanities, 2016: v10 n1, [co-authored]

Cross-codex Learning for Reliable Scribe Identification in Medieval Manuscripts, 2024: v18 n1, [co-authored]

Automated Pattern Analysis in Gesture Research: Similarity Measuring in 3D Motion Capture Models of Communicative Action, 2017: v11 n2, [co-authored]

Innovation Through Collaboration in Humanities Research, 2021: v15 n4, [co-authored]

Making the Whole Greater than the Sum of its Parts: Taxonomy development as a site of negotiation and compromise in an interdisciplinary software development project, 2023: v17 n3, [co-authored]

[fr]Potentialités et difficultés d’un projet en humanités numériques (DH) : confrontation aux outils et réorientations de recherche
[en]Potentialities and difficulties of a digital humanities (DH) project: confrontation with tools and reorientations of research, 2018: v12 n1, [co-authored]

It’s For Sale, So It Must Be Finished: Digital Projects in the Scholarly Publishing World, 2009: v3 n2

Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks , 2016: v10 n3, [co-authored]

Reading Chicago Reading: Quantitative Analysis of a Repeating Literary Program, 2020: v14 n2, [co-authored]

Rediscussing the Political Struggle in the Light of Reform in Late 11th Century China under the View of Digital Humanities, 2022: v16 n2, [co-authored]

Developing Computational Models for Formalizing Concepts in the British Colonial India Corpus, 2023: v17 n3

Complex Modeling and You: A Review of Would-Be Worlds by John L. Casti (New York: John Wiley & Sons, 1997), 2016: v10 n4

Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]

Placing Graphic Design at the Intersection of Information Visualization Fields, 2018: v12 n4

[en]Reading the Quan Tang shi: Literary History, Topic Modeling, Divergence Measures, 2019: v13 n4, [co-authored]

Audiovisualities out of Annotation: Three Case Studies in Teaching Digital Annotation with Mediate, 2021: v15 n1, [co-authored]

How Literary Works Exist: Convenient Scholarly Editions, 2009: v3 n3

Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks , 2016: v10 n3, [co-authored]

Networked Cross-Dressing: A Digital Refashioning of Shakespearean Gender Subversion, 2022: v16 n3, [co-authored]

Collaboration Must Be Fundamental or It's Not Going to Work: an Oral History Conversation between Harold Short and Julianne Nyhan , 2012: v6 n3, [co-authored]

Starting From Scratch? Workshopping New Directions in Undergraduate Digital Humanities, 2017: v11 n3, [co-authored]

Knowledge Organization and Cultural Heritage in the Semantic Web – A Review of a Conference and a Special Journal Issue of JLIS, 2018: v12 n1, [co-authored]

Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab , 2019: v13 n1, [co-authored]

Hidden in Plain-TeX: Investigating Minimal Computing Workflows, 2022: v16 n2

A Culture of non-citation: Assessing the digital impact of British History Online and the Early English Books Online Text Creation Partnership, 2017: v11 n1, [co-authored]

Starting and Sustaining Digital Humanities/Digital Scholarships Centers: Lessons from the Trenches, 2023: v17 n3

An Open Lab? The Electronic Textual Cultures Lab in the Evolving Digital Humanities Landscape, 2020: v14 n3, [co-authored]

Learning Digital Humanities in a Community of Practice: the DEAR model of Postgraduate Research Training, 2021: v15 n3, [co-authored]

The Invisible Work of the Digital Humanities Lab: Preparing Graduate Students for Emergent Intellectual and Professional Work, 2019: v13 n2, [co-authored]

Networked Cross-Dressing: A Digital Refashioning of Shakespearean Gender Subversion, 2022: v16 n3, [co-authored]

Tool criticism in practice. On methods, tools and aims of computational literary studies, 2023: v17 n2, [co-authored]

Classics in the Million Book Library, 2009: v3 n1, [co-authored]

Automated Visual Content Analysis for Film Studies: Current Status and Challenges, 2020: v14 n4, [co-authored]

From Distracted to Recursive Reading: Facilitating Knowledge Transfer through Annotation Software, 2018: v12 n2, [co-authored]

Ghosts in the Machine: a motion-capture experiment in distributed reception, 2018: v12 n3, [co-authored]

Modeling Amerindian Sea Travel in the Early Colonial Caribbean, 2020: v14 n4

Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]

Classics in the Million Book Library, 2009: v3 n1, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

A Writing Studies Review of Jim Ridolfo and William Hart-Davidson, editors, Rhetoric and the Digital Humanities, 2016: v10 n1

Citation in Classical Studies, 2009: v3 n1

Introduction, 2017: v11 n3, [co-authored]

Seeking Information in Spanish Historical Newspapers: The Case of Diario de Madrid (18th and 19th Centuries), 2023: v17 n4, [co-authored]

SpotiBot — Turing Testing Spotify, 2018: v12 n1, [co-authored]

Review of Sean Cubitt’s Finite Media: Environmental Implications of Digital Technologies, 2020: v14 n4

Visualizing Theatrical Text: From Watching the Script to the Simulated Environment for Theatre (SET), 2013: v7 n3, [co-authored]

Dendrography and Art History: a computer-assisted analysis of Cézanne’s Bathers., 2019: v13 n3, [co-authored]

Studying Large-Scale Behavioral Differences in Auschwitz-Birkenau with Simulation of Gendered Narratives, 2022: v16 n3, [co-authored]

Behind the Scenes of a Dissertation in Comics Form, 2015: v9 n4

Reassessing the locus of normalization in machine-assisted collation, 2020: v14 n3, [co-authored]

A Life Lived in Media, 2012: v6 n1, [co-authored]

Are Ontologies Trees or Lattices?, 2023: v17 n3, [co-authored]

The e Prefix: e-Science, e-Art & the New Creativity, 2009: v3 n4

OCR of historical printings with an application to building diachronic corpora: A case study using the RIDGES herbal corpus, 2017: v11 n2, [co-authored]

Deconstructing Bricolage: Interactive Online Analysis of Compiled Texts with Factotum, 2015: v9 n1, [co-authored]

Open Access and the Theological Imagination, 2017: v11 n4, [co-authored]

Project Quintessence: Examining Textual Dimensionality with a Dynamic Corpus Explorer, 2023: v17 n3, [co-authored]

All and Each: A Socio-Technical Review of the Europeana Project, 2017: v11 n3, [co-authored]

Towards Hermeneutic Visualization in Digital Literary Studies, 2021: v15 n2, [co-authored]

Orientation: Man and His Tool, Again?, 2015: v9 n2

Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]

Gender, Race, and Nationality in Black Drama, 1950-2006: Mining Differences in Language Use in Authors and their Characters, 2009: v3 n2, [co-authored]

From the Personal to the Proprietary: Conceptual Writing's Critique of Metadata, 2012: v6 n2

Researcher as Bricoleur: Contextualizing humanists’ digital workflows, 2018: v12 n3, [co-authored]

Interdisciplinary Collaboration and Brokerage in the Digital
 Humanities, 2017: v11 n3, [co-authored]

Transmediation as Radical Pedagogy in Building Queer and Trans Digital Archives, 2022: v16 n2, [co-authored]

BigDIVA and Networked Browsing: A Case for Generous Interfacing and Joyous Searching, 2018: v12 n2, [co-authored]

Healing the Gap: Digital Humanities Methods for the Virtual Reunification of Split Media and Paper Collections, 2021: v15 n1, [co-authored]

The Push and Pull of Digital Humanities: Topic Modeling the What is digital humanities? Genre, 2020: v14 n1, [co-authored]

Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]

Mining for the Meanings of a Murder: The Impact of OCR Quality on the Use of Digitized Historical Newspapers, 2014: v8 n1, [co-authored]

Matching Computational Analysis and Human Experience: Performative Arts and the Digital Humanities, 2020: v14 n4, [co-authored]

cut to fit the toolspun course, 2013: v7 n1, [co-authored]

#BlackScholarJoy: The Labor, Resistance and Joy Practices of Black Women Graduate Students , 2022: v16 n3

What Your Teacher Told You is True: Latin Verbs Have Four Principal Parts , 2009: v3 n1, [co-authored]

Digital Caricature, 2014: v8 n3, [co-authored]

[es]Retorno a trazos de mil historias
[en]A Return to the Traces of a Thousand Stories, 2018: v12 n1, [co-authored]

Persuasive Physical Computing: A Review of David M. Rieder’s Suasive Iterations: Rhetoric, Writing, & Physical Computing, 2019: v13 n4

Healing the Gap: Digital Humanities Methods for the Virtual Reunification of Split Media and Paper Collections, 2021: v15 n1, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Modeling Afro-Latin American Artistic Representations in Topic Maps: Cuba’s Prominence in Latin American Discourse, 2013: v7 n1, [co-authored]

Reaping the Harvest: Descendant Archival Practice to Foster Sustainable Digital Archives for Rural Black Women, 2022: v16 n3, [co-authored]

Computational Stylistic Analysis of Popular Songs of Japanese Female Singer-songwriters, 2014: v8 n1, [co-authored]

The Why and How of Middleware, 2016: v10 n2, [co-authored]

The Literary And/As the Digital Humanities, 2013: v7 n1, [co-authored]

Response to The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities, 2022: v16 n4

A Hybrid Model for Managing DH Projects, 2017: v11 n1

Graphic Sublime: On the Art and Designwriting of Kate Armstrong and Michael Tippett, 2012: v6 n2

Annotating ritual in ancient Greek tragedy: a bottom-up approach in action, 2021: v15 n1, [co-authored]

Machine Learning Techniques For Analyzing Inscriptions From Israel, 2023: v17 n2, [co-authored]

Building a Student-Centered (Digital) Learning Community With Undergraduates, 2017: v11 n3, [co-authored]

From Tamagotchis to Pet Rocks: On Learning to Love Simplicity through the Endings Principles, 2023: v17 n1, [co-authored]

Introduction, 2011: v5 n3, [co-authored]

War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]

Comparative K-Pop Choreography Analysis through Deep-Learning Pose Estimation across a Large Video Corpus, 2021: v15 n1, [co-authored]

A Named Entity Recognition Model for Medieval Latin Charters, 2021: v15 n4, [co-authored]

Where’s the ML in DH? And Where’s the DH in ML? The Relationship between Modern Languages and Digital Humanities, and an Argument for a Critical DHML , 2017: v11 n1, [co-authored]

Manifesto: A Life on the Hyphen: Balancing Identities as Librarians, Scholars, and Digital Practitioners, 2019: v13 n2, [co-authored]

Sounding for Meaning: Using Theories of Knowledge Representation to Analyze Aural Patterns in Texts, 2013: v7 n1, [co-authored]

Digital Humanities as Epistemic Cultures: How DH Labs Make Knowledge, Objects, and Subjects, 2020: v14 n3, [co-authored]

A Digital Humanities Approach to Narrative Voice in The Secret Scripture: Proposing a New Research Method, 2014: v8 n2, [co-authored]

Bibliographic Translation Data: Invisibility, Research Challenges, Institutional and Editorial Practices, 2024: v18 n3, [co-authored]

The Less Humble Programmer, 2023: v17 n2

The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities , 2022: v16 n4, [co-authored]

Capturing Captions: Using AI to Identify and Analyse Image Captions in a Large Dataset of Historical Book Illustrations, 2024: v18 n3, [co-authored]

Methods of quality, quality of methods. What does Roberto Busa have to communicate to digital humanists in the 21st century? From hermeneutics to performativity., 2017: v11 n3

Distracted Reading: Acts of Attention in the Age of the Internet, 2018: v12 n2

Making the Whole Greater than the Sum of its Parts: Taxonomy development as a site of negotiation and compromise in an interdisciplinary software development project, 2023: v17 n3, [co-authored]

Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]

Doing it for Ourselves: The New Archive Built by and Responsive to the Researcher, 2023: v17 n1

A Review of James Little’s The Making of Samuel Beckett’s Not I / Pas moi, That Time / Cette fois and Footfalls / Pas (2021), 2024: v18 n2

Capturing Captions: Using AI to Identify and Analyse Image Captions in a Large Dataset of Historical Book Illustrations, 2024: v18 n3, [co-authored]

Afrofuturist Intellectual Mixtapes: A Classroom Case Study , 2021: v15 n1, [co-authored]

Whitman Tracked Between Editions, Rossetti as a Complex Subversive, and the Collective Sense of Authorship: A Mixed Methods Accounting of a Hyperlinked Calamus, 2023: v17 n1

Afro-Indigenous Women Healers in the Caribbean and Its Diasporas: A Decolonial Digital Humanities Project, 2022: v16 n3, [co-authored]

Automated Transcription of Gə'əz Manuscripts Using Deep Learning, 2023: v17 n3, [co-authored]

What Counts? Digital Humanities Pedagogy Seminars as Teaching, 2023: v17 n4, [co-authored]

Pertinent Discussions Toward Modeling the Social Edition: Annotated Bibliographies, 2012: v6 n1, [co-authored]

The case of the golden background, a virtual restoration and a physical reconstruction of the medieval Crucifixion of the Lindau Master (c. 1425), 2023: v17 n1, [co-authored]

Worlds and Readers: Augmented Reality in Modern Polaxis, 2022: v16 n2, [co-authored]

Linked data from TEI (LIFT): A Teaching Tool for TEI to Linked Data Transformation, 2022: v16 n2, [co-authored]

Conference Review: Reading Digital Literature at Brown University, October 4-7, 2007., 2008: v2 n1

A Named Entity Recognition Model for Medieval Latin Charters, 2021: v15 n4, [co-authored]

Scholarly Primitives of Scholarly Meetings: A DH-Inspired Exploration of the Virtual Incunabular in the Time of COVID 19, 2022: v16 n2, [co-authored]

Teaching and Learning from the U.S. South in Global Contexts: A Case Study of Southern Spaces and Southcomb, 2009: v3 n2, [co-authored]

Archives, Information Infrastructure, and Maintenance Work, 2022: v16 n1

Scaffolding and Play Approaches to Digital Humanities Pedagogy: Assessment and Iteration in Topically-Driven Courses, 2017: v11 n4, [co-authored]

A Deep History of Electronic Textuality: The Case of English Reprints Jhon Milton Areopagitica, 2013: v7 n1

Supporting the Exploration of Online Cultural Heritage Collections: The Case of the Dutch Folktale Database, 2017: v11 n4, [co-authored]

Transdisciplinary Analysis of a Corpus of French Newsreels: The ANTRACT Project, 2021: v15 n1, [co-authored]

Infrastructure and Social Interaction: Situated Research Practices in Digital Humanities in India, 2020: v14 n3, [co-authored]

Studying Large-Scale Behavioral Differences in Auschwitz-Birkenau with Simulation of Gendered Narratives, 2022: v16 n3, [co-authored]

A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]

Music Theory, the Missing Link Between Music-Related Big Data and Artificial Intelligence, 2021: v15 n1, [co-authored]

The Push and Pull of Digital Humanities: Topic Modeling the What is digital humanities? Genre, 2020: v14 n1, [co-authored]

Digital Caricature, 2014: v8 n3, [co-authored]

From Stone to Screen: Digital Revitalization of Ancient Epigraphy, 2016: v10 n1, [co-authored]

Audiovisualities out of Annotation: Three Case Studies in Teaching Digital Annotation with Mediate, 2021: v15 n1, [co-authored]

Avatar Emergency, 2011: v5 n3

A Genealogy of Distant Reading, 2017: v11 n2

Postmodern Culture and More: an Oral History Conversation between John Unsworth and Anne Welsh , 2012: v6 n3, [co-authored]

Cervantes Project: The Digital Quixote Iconography Collection, 2009: v3 n3, [co-authored]

Moving Cinematic History: Filmic Analysis through Performative Research , 2021: v15 n1, [co-authored]

Webs of Significance: The Abraham Lincoln Historical Digitization Project, New Technology, and the Democratization of History, 2007: v1 n1

Introduction: Questioning Collaboration, Labor, and Visibility in Digital Humanities Research, 2019: v13 n2, [co-authored]

Unraveling reported dreams with text analytics, 2017: v11 n4, [co-authored]

Mining Public Discourse for Emerging Dutch Nationalism, 2016: v10 n3, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

Towards a User-Friendly Tool for Automated Sign Annotation: Identification and Annotation of Time Slots, Number of Hands, and Handshape , 2021: v15 n1, [co-authored]

Mining Embodied Emotions: A Comparative Analysis of Sentiment and Emotion in Dutch Texts, 1600-1800., 2017: v11 n4, [co-authored]

Manual Annotation of Unsupervised Models: Close and Distant Reading of Politics on Reddit, 2019: v13 n3, [co-authored]

War in Parliament: What a Digital Approach Can Add to the Study of Parliamentary History , 2014: v8 n1, [co-authored]

Unpacking tool criticism as practice, in practice, 2023: v17 n2

[en]The Page Is an Image Again: Bleedmapping as an Analysis Technique for Historical Newspapers, 2023: v17 n1

Introduction: Special Issue on AudioVisual Data in DH, 2021: v15 n1, [co-authored]

Xpos’re: A Tool for Rich Internet Publications, 2014: v8 n2, [co-authored]

Attention Ecology: Trend Circulation and the Virality Threshold, 2016: v10 n4, [co-authored]

Curating Crowds: A Review of Crowdsourcing Our Cultural Heritage (Ashgate, 2014), 2019: v13 n1

Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction, 2020: v14 n4, [co-authored]

Manual Annotation of Unsupervised Models: Close and Distant Reading of Politics on Reddit, 2019: v13 n3, [co-authored]

DHBeNeLux: Incubator for Digital Humanities in Belgium, the Netherlands and Luxembourg, 2017: v11 n4, [co-authored]

The Archive as Repertoire: Transience and Sustainability in Digital Archives , 2016: v10 n4

Graph based modelling of prosopographical datasets. Case study: Romans 1by1, 2024: v18 n2, [co-authored]

BASIC FTBALL and Computer Programming for All, 2023: v17 n2

The Radical Historicity of Everything: Exploring Shakespearean Identity with Web 2.0, 2009: v3 n3, [co-authored]

Information access in the art history domain: Evaluating a federated search engine for Rembrandt research , 2016: v10 n4, [co-authored]

Perceptual Effects of Hierarchy in Art Historical Social Networks, 2022: v16 n1, [co-authored]

Using word vector models to trace conceptual change over time and space in historical newspapers, 1840–1914, 2022: v16 n2, [co-authored]

Coca-Cola: An Icon of the American Way of Life. An Iterative Text Mining Workflow for Analyzing Advertisements in Dutch Twentieth-Century Newspapers, 2017: v11 n4, [co-authored]

The circus we deserve? A front row look at the organization of the annual academic conference for the Digital Humanities , 2022: v16 n4, [co-authored]

Conceptual Modeling of European Silk Heritage with the SILKNOW Data Model and Extension, 2024: v18 n3, [co-authored]

Renaissance Remix. Isabella d’Este: Virtual Studiolo, 2018: v12 n4, [co-authored]

Cuneiform Stroke Recognition and Vectorization in 2D Images, 2024: v18 n1, [co-authored]

[en]LemonizeTBX: Design and Implementation of a New Converter from TBX to OntoLex-Lemon, 2024: v18 n2, [co-authored]

[fr]Criminocorpus. Un projet numérique pour l'histoire de la justice
[en]Criminocorpus. A digital project for History of Justice, 2018: v12 n1, [co-authored]

Open, Equitable, and Minimal: Teaching Digital Scholarly Editing North and South, 2022: v16 n2, [co-authored]

[fr]Potentialités et difficultés d’un projet en humanités numériques (DH) : confrontation aux outils et réorientations de recherche
[en]Potentialities and difficulties of a digital humanities (DH) project: confrontation with tools and reorientations of research, 2018: v12 n1, [co-authored]

Using word vector models to trace conceptual change over time and space in historical newspapers, 1840–1914, 2022: v16 n2, [co-authored]

[en]Editorializing the Greek Anthology: The palatin manuscript as a collective imaginary, 2020: v14 n1, [co-authored]

Inferring standard name form, gender and nobility from historical texts using stable model semantics, 2021: v15 n1, [co-authored]

Problems of Authorship Classification: Recognising the Author Style or a Book?, 2023: v17 n4, [co-authored]

Dendrography and Art History: a computer-assisted analysis of Cézanne’s Bathers., 2019: v13 n3, [co-authored]

Gender, Race, and Nationality in Black Drama, 1950-2006: Mining Differences in Language Use in Authors and their Characters, 2009: v3 n2, [co-authored]

Hands-On Reading: An Experiment in Slow Digital Reading, 2021: v15 n2, [co-authored]

The Boundless Book: A Conversation between the Pre-modern and Posthuman, 2013: v7 n1

The Data Sprint Approach: Exploring the field of Digital Humanities through Amazon’s Application Programming Interface, 2015: v9 n3, [co-authored]

Film and Video Analysis in the Digital Humanities – An Interdisciplinary Dialog, 2020: v14 n4, [co-authored]

Developing Research through Podcasts: Circulating Spaces, A Case Study, 2021: v15 n3, [co-authored]

Building A Volunteer Community: Results and Findings from Transcribe Bentham , 2012: v6 n2, [co-authored]

Comic Book Markup Language: An Introduction and Rationale, 2012: v6 n1

Making the Whole Greater than the Sum of its Parts: Taxonomy development as a site of negotiation and compromise in an interdisciplinary software development project, 2023: v17 n3, [co-authored]

Digital Methods in Literary Criticism: A Review of Digital Humanities and Literary Studies (2022), : v n, [co-authored]

From the Presupposition of Doom to the Manifestation of Code: Using Emulated Citation in the Study of Games and Cultural Software, 2021: v15 n1, [co-authored]

Six Degrees of Francis Bacon: A Statistical Method for Reconstructing Large Historical Social Networks , 2016: v10 n3, [co-authored]

Sequential Rhetoric: Using Freire and Quintilian to Teach Students to Read and Create Comics , 2015: v9 n4, [co-authored]

Rogue Performances: A Review of Abigail De Kosnik’s Rogue Archives: Digital Cultural Memory and Media Fandom, 2020: v14 n1

Digital Collaborations: A Survey Analysis of Digital Humanities Partnerships Between Librarians and Other Academics, 2019: v13 n4

Modernism and Gender at the Limits of Stylometry, 2021: v15 n4, [co-authored]

Cross-codex Learning for Reliable Scribe Identification in Medieval Manuscripts, 2024: v18 n1, [co-authored]

Dendrography and Art History: a computer-assisted analysis of Cézanne’s Bathers., 2019: v13 n3, [co-authored]

A short Introduction to the Hidden Histories project and interviews , 2012: v6 n3, [co-authored]

Introduction to Feminisms and DH special issue, 2015: v9 n2

Manuscript Study in Digital Spaces: The State of the Field and New Ways Forward, 2018: v12 n2, [co-authored]

Introduction to the DHQ Special Issue: Digital Technology in the Study of the Past, 2018: v12 n3, [co-authored]

Managing 100 Digital Humanities Projects: Digital Scholarship & Archiving in King’s Digital Lab , 2019: v13 n1, [co-authored]

Tracking the Consumption Junction: Temporal Dependencies between Articles and Advertisements in Dutch Newspapers, 2020: v14 n2, [co-authored]

Uncovering Latent Metadata in the FSA-OWI Photographic Archive, 2017: v11 n2, [co-authored]

Any Means Necessary to Refuse Erasure by Algorithm: Lillian-Yvonne Bertram’s Travesty Generator, 2023: v17 n2

Digital Humanities, Copyright Law, and the Literary, 2013: v7 n1

A Macroscope for Global History: Seshat Global History Databank, a methodological overview, 2016: v10 n4, [co-authored]

Archival Liveness: Designing with Collections Before and During Cataloguing and Digitization, 2015: v9 n3, [co-authored]

Modelling Medieval Hands: Practical OCR for Caroline Minuscule, 2019: v13 n1, [co-authored]

Introduction: Comics and the Digital Humanities, 2015: v9 n4, [co-authored]

Calamari − A High-Performance Tensorflow-based Deep Learning Package for Optical Character Recognition, 2020: v14 n2, [co-authored]

A Design Methodology for Web-based Sound Archives, 2014: v8 n2, [co-authored]

The case of the golden background, a virtual restoration and a physical reconstruction of the medieval Crucifixion of the Lindau Master (c. 1425), 2023: v17 n1, [co-authored]

From Archive to Database: Using Crowdsourcing, TEI, and Collaborative Labor to Construct the Maria Edgeworth Letters Project, 2024: v18 n2, [co-authored]

Computer Vision and the Creation of a Database of Printers’ Ornaments, 2021: v15 n1, [co-authored]

The Media Ecology Project: Collaborative DH Synergies to Produce New Research in Visual Culture History, 2021: v15 n1, [co-authored]

It May Change My Understanding of the Field: Understanding Reading Tools for Scholars and Professional Readers, 2009: v3 n4, [co-authored]

An Open Lab? The Electronic Textual Cultures Lab in the Evolving Digital Humanities Landscape, 2020: v14 n3, [co-authored]

Annotating our Environs with the Sound and Sight of Numbers: The DataScapes Project, 2021: v15 n1, [co-authored]

Introducing DREaM (Distant Reading Early Modernity), 2017: v11 n4, [co-authored]

Decoupling Quality Control and Publication: The Digital Latin Library and the Traveling Imprimatur., 2019: v13 n4, [co-authored]

Cluster Analysis in Tracing Textual Dependencies – a Case of Psalm 6 in 16th-century English Devotional Manuals, 2023: v17 n3

Mining for the Meanings of a Murder: The Impact of OCR Quality on the Use of Digitized Historical Newspapers, 2014: v8 n1, [co-authored]

Reading Potential: The Oulipo and the Meaning of Algorithms, 2007: v1 n1

Mining for the Meanings of a Murder: The Impact of OCR Quality on the Use of Digitized Historical Newspapers, 2014: v8 n1, [co-authored]

History Harvesting: A Case Study in Documenting Local History, 2023: v17 n3, [co-authored]

Automated Transcription of Non-Latin Script Periodicals: A Case Study in the Ottoman Turkish Print Archive, 2022: v16 n2, [co-authored]

Kindling, Disappearing, Reading, 2013: v7 n1

Ensuring Minimal Computing Serves Maximal Connection, 2022: v16 n2

Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship, 2022: v16 n2, [co-authored]

Unveiling the Editing Process of Japanese Demons Picture Scrolls: How Digital Humanities Played a Role in Developing a New Theory in Art History, 2023: v17 n4

Translation Alignment for Historical Language Learning: a Case Study, 2021: v15 n3, [co-authored]

Burying Dead Projects: Depositing the Globalization Compendium, 2014: v8 n2, [co-authored]

Deconstructing Bricolage: Interactive Online Analysis of Compiled Texts with Factotum, 2015: v9 n1, [co-authored]

Minimal Computing for Exploring Indian Poetics, 2022: v16 n2, [co-authored]

[es]United Fronteras como tercer espacio: Modelo transfronterizo a través de las humanidades digitales poscoloniales y la computación mínima
[en]United Fronteras as Third Space: A Transborder Model Through Postcolonial Digital Humanities and Minimal Computing, 2022: v16 n2, [co-authored]

Ticha: Collaboration with Indigenous communities to build digital resources on Zapotec language and history, 2020: v14 n4, [co-authored]

Raiders of the Lost Corpus, 2016: v10 n2, [co-authored]

Film and Video Analysis in the Digital Humanities – An Interdisciplinary Dialog, 2020: v14 n4, [co-authored]

Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship, 2022: v16 n2, [co-authored]

Simple but Beautiful: A Case Study on the ZHI Project of Traditional Craftsmanship, 2022: v16 n2, [co-authored]

Towards a National Data Architecture for Cultural Collections: Designing the Australian Cultural Data Engine, 2024: v18 n2, [co-authored]

A multi-dimensional ontology-based analysis of the Censorship of Hebrew Manuscripts, 2020: v14 n1, [co-authored]

Open Data in Cultural Heritage Institutions: Can We Be Better Than Data Brokers?, 2020: v14 n2

Case Study: Annotating the ambiguous modality of "must" in Jane Austen’s Emma, 2023: v17 n3, [co-authored]

Ontologies and Logic Reasoning as Tools in Humanities?, 2009: v3 n4

The Role of Critical Thinking in Humanities Infrastructure: The Pipeline Concept with a Study of HaToRI (Hansard Topic Relevance Identifier), 2020: v14 n3, [co-authored]