“The Poet in the Literary Marketplace”
Geraldine
Vogel
Department of French, Spanish, and Italian University of Manitoba
nicolas.vogel@mb.sympatico.ca
The ARTFL database provides material for studying the literary fortunes of
the image of the poet in 19th century French literature. The patterns in
distributions of allusions to poets and poetry are compared to those of
sales of books of poems to gauge the importance of literary allusions to
poetry as a reflection of societal trends.
Data
The ARTFL database for the period 1789-1914 is examined, since the French Revolution and the outbreak of World War I are useful boundaries to the historical period which can be called the 19th century for sake of simplicity. Three search strings, poEme.*, poEsie.*, and poEt.* retrieve all forms of the words "poème" (poem), "poésie" (poetry), "poète" (poet), and "poétique" (poetic). Other words like "vers" (line of poetry, but also worm, and towards) are not retrieved because of the problem of polysemy. This approach can be justified in terms of the theory of semantic categories developed by Lakoff (1987) and is similar to the one used by Olsen (1991) to examine gender representation in French literature. Results produced by the ARTFL search engine are divided into chronological periods using the break-down suggested by Imbs (1971), and are further divided into the following genres on the basis of what is provided by the ARTFL search engine: Novel, Theater, Poetry, Non-Literary Prose. In all cases of period and genre identification, decisions embodied in the structure of the ARTFL database are respected. The raw numbers provided by ARTFL have been divided by the number of words in all the texts in a given period and genre, then multiplied by 10,000 so that relative frequencies can be compared.Results
Table 1 contains the relative frequencies of the words most likely to evoke poetry in the periods and genres explained above.Table 1: Relative Frequency of Evocations of Poetry in 19th Century French Literature | ||||
---|---|---|---|---|
Period | Novel | Theater | Poetry | Non-Fiction Prose |
1789-1816 | 2.32 | 1.60 | 10.73 | 3.26 |
1816-32 | 2.50 | 1.30 | 6.28 | 3.50 |
1833-41 | 2.62 | 50.23 | 70.46 | 7.10 |
1842-49 | 6.90 | 0.41 | 27.35 | 4.51 |
1850-59 | 2.28 | 0.38 | 5.82 | 4.33 |
1860-69 | 0.94 | 2.44 | 5.73 | 6.14 |
1870-79 | 0.53 | 0.86 | 4.24 | 4.87 |
1880-92 | 1.25 | 4.10 | 1.01 | 7.10 |
1893-1907 | 1.56 | 1.48 | 15.43 | 3.83 |
1908-14 | 1.95 | 0.31 | 3.18 | 6.66 |
Discussion
The ARTFL search engine provides a list in descending order of frequency of the texts which produced the allusions to a given term. What is particularly noticeable in these data is the familiarity of the names of the authors of the early 19th century who frequently alluded to poetry: Balzac, Chateaubriand, Hugo, Musset, Vigny. The late 19th century authors who contribute to the second, and smaller, rise in allusions to poetry are much closer in time, but less familiar, even to a specialist in French literature: Bloy, France, Gobineau, Huysmans, Péladan, Rolland. Poetry as a cultural phenomenon seems to have been progressively marginalised from the mid to the late 19th century. Table 2 shows the number of literary texts published per annum during a part of the period under consideration (Charle 1985).Table 2: Annual Production of Literary Texts: 1830-1905. | ||||
---|---|---|---|---|
Period | Novel | Theater | Poetry | Total |
1830-40 | 210 | 258 | 365 | 833 |
1840-75 (estimates) | 246 | 220 | 78 | 544 |
1876-85 | 621 | 196 | 139 | 956 |
1886-90 | 774 | 264 | 236 | 1274 |
1891-99 | 630 | 257 | 249 | 1136 |
1900-05 | 775 | 278 | 241 | 1394 |
Conclusion
The ARTFL database provides information which allows one to evaluate the importance of the theme of the poet in French literature. The society in general, not just those who write for publication, is then, as now, the final arbiter of what is important and what is not in a given culture at a particular time. The information provided by the ARTFL search engine about the names of those writers who stressed the importance of poetry can be related to general knowledge to suggest that the late 19th century renaissance of interest in poetry was not an important social force, when compared to the Romantic period. Independent information, in the form of publication data, confirms this judgment.References
Christophe Charle. “Le Champ de production littéraire.” Histoire de l'édition Française. Paris: Promodis. III, 1985. 119-35.
Michel Echelard. Histoire de la littérature en France au XIXe siècle. Paris: Hatier, 1994.
Paul Imbs. Dictionnaire des Fréquences. Nancy: C.N.R.S.-T.L.F., 1971.
George Lakoff. Women, Fire, and Dangerous Things: What Categories Reveal about the Mind. Chicago: The University of Chicago Press, 1987.
André Lagarde Laurent Michard. XXe siècle. Paris: Bordas, 1969.
Mark Olsen. “Gender Representation and Histoire des Mentalités:
Language and Power in the Trésor de la langue française.” Histoire et Mesure. 1991. 6: 349-73.