“Bridging disciplinary boundaries: A case study of the
Music Information Retrieval Annotated Bibliography Project”
J.
Stephen
Downie
Graduate School of Library and Information Science,
University of Illinois at Urbana-Champaign
jdownie@uiuc.edu
Background
Music information retrieval (MIR) research and development strives to afford the same level of access to the world's corpus of music as is afforded to text. Recently concluded international symposia devoted to MIR research and development bear witness to the promise of powerful, robust, large-scale, and flexible search and retrieval tools designed to be used by scholars and novices alike (ISMIR 2000; ISMIR 2001). Like many other humanities computing endeavours, it has attracted a multi-disciplinary group of researchers who are applying their domain-specific expertise to the wide range of challenges inherent in MIR development. MIR researchers come from library science, musicology, music theory, music psychology, computer science, digital and traditional librarianship, audio engineering, information science, information retrieval, publishing, media studies, broadcasting, law, and business, to name only a small handful of the disciplines represented. MIR research is all the stronger for the cross-pollination of disciplinary paradigms, research methods, and technological approaches. Effective communications across disciplinary boundaries, however, are impeding the coalescence of MIR research into a coherent discipline in its own right. The nascent MIR community is plagued with two forms of communications breakdown:- 1. The scattering of the MIR literature caused by a lack of bibliographic control; and,
- 2. The confusion brought about by the use of discipline-specific assumptions, techniques, and language throughout its literature.
Problem Overview
MIR research has no disciplinary home. Because of this, researchers have been publishing their findings within the contexts of their own disciplines. Important MIR papers are thus scattered, for example, across the computer science, library science, musicology, humanities, and audio engineering literatures. There is no comprehensive indexing tool that successfully gathers up these papers. For example, significant musicology-based advances can be located through various music, arts and humanities indexes but not through the engineering and computer science indexes. Advances in audio engineering techniques are similarly absent from the music, arts and humanities indexes. Since researchers are generally unaware of the differences in scope of the various discipline-based indexes, they tend to focus upon those with which they are most familiar and thus overlook the contributions of those based in other disciplines. Unfamiliarity with the wide range of vocabularies used by the various disciplines further compounds the communication difficulties by making it problematic for MIR investigators to conduct thorough and comprehensive searches for MIR materials. Until these issues are addressed, MIR will never be in a position to fully realize the benefits that a multi-disciplinary research and development community offers, nor will it be able to develop into a discipline in its own right.Solution
Our solution to the issues outlined above centers about the creation of a Web-based, two-level, collection of annotated bibliographies (Fig. 1). The first level, or core bibliography, will bring together those items identified as being germane to MIR as a nascent discipline. Thus, the core bibliography comprises only those papers dealing specifically with some aspect of the MIR problem, such as MIR system development, experimentation, and evaluation, etc. The second level, or periphery bibliographies, comprise a set of discipline-specific bibliographies. Each discipline-specific bibliography in the set will provide access to the discipline-specific background materials necessary for non-expert members of the other disciplines to comprehend and evaluate the papers from each participating discipline. For example, an audio engineering bibliography could be used by music librarians and others to understand the basics of signal processing (e.g., Fast Fourier Transforms, etc.). Another example would be a musicology bibliography that computer scientists could draw upon in an effort to understand the strengths and weaknesses of the various music encoding schemes, and so on. Thus, taken together, the two-levels of the MIR bibliography will provide:- 1. The much needed bibliographic control to the MIR literature; and,
- 2. An important a mechanism for members of each discipline to comprehend the contributions of the other disciplines.
- 1. The bibliographic search and retrieval interface using the GSDL package; and,
- 2. The Web-based end-user data entry system.
Acknowledgements
I would like to thank Dr. Suzanne Lodato for helping the project obtain its principal financial support from the Andrew W. Mellon Foundation. I would also like to thank Dr. Radha Nandkumar and the National Center for Supercomputing Applications Faculty Fellows Programme for their support. The hard work and insightful advice of Karen Medina, Joe Futrelle, Dr. David Dubin, and the other members of the Information Science Research Laboratory at the Graduate School of Library and Information Science, UIUC, is gratefully appreciated. Those members of the MIR research community who have volunteered to act as project advisors are also thanked.Bibliography
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